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Fionn

⭐Supporting Member⭐
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Everything posted by Fionn

  1. Ahhh! I get you. Thanks for the tip. Everything seems that be in order there 🙂
  2. Aye, I’d be able to get a good impression of the middle and bottom pieces, but only a tiny bit of the top one. I’d do that first if it came to it, sure. For now though, I’ve decided to leave it black. It’s shabby enough like that 😀
  3. Thank you! I’ll need to re-seat the bridge, as it’s squint, sure. What do you mean by ‘proper-polarised’?
  4. I just picked this up for £65. Indian-made E83 from the 80’s/90’s. Fender-style headstock, block string tree, hardwood body. Great neck, with a beautiful flame through the maple. The rosewood on the fretboard is really high quality, beautiful and dark. Frets are almost perfect and the ends are smooth enough. It’s a very heavy bass. I took the neck off, and sanded the paint back in the neck pocket, finding that the body is made of a dark hardwood. Not similar to the sanded one photographed earlier, but a more even and darker brown, almost like rosewood. The pots, input jack, and wiring have been upgraded. I’m just deciding what else to do with it. I was thinking of sanding it back to the bare wood, doing an oil/wax finish, and putting a tort scratch plate on there. Not sure how consistently the three pieces of wood will match on the body though. It’s a lottery with these, I guess. There’s only one way to find out and, once you do, it’s too late to turn back. I had been thinking about changing the pups for a set of SD Quarter Pounders but, to be perfectly honest, the stock pickups sound great, so I’d probably leave them be, and just keep it as it is (but with a tort guard and vintage-style brass bridge saddles). Hmmmm? Decisions Decisions ... Either way, this is every bit a P-Bass, in tone and feel. The essential vibe is totally intact. Absolutely no need to have spent any more. I love it 🙂
  5. The Warwick Porn thread isn’t the place to be tearing someone’s pride and joy to shreds, even if it is a ‘joke’. I appreciate that you edited your post though, @Marcoelwray
  6. Can anyone recommend me a wide leather strap that is smooth (not grippy) on the inside?
  7. Ha! No ... because you’re eventually going to cave in and sell me your fretless 😀
  8. Streamer Pro M (1998). For someone who loves both Streamers and Stingrays, this feels like the perfect bass. It’s possibly my all-time favourite. The first of them had wenge necks and only one preamp, which were soon replaced by the ovangkol/ twin preamp models. The controls on this are stacked Bass/ Treble, Pickup Blend, and Volume (with push/ pull Passive Switch). When in passive mode, tone is controlled via the pickup blend. The tonal range of the Pro M is deceptively broad. It’s very versatile, given how closely the twin J pickups sit together within that single housing. There’s a hum-cancelling dummy coil between the pickups too, so it’s very clean sounding when on one pickup or the other. This bass is the very definition of ‘punchy’ 🙂
  9. Oh, I had just assumed it was really dark rosewood. Thanks for that 👍🏻
  10. 16.5mm. I’ll need to borrow a set of scales and get back to you about the weight.
  11. This is up for sale again folks.
  12. Can anyone recommend me a strap with a smooth inside that doesn’t stick to the shoulder? Straps with a suede or rough leather finish grip too much. I’m after something that slides over my shoulder, instead of pulling the neck of my t-shirt half way down my chest.
  13. More of the twins 😀😀 ... There may be a third on its way!
  14. Ahhhh ... Matsumoku goodness! Beautiful! 🏆
  15. Bought a pedal from Si. All good and happy. 🏆
  16. Oh wow. That’s amazing. What a resource. Great work! I’m obsessive too man. I get it 🏆 Also, I’ll measure up my Aria SB’s if you want that data for the spreadsheet?
  17. Just wondering if any of you folks who own a Precision or a Stingray could measure the distance from the 12th fret to the centre point of the pickup for me please? If you’ve got a Jazz (I know they vary), could you do the same on both pickups, and let me know what model it is? Ta’
  18. Just bought a pedal from Frank. Fair price for a nice bit of kit. Good communication, and helpful with postage. All good. Thanks man 👍🏻
  19. Yann just bought a pedal from me. Smooth transaction and good communication. Deal with confidence 👍🏻
  20. Fionn

    Sold

    Sold Fender ABY Reversible ABY splitter, so it can run either 2 inputs to 1 output, or 1 input to 2 outputs. Either channel separately or both simultaneously. It’s a handy bit of kit with a multitude of possible applications. Passive switching, so it can be used without a power supply. Plug in a standard 9v supply (or battery) and you’ll get the benefit of the indicator LEDs. Condition is perfect/ as new. It has been on a board it’s whole short life (Velcro on underside). Corporate blurb: https://shop.fender.com/en-GB/accessoriespedals-power-products/fender-aby-footswitch/0234506000.html?rl=en_US I’m in Fife, Scotland. Happy to post though.
  21. messaged you.
  22. Thanks for that. Aye, I’m aware of those two options, but I’d prefer to mod the one I’ve got, if it’s not too much of a ball-ache
  23. Folks. How would I go about adding a clean boost circuit to one of the channels of a basic Fender ABY pedal (like the one pictured below)? I have both an active and passive bass plugged in simultaneously. The clean boost on one of the input channels would be to bring the output of the passive bass in line with the active bass without involving an additional preamp. It’s a standard reversible ABY pedal (2 inputs to 1 output/ 1 input to 2 outputs). It’s a passive switch. The 9v supply is for the LED. Incidentally, I never use the ‘A and B’ switch to activate both channels simultaneously. I only ever use the ‘A or B’ switch to switch between one or the other, so that element of the pedal could be sacked. Your thoughts/ advice would be most appreciated.
  24. Fionn

    Sold

    SOLD EBS Multidrive Overdrive with three switchable gain stages. The pedal ranges from a convincing warm, gutsy overdrive in ‘Tubesim’ mode, getting into thick distortion in ‘Std’ mode, all the time with no loss of bottom end whatsoever. ‘Flat’ mode is more aggressive still, with more treble bite. All that said, the pedal is truly at home in the tube simulation mode, used as a low-medium gain overdrive. That’s where it excels. The Multidrive sits nicely in the mix, and works equally well with both passive and active basses (there’s a switch on the side). When you’ve chosen your gain stage, the only thing to dial in is drive and volume. Easy to adjust on the fly. It’s a really uncomplicated, functional, and straight-up good, solid overdrive pedal. I’m in Fife Scotland, but will post by 1st class Recorded Delivery for an extra fiver.
  25. Fionn

    Sold

    Sold Source Audio Hot Hand 3 Expression controller that not only works with Source Audio Pedals, but any pedal (of any brand) that you would normally control with an expression pedal. This can be used with a broad range of effects, controling parameters as basically and conventionally as you would with an expression pedal ... as well as doing the wild Dubstep wobbles, etc. It’s a lot of scope. It has virtually never been used, so condition is perfect. Hot Hand ring, psu/ charger, TRS link, and the receiver unit are all included. More info here ... https://www.sourceaudio.net/hot-hand-3-universal-wireless-controller.html# Trade options: Things I’m currently after are ... Boss LS-2 Line Selector, Boss FV-30L Volume Pedal, EHX Holy Grail, EHX Bass Clone, MXR Vintage Bass Octave. Give us a shout if you’ve got one of those that you’d want to trade and we can discuss cash balance, etc.
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