Buddster

Guitarests who won't shut up noodling when others are trying to talk about parts/arrangements 🤬

I wasn't in the van, but it would have been around Corn Street somewhere to get into Clare street/Marsh Street.

So we made it out alive!.... Only joking. It was fine. It was a large, lively crowd but no trouble. There was a very attentive bouncer that kept the punters in check and made sure no one put glasses on the stage or PA (which a few tried). A couple of people walked across the front of the stage (more of a step really) as it was so packed. Loading out was difficult as people were still dancing to the DJ. So we just have to wait now to see if we get fined by Bristol City Council for parking on a double yellow, going through a no entry to get outside the pub and ofc we had to pay the Clean Air charge twice as we went past midnight. One sore point. When we finished playing, the DJ played Sweet Caroline, and more people sang to that than us! 🤦🏼

Tonight's the night. We're looking forward to it, but also not sure what to expect. Will report back. (I see looking back that I said next weekend, should have been 'in a fortnight')

Thats very good advice, and helps provide the engineer with a direction.

If you know you made a mistake, ask to patch it up. Otherwise you'll be hearing that mistake every time you listen to the track. Once you've done your bits, it can get boring very quickly. Take something to amuse yourself with. Studios are like a microscope. Don't over analyse (else you may loose the vibe, and that goes for everyone). Studio recording is very different to live, so accept it and work at it. At midnight, when the mix is sounding good, if anyone says "can I have a bit more me", tell them "no" in the sternest terms, else you'll be the at 6 in the morning thinking what the hell just happened! (trust me, I've been there with bands too many times) Don't try to do too much, be realistic, things take longer than you think. Enjoy it!

Plus the congestion charge re-news at midnight, which means if you're not loaded and gone by then, you have to pay another fee.

Thanks for the replys. I've been in there a couple of Saturday nights and yes, it does get a bit frantic. The punters have always seemed up for it. Hopefully we'll have some fun.

Hi Has anyone here played O'Neill's in Bristol that can share any tips? We're playing there next week. It's our first Bristol center gig (we're local Bristol band anyway) so even though we've done loads of gigs, it's a big one for us. Any tips on load in/out, setting up on the narrow stage, that sort of thing. Thanks in advance.

I've used this place before for a veneering project. They were excellent. https://www.thewoodveneerhub.co.uk

Played an end of year party for the teachers from a Bristol school at the Grain Bardge last night. Great gig. They were definitely up for a party! I'd recommend doing end of year parties.

Nice frendly 50th birthday party. Not a large crowd, but they were up for a dance and we had a nice stage and a proper green room as it was at a community centre used for plays.

99 Red Ballons. The part's not difficult, but with no keyboards I'm doing the low E drone at the start (swell peadal + high sustain), bass/lead synth intro and the bass normal part. So lots of pedal jumping between sounds, which I'm not used to doing.

I've a 4lb 11oz bass that is heavy and use a leather 3" RightOn strap that works well. However, the biggest change that helped was to shorten /lengthen the strap v slightly and changed the angle of the bass, which subtly moved where the weight lay across my neck/shoulder muscle.

Rather than taking a piece of 4x2 to a gig, other than crowd control, get the drummer to hold one end of a mic cable in the center of the snare while you sort the distance for the first mic, then keep it there while you do the other one. That way you get the same distance.

Try this https://jonstinson.com/the-glynn-johns-three-mic-drum-recording-setup/ Have used it many times, live and studio and works very well. For live the mics will probably be closer than in picture.

Bring your kid to work day "here you go son, have a go on this sander..."

Thanks Mr Scrumpy. It's a lovely thing for sure. Very lucky to have it, and the way I got was special. There was definitely some lovely gear there

Apart from the 'genuine' cigarette burn...

Good luck, hope it goes well. Be sure to report back.

Just.. WTF

Bit different, but Charlie Jones. He is the brother of the studio manager where I worked at in Bristol when I was 19 in early 80s. His band recorded and hung out there and got signed to Magnet records. I did thier live sound. Me a young player, his style, attitude, live performance and drive were really inspiring. Intense but a really lovely bloke. I learnt a lot about other things from him, even though he wouldn't have realised. And looked cool as hell when played!

Early 80s was my big influence. Nick Beggs. I even got someone to put beads in my hair, and very quickly took them out feeling a right plonker John Taylor, wore the red neckerchief Mic Karn. Couldn't afford a fretless so copied him on a fretted. I didn't do the look this time though

I can only speak for my band, but if we don't rehurse for a few weeks after a gig, it's quite obvious who hasn't been keeping thier hand in at home in the mean time. Things are forgotten. I find it very frustrating.

We play Hot N Cold by Katie Perry in a 4 piece (so no keys). Last week drummer says he's never been happy with the feel (after 3 years), basically we miss the 16s sequencer. So we spend 10 mins working on it, he's back to 4s on the hh and I'm playing 8s as I always have. So he's happy with that. Thanks all for persevering to change it. This week, I say "remember how we played it last week? " " No?" " You 4s, me 8s" "no I don't remember that, it's been a busy week. Hmm, no I think I prefer it how we used to play it" 🤨