Downunderwonder

Two times I have been fully at the mercy of stage monitors. Both flusterclucks. Gimme a bass amp if I can't have my own!

Javier to his mother, Chuck to his friends.

Fixed then?

Yerp. Android phone browser, about three years old. Worked as advertised until yesterday morning when I noticed I had been misattributed overnight.

The quotes function has developed a fail. Instead of nesting quotes or deleting the starter quote it attributes the original quote to the latest poster and places that at the start.

@Bigwanhas schematic. A few have reported very reasonable charges from Orange to repair their broken Terrors.

No problem. Half of the weight goes direct to the floor. The rest is distributed very evenly along a couple of ft of stable corrugated construction.

I think it's tech time now. Unless the DI comes out before some part of the tube preamp that's faulty you wouldn't be getting a good DI signal. Suggests the tubes aren't the problem but you could probably find the schematic to get a clue. If someone in your area could lend you a BDDI, the 'line level' is enough to get the lion's share of output via fx return ime.

Frequently both. On backline supplied gigs I send my preamp to FOH.

£0 from a skip near you.

Yes. Ideally something with a hot output like a BDDI. It won't be loud without a full on line level but if you get a staticcy mushy quiet mess it's a good sign the output stage is shagged.

What was playing on the jukebox?

Make the folds then slice across at the slope. The developed w supports the cab at the front while the cab rear sits on the floor.

If you plug the fx unit into the Orange fx return it be driving into the power stage direct. If you don't get some decent volume you will know it's the power stage not doing the thing.

Do those same builders wax lyrical on the tone of paint finishes?

Do those same builders wax lyrical on the tone of paint finishes?

Do those same builders wax lyrical on the tone of paint finishes?

An acoustic guitar with a mag pickup in the sound hole sounds pretty much like a Stat also.

Putting a note in the monthly newsletter calling for players doesn't make one a band leader.

Use the correct screwdriver head. There is only one, anything else will want to push itself out of the head causing ruin as it goes.

Lay off the marmalade sandwiches pre gig.

Bugger. It is vital to have both IEM fully sealed against other noise. Otherwise the IEM need be louder than hell to compensate.

If you are noticing tinnitus the horse has left the stable. There are many more horses left in the stable. Bolt all the remaining doors now!

I assume this is plain preaching not busting out a James Brown ''don't be lost when the time comes'' rendition? You might be best attacking the reflective surfaces and speaker placements that are producing the feedback.

Depends how stout the amp is into an assumed 6 ohm load. My bet is with a 2x 110 series, parallel 210 12 ohm > 6 ohm stack there is plenty of juice to take advantage of the extra sensitivity and the amp would heat up less.