TheRev

I remember these when they first came out and I'm sure they're a 34".

[quote name='1976fenderhead' post='555180' date='Jul 29 2009, 03:04 PM']I did try a bubinga bass there, but the only one they had was a fretted Thumb... The tone was a tiny bit better but I actually much preferred it switched on passive, and that's not a good sign! And then I have no tone controls! I doubt it would sound much more expressive for being bubinga? But where the hell am I gonna find that? Man you're really limited when you wanna try fretless basses![/quote] The bubinga gives the bass a lot more lower mids which adds to the growl.... I liked it anyway! There is a school of thought that says a good fretless tone is all in the set up (very low action at the nut), strings (roundwounds = more mwaah. flatwounds = more double bassyness) and left hand technique (vibrato) rather than the actual bass so you could just go for a fretless version of a bass you already like and then fettle til you get the sound you want.

When I was in the market for a new fretless, the bubinga Corvette was at the top of my list - it's a much nicer sounding bass than the ash one (IMHO) I recommend you try one out before you discount the Corvettes completely.

No worries mate. Let us know how you get on.

[quote name='ironside1966' post='540287' date='Jul 14 2009, 01:20 PM']Tax avoidance is a criminal offence.[/quote] I'm a bit late to the party here, but I was under the impression that tax [i]avoidance[/i], i.e. not paying any more tax than you are legally required to do, is perfectly legal and there is a whole section of the legal profession whose sole job is to work out exactly what you or your company's minimum taxable income should be. Tax [i]evasion[/i], on the other hand is illegal.

I think I missed them... D&L did some fine stuff at The Cooler on Park Street too. They had Mono playing a year or so back.

Certainly did mate. Great gig but I thought the films & images they used got a bit intense towards the end. I missed 65daysofstatic at theKLA a few weeks ago - apparently they were on full form.

[url="http://en.wikipedia.org/wiki/Post-rock"]Wikipeadia[/url] entry for post rock. In a nutshell it's (usually) instrumental, slightly epic, sort of film-scoreish music. It's characterised by long band names (usuallywrittenlikethis) and song titles that are only surpassed in length by the length of the song itself (at least 6:30 for ant self respecting post-rock band). Done correctly, the music can induce a trance like state in the listener. It's not unusual to see the entire crowd at an Explosions in the sky gig swaying back and forth in unison. I loves it.

'Every Heart shines towards the red sun' is a fantastic album. The band are pretty intense live too - sometime a little too intense. On the subject of new post rock stuff - check out Maybeshewill if you haven't already. 'Not for want of trying' (from the album of the same name) in particular is a brilliant track.

Hmm, Up to now I'd have had no problem leaving my Eminence EUB in the back of my car as I'd have thought your typical chav/pikey wouldn't know what it was. Looks like it's coming into the pub with me after rehearsals in future.

I have a Comfort Strapp and a top of the line Levys padded leather strap. The Levys is my favourite of the two - expensive (£50 I think) but worth it.

I thought about knocking up a case for my SWB from a section of plastic drainpipe but then I went and bought an Eminence EUB. If you can find a pipe of a large enough diameter, you'd just need to cap the ends and add a couple of straps and you're away.

I had lessons from a guy in Bath who does exactly what you're looking for. If it's not too far a schlep for you from Gloucestershire I'll dig out his number. Dave :edit: [url="http://www.contrabajista.com/"]website here[/url] He's a really easy going guy and will teach you as much or as little as you want.

Another vote for Danny Thompson and a mention for Ali Friend (Red Snapper/Clayhill/Beth Orton). Regarding your budget for a bass, I'm afraid £350 isn't going to get you a good beginners bass - you're looking at about £1500 for a good beginners bass, but you already knew that.... What £350 will get you is an all plywood bass from Gear4music or Thomann or that German place on ebay. They're not [i]good[/i], but they are somewhere to get you started as long as you bear in mind that they'll need a set up and some decent strings and then you still might not get the sound you're looking for. I seem to remember someone on here buying one of the Gear4music basses and being very happy with it so I suppose it's horses for courses. If you can raise a budget of £850 or so, Thomann do some very reasonable sounding basses in this price range - [url="http://www.thomann.de/gb/thomann_kontrabass_33_02.htm"]this one[/url] for instance. Or, you could look into hiring a bass? I hired a very nice Stentor from a local music shop for £20 a month. Hope this helps. Dave

[quote name='JTUK' post='537760' date='Jul 11 2009, 10:41 AM']I would think most of Muse's bass parts are sampled and sequenced anyway but I guess anyone who has seen their live show would be able to correct that, or not.. BIG sound from a 3 piece guitar unit last time I looked...[/quote] I didn't catch them on the Black Holes tour but every time I've seen them before the bass was all live. The huge sound comes from the enormous amount of effects that Chris and especially Matt use. They apparently approached the Black Holes recording sessions with no regard whatsoever to how the songs would be played live so that nothing would be off limits in the studio. All the previous albums were recorded with an eye on whether the three of them could reproduce the tracks live.

Blimey - that's one mother of a break angle!! Very nice piece of wood - is it solid or have you got an acoustic chamber in there?

[quote name='steviedee' post='524759' date='Jun 26 2009, 12:07 PM']Yeah the bloke did that you know its quite a nice looking thing really...[/quote] Yeah, of the cheapies it's the nicest looking one. I was tempted myself but the length of the modding thread on TB just put me off.

[quote name='steviedee' post='524515' date='Jun 26 2009, 07:45 AM']I know I saw it I was just too lazy to read it [/quote] Apparently the easiest and most effective modification is to remove the bridge, cut a piece of bicycle inner tube to the size of the channel the pickup lies in and lay it underneath the pickup so it lies between the pickup and the bass body. It takes away a lot of the brightness and brittleness of the Palatino's sound.

Unfortunatley chaps, you gets what you pays for. Cheap strings (especially THAT cheap) probably aren't going to do a lot for your sound. As with yer electric bass, string choice is a major part of your sound and good sounding strings cost money. As a general rule of thumb, steel core strings (eg, spirocores) are brighter and have more sustain than gut or synthetic core (eg, Obligatos or Velvets). So if you're a jazzer, go steel core, if you're playing a lot of arco or want low down thump for bluegrass or rockabilly go synthetic. However, this changes a bit when it comes to EUB. The naturally brighter response and greater sustain of yer typical stick bass means that if you want to get that typical jazz pizz sound then you ned to choose a string that's a step darker that you would typically use on a proper DB. So, if you want the typical jazz sound (usually Thomastik spirocores or similar) then avoid pizz strings and go for hybrids or orchestrals (e.g D'addario helicore hybrids) or use something with a synthetic core like Obigatos to get a really warm organic sound. I changed the stock steel core string on my Aria Lite to Helicore hybrids and they made a huge difference. The sound was smoother, the response more even and the tension was lower making the bass much easier to play. A decent set of 'cheap' double bass strings will cost you about £100, which is a lot compared to electric bass srtings but as you'll only change them once a year or so, they kinda work out the same (unless you're from the James Jamerson school of string changing). Assuming you want to get a more double bass sound from your electric upright, I'd suggest Helicore Hybrids or Orchestrals, Pirastro Oblicatos or Corelli 370 (a particular favourite over on TB at the moment). Any of these will cost under £130 per set and will sound great. If you really want to splash out, get a set of Velvet Aminas or Compass - yes they're about £260 per set but they sound fecking amazing on electric uprights. Dave

Dear Nervous/excited. Well done! you've taken the first step towards a whole new world of bass frontiers. And GAS ^_^ I bought an Aria SWB lite on a whim two years ago and haven't looked back since. My interest in bass playing and music theory has been totally invigorated and since then I've played more gigs in more bands than I can count. The first thing you will need is patience. You won't be able to play stuff on the EUB that you can play on your BG so don't even try. Start out just gorking on intonation and tone. If you're going to be using it in a band straight away then forget about flashy runs and stick to roots/fifths 4 notes to the bar kind of stuff - less is most definitley more when it comes to the double bass sound. Secondly, book a lesson with a sympathetic teacher, preferably a regular gigger who does the odd lesson rather than the 'proper' music teacher who teaches grades and have them show you the proper stance and left and right hand technique. You don't have to have loads of lessons, one or two should do, and it will save you a lot of literal pain later on. I didn't do this and after 6 months of playing I was experiencing loss of sensation in my right hand and shooting pains up my forearm caused by poor stance and crappy plucking. I had one £35 lesson and I was completely sorted. Thirdly, save a wee bit of money for a new set of strings in about 6 months time. The stock strings that come with the Aria are pretty stiff and make it sound a bit glassy and like a big fretless (IMHO). Replacing them with a set of Helicore hybrids or Corellis or Obligatos will mke it play and sound much nicer. Experimenting with double bass strings is a very expensive hobby though so get a good idea of what sort of sound you want (thump/growl/click etc) before you choose. Enjoy! Dave

Finally got around to taking some pictures. I've spent most of today working on my bowing and it really does sound great on this bass. Check out that flame! Finally, in use at a wee acoustic session last week

Since taking it up 2 years ago, the DB has become my main instrument - so much so that I joined a band with no interest in the DB sound just so my electric gets some use. ^_^ +1 on 'love cats' - it's my soundcheck tune and always gets a bit of attention....

Yep, it has a phase switch and the feedback was drastically reduced in one of the positions. The real problem I has was being wedged in between my rig and the harmonica player's amp - with gig time approaching and the bass holwing like a banshee, panic started to set in! I managed to tweak the EQ to keep the feedback down to acceptable levels but it was all on the fly. Next gig, now that I'm forewarned, I'll get set up earlier and I'll definitley try your method. Do you play your bass while tweaking or just wait untill it starts to howl all on it's own? Dave

My Eminence (now christened 'barbara') and I had our first gig on Saturday night - a two hour swing blues set at a local rugby club. The first thing I noticed was feedback - lots and lots of feedback. It's been some time since I've played any sort of acoustic instrument on stage so I'd forgotten how much of a pain this is. There wasn't a lot of room onstage to move out of the firing line of my amp (or the harmonica player's Bassman amp....) so I had to make do with some judicious tweaking of the gain on my preamp (Fishman Pro EQ) and standing at 90 degrees to the axis of my cabs to present as little of the soundboard as possible. It worked, as long as I stayed glued to the spot and kept open strings damped. Next time I'll blag a bit more stage room and have my amp further to one side. The second thing I noticed was just how incredibly double bass sounding this instrument is. The sustain and thump is just right and it has that proper DB presence in the mix - not exactly cutting through with defined notes but that 'you'd miss it if it wasn't there' type quality. It sings very nicely on the G though and all the notes are even sounding with none of the notes booming or becomming nasal. It's pretty comforatble to play too. The 'steady foot' endpin (an articulated T-bar arrangement) does a great job of stopping the bass from spinning away from you but still allows you to move freely with the bass. The waist extension, (nicely carved from solid wood rather than cast from plastic - a nice touch, I thought) can be inserted to point inwards and behind or outwards and to the side, depemding on wether you like to play from behind the bass or from the side. I'm still experimenting with this but so far, 'from behind' seems to be favourite So, was it worth the money? Definitley. Dave

There's no big rush Chris, just let me know when you're free and we'll sort it. Dave