krispn

It might be more worthwhile to look at why you’re feeling the way you are and deal with that. Sure it could be a phase and we’re in quite unprecedented times! If having no free time isn’t the overriding issue then the next question would be why have you lost interest and does this lack of interest or drive extend to other hobbies or day to day activities. If it’s more of a mood thing and you’re beginning to experience anhedonia in other aspects of your life it’s time to talk to someone and figure out what might be going on. I don’t wanna make it sound all heavy but if this is the start of a change in mood go speak to someone and invest some time in yourself and your well being.

What do folks think the impediment has been to committing to a new routine/practice schedule/learning a new skill? I know having an end goal in sight, usually to meet a performance deadline etc. is a big motivator but for instance the OP mentions learning how to PC edit multi fx. @Al Krow will tell you I’ve been encouraging him/pestering him to just get on with this for years but deep down he’s probably just an amp/cab player. I’d imagine if post Covid all his band members were suddenly self sufficient and you only needed to bring your own gear you’d probably not make any major changes to your gigging set up? I often find that unless I’m learning something for a specific purpose my interest can drop off and since I’ve been working away over these last few months I haven’t had the same ‘down time’ as it were to commit to a new routine. I’ve had lots of mates wanting to commit to something new but they really haven’t been able to sustain it for what ever reason- mainly that they thought that they should do something rather than wanting to do something. What I have been doing... I recently moved to a new flat and as the beach is now 10 mins away I try and get into the water for a swim as often as I can - tides and work permitting, usually 3 times a week. It’s been rather enjoyable (always cold but that’s half the point) and that helps! I had some notion to ‘learn more’ bass related/music related stuff but the ‘reward’ compared to other things I could be doing just doesn’t seem worth it. I think I know my ability is where it is and while I can ‘improve upon it’ I’m unlikely to really gain from the effort down the line. I mean I’m not gonna be joining a West End theatre band any time soon!! I have been adding small incremental changes week to week in other areas and I believe that’s a big part of maintaining consistency. And with that high tide is at 14:24 so I’m away for a dip!

I had one made a not too long ago for my p bass by Tim at Gig.ink no frills and does the job. It should be on file as reverse p pick guard if you wanna get in touch with him. If you need more details give me a pm!

I got some of these made by posting the links and had a band mate give me a ‘reference’ as per the application process. I did the same for him and we both got our moulds which are great. If you can hold off until after covid lock down (would I be right in thinking like the rest of us you’re less likely to need them now anyways?) then do try and get the discount. If not I’d still like others have said consider the ACS moulds. Good luck!

I recall seeing Dave Marks teaching the one finger per fret method as warm up/finger exercises but starting up around the 10th fret as the spacing was just more comfortable/practical.

It’ll be ‘50’ for his time in Judas Priest and their logo.

I never set mine up with any switching but by coil tap do you mean series/parallel as this will reduce the output depending on which setting it’s on. Check out some You Tube videos on it for more info. The p pick up fitted in standard size ‘Fender’ cases and I bought it to fit into a bass as opposed to buying a Schecter bass which had it fitted as standard.

I had a monster tone p pick up from Schecter, the Michael Anthony sig version and it’s a super high output pick up with over sized (think SD quarter pounder type pole pieces). I wouldn’t have described the sound as ‘typical’ more of a ‘on steroids‘ type sound. The material the magnets were made from were different to ‘regular’ pick ups (ceramic 9?) and not AlNiCo 5 which is more common although not used exclusively. This combination of larger pole pieces and materials used all add to the very high output which isn’t that common in more vintage voiced pick ups which typically would have a lower output so then they wouldn’t be driving the preamp of an amp as hard and could offer a more nuanced or dynamic playing experience rather than a full on output assault. Think of it in terms of using a natural speaking voice with rises and falls in volume versus shouting 🙂

Take the battery out and you’ll know for certain.

How does using eq after the dirt to add some lows back in work? I know some folk don’t like to eq a dirty signal but others like to enhance what the dirt does or make up for what it ‘takes away’.

Buy the pick ups first that way you have the perfect excuse for a new home for them 😉

No luck at all!

New Spector. Why not 🙂

Ooops I thought the 5502 had the MM/J config. Ignore me

You after pick ups or tone shenanigans? If it's pick up's and you wan some trickery there's some (objectively) good pick ups out there for the MM position. I like the Nordstrand Bigman with switchable coils as found in the Dan Lutz DL VM5. It's this one... I'm tempted to whack it in my p bass if I decide to go down that route in the future with the coil switch option.

That would be a very neat 410 modular rig, compact and punchy!