Downunderwonder

I can see it ending badly. Her and hubby get their groove on as the new rhythm powerhouse. They find a new keys player. I can see it ending just fine if she is as bad a bassist as she is a keys player. In that case hubby will tell her she's much more use to the band playing keys, end of drama.

I think I may have played one on a festival backline a couple of years ago. It was an Ampeg 15 combo of the non retro look. It had the scrambler option which I left off. I plugged in my fx board and was happy. Unplugged and left. Sorry that's the best report anyone can manage.

Computes badly. Something broke. The most likely explanation is overdriving.

What the p player should play and what they actually play are sometimes very much not the same thing. It takes a fair bit of skill to do the comping chord thing up in behind the treble bit. A lot of them never learn to do it. They have previously always played bass with no bassist. Big trouble ensues.

...we get a Twisted Sister...

If Tech21 doesn't recommend it why take the risk? There's no crud building up in there to clean.

Well I guess it's not serious yet. More, joking around?

Stereo fx are for only good recording and playback under ideal conditions. Bar room not included. Bill made a rare booboo. Stereo is located above 100hz.

Try.

Try putting on the boomerang as if you were a "lefty" playing a bass guitar.

adverb,superlative of much, with more as comparative. in or to the greatest extent or degree (in this sense often used before adjectives and adverbs, and regularly before those of more than two syllables, to form superlative phrases having the same force and effect as the superlative degree formed by the termination -est):most rapid; most wisely. More of it's life was spent with....

Since when did a little over half become 'most'?

Bass players are supposed to be better at maths than that.

Auto filler aka 'bog' will do the job if you're going to paint it.

Jaco couldn't spell FRFR!

My really sweet vintage gear there might be ten working ones left in the whole country, might be less? I get that from buying stuff I never saw before, never saw for sale for before, and never seen another for sale or otherwise since. No idea if they have any particular mojo of their own as I never heard another. Most likely they are very reluctantly let go of in general for a reason, and similarly hoarded with few public outings.

In that vein, in my later endeavours, I was the only to show up that could read dots, thanks to violin studies.

If your bandmates are also happy going down the IEM route then by all means take it. No bass cab lugging for you!

Watts are cheap. 200 will do most of the time but better to have a bit more just in case. The rehearsal cab could well be faulty. One blown driver will sound pretty bad as it flaps in reverse, at the same time interfering with cab tuning for the remainders. You only have to be as loud as the drums and everyone has to stay under the vocals. So really you only have to be loud enough to keep up with the vocal but that's very hard to judge while standing next to the drum set. In the bush league you rely on audience feedback to dial it all back if your vocals are being drowned out. A drummer with experience and taste will play according to what the PA can do and what the room needs. Sometimes cookie monster vocals are what the room expects. That's what you get when the PA is hopeless outgunned by the band, not my thing at all, but it is a style in some venues. 200w would not work without a bigarse cabinet.

It didn't do the shrub much good over the years.

I think they were cheeky selling it as new with those dings in it. They must figure more will roll with it than send it back. Or they are slackers.

Lofty mate! I doubt half the members here gig with bass capable PA's. It isn't necessary for pub gigs. A kick drum is a very loud thing just by itself. Don't get so loud you can't hear the kick and all will be well.

Now we're getting somewhere... Yes, get a rig proper. It has to be able to keep up with the drums at whatever level is appropriate for not being obnoxious. A 15 or 210 should be enough for most open mic situations with a vocal PA.

Not many passive PA cabs are much chop with bass. My best advice is worry about tone way less for the meantime. Make a bass noise and crack on with learning to play bass.

Read The Forgetten Manual.