pantherairsoft

[quote name='xgsjx' timestamp='1347997074' post='1807956'] It's a brilliant site you've got there & I'm happy to point anyone to it.. On a side note, I've noticed that some effects can respond to what's after them as well as what's before them (Moogers being prime examples). I've noticed that depending what pedals I have turned on, the chorus that's after the LPF can affect the envelope amount. Weird! [/quote] I would of thought that what you are hearing is the envelope being exploited more as the chorus sweeps a higher frequency range. If you have dirt on you'll have more top end harmonics, which will be amplified in the higher frequencies by the chorus. The envelope in the LPF will be heard in those high peaks as the modulation sweeps up. The envelope amount won't be moving, but th sweep of the chorus is making more of that envelope audible. I may be wrong... But that'd be my explanation

[quote name='ahpook' timestamp='1347993997' post='1807880'] experimenting with layering distortions for a bass + shoegaze guitar sound [/quote] Nice pick of effects. The mess hurts my eyes though

[quote name='xgsjx' timestamp='1347977254' post='1807513'] Like simwells says, there's no rules. However, Shep's blog might be of interest to you... [url="http://www.sheponbass.co.uk/blog/category/signal-chain-bassics"]http://www.sheponbass.co.uk/blog/category/signal-chain-bassics[/url] [/quote] No rules - chuck them all out. What works for you might not work for others. Effects respond so different in different orders so you need to move them around to find the sounds you love. There are practical restrictions, like old analogue octavers will basically track sod all after modulation or heavy dirt, so you're limited as to where they 'will work'. Failing that go mad! Thanks for sharing the link dude! [quote name='steve-bbb' timestamp='1347993953' post='1807878'] ta never mind the effects im distracted by the music page now [/quote] Glad you like it!! Shep

Cheers rOB, I do my best! Plenty more lined up as well!!

[quote name='lxxwj' timestamp='1347712116' post='1804235'] There are some ridiculous sounds coming out of his bass.. I never knew you could assign separate patches to separate strings!? Blew my mind [i]yet again[/i].. thanks Shep! [/quote] Yeah man you can do so much stuff with some software... Impressive.

[quote name='krysh' timestamp='1347640779' post='1803553'] thanks, great shep. but I didn't expect anything else. [/quote] Cheers dude - I can always count on you for some big up's!

Thank you buddy! What Jarman does with MIDI is really quite special. We've spoke a lot on the subject and he maintains that he just fiddles and stuff happens, that he doesn't consider himself to be that well versed in how it all works and how to get results. I beg to differ! The guy is amazing! Shep

Time for some MIDI-bass for a change. Melbourne, Australia's very own Jarman Donohue! PLEASE BE AWARE - MY WEBSITE IS NOW CLOSED. THE INTERVIEWS CAN NOW BE FOUND HERE -> [url="http://simonpoulton.tumblr.com/sheponbass"]http://simonpoulton.....com/sheponbass[/url] Jarman is the dubstep mastermind behind Australia's Men Imitating Machines, a 2-piece projects involving MIDI-Bass and MIDI-Drums and more crazy huge sub wobbling, ear splitting tones than you'd think possible from 2 men. Check out what the MIDI-Bass monster has to say about all things noisy!

If it picks up noise you'll need to move it, if not, don't worry! You'll know the 1st time you fire it up. Just make sure, that if you have a power supply that runs warm, that you are not going to make it even warmer - make sure some air can still get to the casing.

[quote name='fretmeister' timestamp='1347268697' post='1798508'] Having 2 M5's would be more fun! [/quote] This is definitely the best solution!

Unfortunately no, the LS2 will not do that. Reorganising the signal chain is a touch call. I can think of one pedal that will do what you need in this instance - The Wobo Loop Inverter. http://woboge.com/boxes_inverter.html You'd set your chain as follows... Bass - input of loop inverter - - loop1 - every pedal upto and including the tremolo - loop2 - M5 Output of loop inverter - delay The loop inverter lets you swap the signal chain order of the loops, so in one position the long string of effects runs into the m5 and then the delay. Press the button and 1 & 2 get swapped so the M5 runs into the long string of effects and then the delay. Hope that helps Shep

[quote name='lxxwj' timestamp='1346607021' post='1791140'] [i]This[/i] I need to see.. [/quote] All in good time! Next one will be an Australian!

[quote name='lxxwj' timestamp='1346512281' post='1790115'] If you get Mr. Chancellor, just remember to ask him to explain [i]all[/i] of his signal chain.. [/quote] Don't worry about that! That said... I have one interview in the pipeline with someone who's set up at least doubles Justin's!?!? [quote name='EskimoBassist' timestamp='1346512593' post='1790121'] Interview with Juan is the best one yet. Great work as always. [/quote] Thanks dude. High praise!

[quote name='phil.i.stein' timestamp='1346510231' post='1790080'] ok, but where can you go from here ? [/quote] Well the plan isn't to interview bigger and bigger artists. It's to interview artists with interesting and complex effects set ups. I have some awesome stuff in the pipeline at the mo, some of which folks will never of heard of - but mega interesting all the same. I will keep trying to track down Justin Chancellor though

How about a sprinkling of Juan Alderete for the weekend... PLEASE BE AWARE - MY WEBSITE IS NOW CLOSED. THE INTERVIEWS CAN NOW BE FOUND HERE -> [url="http://simonpoulton.tumblr.com/sheponbass"]http://simonpoulton.....com/sheponbass[/url] I'm not sure Juan really needs an introduction... But just in case... Juan is the long time effects champion and bass player with Big Sir, Racer X & The Mars Volta to name but a few, Juan has scored his name among the bass elite during his varied career. Always willing to share his knowledge and experience, Juan was cool enough to answer some questions about his gear and how he uses it...

Questions - 1. Do you just use a single channel of all the rack gear other than the ISP or are both channels in use on some of the units? 2. You run everything AFTER the amp!? Sorry of I'm being a tab dumb here... By why? Surely the amp want to be the last thing before going onto the canb!? Just try they exact wiring set up have but put the amp last and see what the results are. Shep

[quote name='Orbs' timestamp='1346351425' post='1788250'] A decent contract solicitor can read and explain the small print for you, if your that lucky, hell you could certainy afford to see one! [/quote] That couldn't be further from the truth for most musicians trying to make a living playing original material and looking to get better distribution etc for their music. Most of them don't have 2p to rub together until a few contracts have been signed! At £100+ each time to read over a contract, solicitors are not a great option, but if the MU will do it for free without every band member needing to be a member then you can have them check over everything for piece of mind without worry. The rest of the MU's stuff does not appeal to me at at all - and your experience reinforces my thoughts about what I have read.

[quote name='BottomE' timestamp='1346348623' post='1788191'] Instrument insurance isn't worth anything. I have looked into it and asked a lot of questions to potential insurers. Turns out that apart from accidental damage the instruments aren't insured against much - certainly not from being nicked from the car or stage - now heres the killer bit - [b]unless supervised[/b] What does that mean? So, if you are watching your instrument and someone nicks it then you can make a claim! FFS what is the point in that. I'd rather sic my dog on the thieving bugger or twat em with a mic stand. [/quote] I insured 2 Roscoe Basses for £3k each on top of my contents insurance. I have it from the person on the phone AND in writing that they are covered for theft and accidental damage in my property and ANY other locked/secured property (this was important for when they stay at my studio) in the UK. This cost £2 a month on top of my contents with the AA. To insure them in a vehicle was going to cost a silly amount though. [quote name='dood' timestamp='1346349208' post='1788203'] I'm not sure Shep, but give 'em a bell - they really are a friendly bunch! I renewed the other day and had a great chat for waaaay longer than necessary to sort my subscription out! [/quote] I emailed them but got a strange answer which wast really an answer. Something along the lines of 'why would members of you band possibly want to exist without being a member'. My Drummer, who is a member, called and asked. The lady said she had no idea and would call him back. That was a week ago. Thought I'd check here in case anyone had used that service. Shep

[quote name='EskimoBassist' timestamp='1346347779' post='1788182'] That looks fun Simwells. What's the pink one? I can't spot a fuzz on there, is that what it is, or do you let your SuperSynth cover your square wave needs? [/quote] No fuzz!? Geiger Counter for the win!!! More fuzz, distortion, overdrive & bit crushing than any man could need!