Beedster

It's taken me 30 years to find the right band, and in doing so I've realised how much I need a band, and how much shite was going on in my bands previously. I've joined around 30 bands, left 28 of them for the same reasons as you, and the other because had I stayed I'd have ended up a junkie. My current thing started as a way to catch up with mates, have a beer or two, and play some tunes, but it's working beautifully. Bands are like relationships, you just never know which one's going to work 👍

All pat of the cycle mate, you'll shed a skin, find something new, and acquire a new skin. I'm on my 5th or 6th now 👍

Sublime Dull

I’d always assumed Barry Adamson played FL on some of Magazine’s late 70’s/early 80’s but the same is true. As ever, it’s less what you play, and more how you play it 👍

....by which I mean that 6-months in a rehearsal room perhaps equates to about 2-years of normal high-volume use for an amp owned by the average gigging bassist (more in my case I'd imagine)?

I'd say that 15 units over 6-months use in a rehearsal studio without problem (if I understand correctly) is a pretty decent indicator of reliability given that previous reports re recent Ampeg units suggested they could go very quickly?

Differences between fretted and fretless are greater with slap that other styles - frets have a hug effect on slap tone - but I'd argue it's less a case of 'doesn't work particularly well' and more a case of 'works very well when used appropriately', one example for me being Bakithi Kumalo on the Graceland album (I may be repeating myself here) 👍

Re fretless playing, it's all horses for courses of course, but for me, I play fretless and fretted very similarly as opposed to seeing each as needing a specific style/technique/genre - I often use fretless at rehearsal and gigs playing ostensible 'standard' bass parts, and always enjoy when someone says "I didn't realise you were playing fretless" (our keys player being a great example, I'd been playing fretless every week for three months before he noticed), which to my mind is far more of a compliment than producing lots of slides and double stops etc and having people say "I love the sound of fretless bass".

Ampeg is always a safe bet for definitive rock tones, the great thing about the V4B is that you can wind up the power tubes at decent stage volume in a small venue. Lovely amp

Not on a fretless no ……..

Smaller frets?

Great decision 👏

I say this with some trepidation (and yes I can hear all of the sniggering, calm down at the back please) I think this may be a keeper................ I put it together from parts left unsold after a recent bitsa sell-off. Late 70's Daion body, Warmoth full-fat Precision neck, with maple cap/slab. A big surprise is the Squier CV PUP and circuit, which frankly sounds as decent as any I've owned (I am going to test some alternatives at some stage just in case they sound even better). Currently rehearsing a Pixies show, this is doing the job rather nicely 👍

Glad you said it Lawrie, what a horror 🤔

Yes 👍

You won't get either trust me

It would give you an idea of overall percentage of bass players interested which I suspect could be quite useful unless you specifically don’t want to know? Non participating doesn’t help you much….

Nicely done @Rich, must admit I hadn't considered slap as a get out of jail free strategy

According to members of a couple of bands I know who've auditioned bassists, not as far from the truth as it should be .....

Good luck finding one (or even it) 👍