Downunderwonder

Nice! I hope there is some softening of the break angle at the nut. Your strings might not like a sharp transition.

Your G string is all yours.

You would want it to give it the note to aim at for the next bar so not actually play any of your notes as you would be playing a bar ahead of the tune. Not so lazy if you can pull that off.

Yes, but once you have played your stack with the volume unleashed in a bar you may want some more of that. I used to take my 1518 to a jam and one time another guy brought his combo so we used both. After that I always took my 210 as well. It's not as if the solo 1518 was short of oomph but the effortless weight of tone that could be brought forth by digging in a bit with master only on 2, aye karumba, overkill is good when used responsibly.

Playing a 6 string with 3 stubby fingers, you would be up against it.

If I lived not so far away I would volunteer some help to get it to the show and back. Might be worth an ask.

62lb is 28kg, light enough?

I thought it was a home studio queen?

Sam Studio Assistant / Mouser.

The best you can hope for is a really cheap pair of single 12 cabs that you can manage with a trolley and separate lifting.

If it sounds good little else matters.

Alex as in Horn? He's the TaskMaster's assistant but in his mind he runs the show.

It will be very evident which frequency range you need to give over for the sake of a clear mix.

That's the sound of victory.

This is definitely my year.

Sorry, missed by a few days this year.

We used to use an ozone generator in a hotel I work at years ago. It sorta worked to take the tobacco hum out of a non smoking room that had been abused. Ozone would be harsh on some speaker materials, especially foam surrounds. Caution required.

A pound of mince left in a port, in the sun, and all the stale smells will be replaced with fresh.

It took 3 days and a poke from me to have NZPost USA depot acknowledge my parcel had arrived. Then they left off my postcode at this end when forwarding. You type your address into their widget and it spits out your postcode. I guess the AI sorting machine doesn't need no postcode no more.

Same used to happen to the telephone handset cable. Not from getting up and walking in circles but from mysteriously picking it up and rotating it between the phone, your ear, and putting it back. If you often put the bass down you have another possible source of the dreaded twizzle. BTW, it sure looks like a bad case of cable mismanagement by someone who coils one way only and thinks they are doing great.

I played the ass off a Stagg and never felt any need for new strings. If you were bowing one you might.

Perhaps you have different definition for "after". They will have done it this way to control the signal going to the external preamp. It is still an audio signal until the power amp gets hold of it after the loop.

Elf.

True.

Having a HPF [high pass filter] in your preamp chain makes handling low B a lot easier. Cutting out the pesky low fundamentals allows your amp eq to work on the juicy stuff.