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pantherairsoft

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Everything posted by pantherairsoft

  1. Thanks so much for filming that! A single side sounds nice, not dissimilar to my Polychrome. It's not Boss-wild, but certainly has flavour. I expected there to be more going off when you mixed the two 50/50 though! The impact of two flangers in parallel is much more subtle than I expected. Overall great sounding though, I really appreciate the insight!
  2. The go-to gated fuzz for synth ass tones. Massive low end and snarly goodness. No original box, but will be well packed. Excellent condition. A couple of very light marks on the back, only noticeable if you go looking. £100 delivered in the UK. Collection in Derby is welcomed.
  3. The only way you’ll ever solve this is by just trying a load… like, as many as you possibly can. Every OD changes its timbre with every combination of bass, amp, cab, impedance load of other pedals etc. That said, I can do what everyone else here has done and tell you which OD pedals have worked for me. Sounds like you are looking for low gain, a bit of grit and warmth, enough to give you break up and drive other pedals into a bit more of a snarly state. As such, I have used and loved the following for that purpose… Fuzzrocious Demon. Fuzzrocious Broke Dick Peanut Gallery. Fuzzrocious Li’l Fella (I have one for sale, wink wink). (So, basically everything Ryan at Fuzzrociousmakes!) Ampeg Scrambler (I think it sucks at high gain, but it really shines at low gain break up). Horrothia Teeth (my new fav, but still in the honeymoon period). Fulltone Mosfet Bass Drive (there are some clones out there I think that are cheaper). COG Knightfall (any version). Damnation Audio MBD (most people like this on nasty settings, but I think it’s best at low gain). EBS Valve Drive (the pedal is huge though). Mad Professor Blueberry. Many of these are very versatile, suit many playing styles and set ups and venture into high gain, or even fizz territory, but I’m recommending them specifically for their low gain applications. Time to go watch some demos!
  4. The Horrorthia pedal design is pretty awesome. The arcade switch for on-off is a nice touch (feels super solid, doesn’t worry me that it’s not a metal switch), and they are gorgeous. I own two pedals from him and both are top notch. I’m really interested by his fuzz pedal, but I’m also super happy with my fuzz options. I mean, I guess I was happy with my low gain options, but I really have no desire to change fuzz. For now
  5. Make sure you report in after you’ve used it for a few gigs. Will be interesting to hear your insight to gigging this way!
  6. Aside them being cheap (which is a big pro!), is there a reason you went for them over EBS flats (which are even flatter, and very awesome)? Cool board by the way. The idea of it being powerbank powered on stage scares me. I don’t trust batteries at the best of times, but I can imagine in certain situations it can pose as a benefit.
  7. Sounds amazing. I was really happy with my low gain overdrive needs... then I heard this. Game changer for me.
  8. Three drive pedals are going, one has arrived! Now-discontinued Teeth Mk.1.
  9. Awesome low gain overdrive, that can also be used as a medium gain gated fuzz. Super versatile and has been my go to drive pedal for the last 2 years. Excellent condition, with original box (not in pics, but it’s here). Velcro on the bottom. Asking £100 posted in the UK. Collection in Derby is welcomed.
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  10. Great flanger, marketed as a flanger for people that don't like flangers. By this, it's fair to say that it doesn't go into the largely unusable jet engine crazy tones and stays more subtle, nailing the flanging shimmers you hear on stuff like Tool's 46&2. It's versatile, and well loved by bass players thanks to it having a blend so there is zero low end loss. In great condition. No box, but will be well packaged. Asking £130 posted in the UK. Collection welcomed in Derby for those who don't trust the postman.
  11. Thanks for the insight. I've also tried the DOD and didn't like it at all compared to the Moog.
  12. This is s super old thread, but one I thought worth updating. Above I posted how I'd been a bit disappointed by the GnP, or at least that it didn't seem to play well with my bass and effects chain. Out of interest, I got my hands on a Mk2 this week and WOW, totally different story. I'm not sure what changed inside, but even running it on the old style mode, it reacts totally differently to my bass and sounds great. A friend has a Mk1 so I did an A/B last night for my own piece of mind and yeah, my bass pre-amp/pickups HATES the Mk1, but loves the Mk2. If you ever tried the Mk1 and were not sold, I'd really recommend giving the GnP Mk2 another look!
  13. How do you find the Dunlop as an expression pedal? I\m a big fan of the Moog EP-3, and have a few of them, but I'm considering something smaller (but not cheap and nasty) to save space on the board... this is currently looking like the best option.
  14. The guitar demos tend to go from subtle shimmer, to all out madness when you blend the two sides together. I’m very interested in how that relates to bass!
  15. Old thread I know, but any feedback on this? Bass demo’s out there are pretty lacking. Thanks!
  16. The Anadime was the next choice - in fact it was the first choice and I'd been hunting for one for a while, but one never showed up, then this got me excited. I'd used an Anadime before at a bass bash and thought it was very pretty sounding. I tend to use chorus more for that tool-like swirling vibe than the classic 80's use (with bass at least) and this seems to nail it perfectly. It seemingly adds a layer that just makes everything sound awesome. Excited to experiment with it over the next week or so.
  17. I've been on a quest for a chorus for some time. I moved from stand lone to a multi for modulation, but regretted it. I've been through a lot of chorus pedal over the years and just had an urge to try something different - something that doesnt go with my usual needs. This video convinced me: I've been playing with it for a few hours and it's insanely musical. On both bass and synth (I have a Moog Sub 25) it's honestly stunning.
  18. Ooooooooooh yeah!
  19. I never actually tried the original Beat Buddy, but always wanted one. This, however, looks pretty phenomenal! Interested to see what the UK retail price is for it.
  20. Here is my ACG Salace E-Type. Strictly speaking this is 31.5” scale, but hopefully you can let me off. What’s half an inch between friends? Spec for anyone that cares… Salace E Type Headless 5 string (strung E-C) Paulownia body with Indian Cedar top 5 piece Ash/Purpleheart bolt on neck Wenge fingerboard with 30" radius Hipshot hardware (18mm string spacing) East Uni-Pre 4k preamp 2x ACG FB pickups, with a Wenge (to match the fretboard) ramp between them Weighs an impressively low 6.8lbs.
  21. Up for grabs - the pedal I thought I'd never sell, but GAS is a cruel mistress and my solo ambient bass noodling isn't something that's getting a lot of focus right now. Incredible granular delay, micro looper, ambient soundscape generator. So good that sometimes it feels like cheating at music! This is boxed, in perfect condition, never gigged, with manual and power supply. Has velcro on the underside. Postage in the UK is £5, or collection in Derby welcomed.
  22. Sold my PURPLL to Schlippy. Easy transaction, good comms. Very happy. Thanks!
  23. One of many transactions with Higgie over the years - picked up his Funky Puppy pedal last week. Easy transaction and perfect comms. Pedal arrived well packed and as described. Many thanks!
  24. Purchased Patrick's Strobostomp Mini Tuner. Easy transaction, great comms, fast shipping... couldn't as for more! Thanks.
  25. Yeah, I used to own the 1210. And everything above is kinda the point of my question… all the guitar reviews say “it’s as good as the original, despite the changes”, but there’s no bass comparisons out there at all. Which is odd, given how long it’s been out. I’m just interested in the experiences of anyone that has the reissue and has compared it to other chorus pedals.
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