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Beedster

โญSupporting Memberโญ
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Everything posted by Beedster

  1. Lovely piece of kit @daveybass, worth mentioning it's the Windows version which I assume won't run on a Mac ๐Ÿ‘
  2. Which not only makes me like Karm even more but demonstrates just how strong his inflienve in the band and their music was ๐Ÿ‘
  3. Hi @Kairyu I still have the full set as new/ unused ๐Ÿ‘
  4. Wow, not seen a natural Flea before, thatโ€™s very nice ๐Ÿ‘
  5. Hi Mart, that is jolly kind of you mate, many many thanks, i'll drop you a PM ๐Ÿ‘
  6. I suspect that if you heard Mick Karn's tracks isolated and unprocessed they'd sound a little but less impressive than the fully mixed and mastered tracks you're familiar with, so keep going (the guy presenting the video in the first post is clearly quite a handy player but his tone seems a long way from Karn's 80's/90's peak) ๐Ÿ‘
  7. I suspect several people are thinking much the same, but like saying "Look my amp ain't working" and failing to show the fact it ain't plugged in I mean FFS it even looks rattly in the photo ๐Ÿ˜ƒ
  8. Not really my thing but there's something I love about Karn's playing on this. Nothing special but perhaps that's the point....
  9. Mine, tried to sell it, having listened to some Mick Karn this evening, now probably keeping it
  10. As any decent Italian will tell you Andy, alignment in such matters is highly overrated ๐Ÿ‘
  11. Thinking about it I suspect Mick Karn supported the song to a greater degree than Jaco, there's a version of No Regrets out there somewhere where he plays some sublime bass that sits so nicely in the space, whereas Jaco, even at his best with for example Joni Mitchell and (arguably) Weather report, always seemed to be a bit more front and centre? Karn an ensemblist, Jaco a soloist....?
  12. Mmmmmm, Karn versus Pastorius..... The 'Pastorius opened the doors' argument is reasonable, but there's something about Karn's style that does seem to have been possible even had Jaco not popularised fretless. When I was 20 Karn seemed to be the epitome of new wave cool, listening to those lines today he sounds kinda......... Jazz ๐Ÿค”
  13. As above the only reason to have an amp if you have a recording studio and are not recording live in the room is if youโ€™re also going to gig. Otherwise into the desk with sims or at most spending the money on a decent preamp that you can run into the desk or into a PA beats an amp on nearly all fronts ๐Ÿ‘
  14. A cautionary tale Jack, dodgy venue electrics can do a whole lot worse stuff to you than lower your spls ๐Ÿ‘
  15. I did the paper thing about 10 years back and it stayed in the slot completely forgotten about for years (the joys of playing flats that requires changing every decade)
  16. I do love it when you post in this forum @Rabbie ๐Ÿ‘ Lovely strings, wish I had the spare cash
  17. Nicely put, and yes, that sounds like the guy, all 4/4s are firewood and anyone stupid enough to own/play one has to accept that reality My 4/4 is a tad over 44 inches and while it requires more effort/shifts to get around the neck than I do on 3/4, the feel, intonation, and tone are significantly better to the point that I'll happily accept the trade-off with needing more position shifts etc. Having said this, oddly the upper register on the 4/4 is far more accessible than the 3/4, I've yet to figure out why?
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