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Everything posted by krispn
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Consider it graded exposure 😆 You’re welcome 🙏
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Just because… 😆 Need to tidy up the wiring but just wanted to be sure it all sounded good. My standard set up remains much the same. I tap the sound from the Simone DI as below: TU3>4OTF>BSComp>Simone DI>CabM+ all goes to FOH/desk The full board goes to the amp via Simone 1/4” out: TU3>4OTF>BSComp>Simone1/4”>MB Comp>P&P>Funk> Thumpinator >amp 4OTF just as an always on low gain thing taking advantage of the filters. The MB is just acting as a valve stage and not doing any compression worth writing home about (I mean it can but not on this gig iteration). Getting a bit more juice from the 4OTF. P&P doubles as either drive or fuzz depending on the tune and set low gain gets a nice bump from the 4OTF too. Nice to have different drives available to layer. Funkulator just does its thing and adds a nice scoop to the drive sound for added sculpting.
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The classic question of what do you ‘need’ and are there specific tones you’re after? Are the drives too raunchy or just missing a vibe? I had the ToneHammer for a number of years and used it in AGS mode as a slightly warmer low gain drive sound and it was great in this role. It then meant some other low gain drives came alive in this gain staging role. My pedal board is basically a preamp/eq, some compression and a couple of drive pedals. I have the option to add or swap in or out a few things but ultimately for the current pub gig it’s all I really need for this gig. There’s not much room for experimenting and even using some fuzz and octave combined but it’s not quite right for the tunes we play. For this reason I’m just using the basics but they work! I flip from thinking I need more stuff then get it and it doesn’t hit the mark then go back to the basics again, think I should be making more interesting sound only for them to not work and back to the basics again…
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Yup a compressor will do wonders for your drive tone depending on where you set it and the suggestion above is solid. Adding a comp as an ‘effect’ for other pedals is a great trick.
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The original pork loin was a purple pedal and because they’re discontinued you might well find a larger enclosure P&P for the same price which is good as it’s a more versatile unit.
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Pork and Pickle by Way Hige which is basically a pork loin plus a fizz circuit. Really satisfying low gain drive with a nice character especially live with the band. Genzler 4 on the floor is another nice lower to mid gain with the added filters which really help sit the drive where you want it in your sound. You can open up the top end or tame it right down to just the right amount of bite and similarily with the low end keep it ‘tight and tidy’ by filtering where the lows get the drive. I’m using both on my board currently and they gain stage really well together too making a very versatile range of gain individually or in combination.
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Kithara 'Samson' 30" Scale Bass £1650 - *SOLD*
krispn replied to knicknack's topic in Basses For Sale
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AVAILABLE - Seafoam Green 50s P-Bass - £400 - *SOLD*
krispn replied to kevin_lindsay's topic in Basses For Sale
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I was hoping you were in Edinburg not sure I can squeeze in a trip across or a deposit 😆
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Where do they have them back in stock? Keen to try one out as a former Super P5 owner. Also trying to not look at the Canadian Super P on the for sale page
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AVAILABLE - Seafoam Green 50s P-Bass - £400 - *SOLD*
krispn replied to kevin_lindsay's topic in Basses For Sale
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I’ve had them in place so long now they’re just part of the baked in tone. Initially I’d got them to add to the signal chain of a different unit but then ended up with an all tube pre amp with a Tx in the DI. How I use them now is having them in line after a drive unit or preamp (or both) sounded best as they’re adding some colouration and need a wee bit of signal driving into them. I did get the next model after these it it lost some lows while adding more colouration but the 2020s models were the right mix. I’ve seen on TB one guy had about 5 or 6 2020s unit in line beneath a Nano board. I had one initially and it wasn’t so noticeable. Ended up with three 2020s’ but two was the sweet spot for me. If you’re reconsidering using them definitely try them after a drive or preamp to get the most out of them.
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No I don’t sorry.
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Great question. It’s basically a pre defined eq cut at 800Hz which simultaneously maintains bass and treble at a consistent volume as the cut gets more pronounced across the sweep of the knob. Imagine a bass and treble boost only eq on an active bass which also adds that 800Hz mid cut too for slap tone but all mapped to one knob. At lower levels the cut is less evident but can liven up the tone. It’s looks a bit one dimensional on the surface but in conjunction with a drive pedal you can think of it as adding a second eq voicing. I can have a nice drive tone and then engage the Funkulator and immediately get a more scooped voicing which might be preferable on some tunes. I’ve said in a post about the Funkulator in another thread it’s really quite useful and can enhance a jazz bass’ natural voice, add a new voicing to a drive pedals as well as tighten up finger style at lower settings.
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My preamp appeared to stop working ahead of Friday nights gig but my trusty old basswitch has came to the rescue. I must have this pedal for 11yrs or more. Quick rewire this morning and the board sounds great for both IEM/FOH testing with headphones and into the amp. Added a Genzler 4OTF Classic bass for an always on sound to warm up the clean preamp which hits my two LBA 2020s transformers hidden underneath before the input stage on the Basswitch. The Dual Band comp is in the always on serial loop of the Basswitch before DI’ing this combined drive and comp sound out to the Cab M+. Sound great! The line out hits the remaining pedals before running into a Thumpinator hidden underneath the other side of the board before going to the amp. Pork and Pickle is more recent anddition and gain staging with the 4OTF just to the amp does exactly what I enjoy and wanted them to do. Adding a nice oomph on stage for me and the drummer but the FOH/IEM remains ‘clean’ and punchy. I’ve gotten compliments by sound techs before running this combination as it doesn’t mess with the FOH sound they’re trying to get right and they can give me a sign if I need to turn down the amp to get the balance right out front.
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Origin Effects BassRig Ampeg B15 Fliptop recreation
krispn replied to Quatschmacher's topic in Effects
It’s a bit big😀 -
Yes and yes. This CTR input does allow a second (mini) foot switch for scrolling through the presets. It can also be set for use with an exp pedal