Paul S

Tom - changing from flats to rounds will make all the difference on that bass - it was strung with rounds when I got it and I changed it to those D'addarios because I wanted the sound to be 'flatter'. Also consider a set of hotter pups - I stuck some Kent Armstrongs into my Washburn and they made a difference - half the cost of Seymour Duncans. It is what I would have done, had I kept it. I do kind of miss it - that stealth look is really cool - but have way too many.

The newer band I play in - Xerocks - are playing, as per title, at the Haystack on Canvey Island this coming Saturday. If you aren't doing anything, don't live far, like Deep Purple, Thin lizzy, Black Sabbath, UFO et al then do pop long and say Hi. Also playing the Golden Fleece in Chelmsford on 26th Feb. We are just getting out there and could do with a bit of support!

There is a Squier Silver Series p-bass just popped up in the classifieds here for £200 - [url="http://basschat.co.uk/index.php?showtopic=122238"]link [/url] - seems a very good price.

I had one of these as my 'starter' bass. It was lightweight, well balanced and, considering how much it cost, had a superb neck - really skinny and fast. The sound was weak but easily beefed up with a pedal. Not the best bass in the world but as a back up perfectly ok. I wish I had kept mine TBH and pimped it. They don't go for much but £20 is a steal.

Nice to see it is a BIN...

Gotta be worth £400 of anyone's money, I reckon - be interesting to see how it goes. There's a red one on the bay somewhere too, but I think the white ones are better. Not just because I've got one, either....

Depends entirely on the type of music you play. Singer/frontman got my vote but I'd say that specifically for a good old fashioned heavy rock band a guitarist that can cut the mustard is probably more important.

Also, having had to miss last weekend, I think I'd be up for this. Only 1hr 15mins away. No makeup though. That's Friday nights.... what is the venue like?

There is a sexy white Fender Jazz Bass Special on ebay at the moment - [url="http://cgi.ebay.co.uk/ws/eBayISAPI.dll?ViewItem&item=320653623779&ssPageName=STRK:MEWAX:IT"]link here[/url] - mid 80s MIJ. It was these I believe the Duff McCagan sig. series are based on? Looks like a good one too. These have Jazz necks.

Graeme brokered the sale of Bass Collection bass on behalf of a friend of his. He made the whole thing trouble free and extremely pleasant - a pleasure doing business! Love the bass, btw.

I bought 2 recently from the US and, yes, they slipped through ok without duty. But make sure you get the right model. That's why I bought 2. If you email Hipshot they will tell you.

Well. I have a Fender Jaguar - that rather stunning all black one to the left. I haven't played the new Squier versions, but have owned a Squier VM Jazz and played a Squier CV Precision - both heralded as being as good as it gets for Squier. I'd say neither of those Squiers can touch the Fender Jag on build quality. It has something solid and smooth about it that just feels totally right. The neck is an absolute dream. It isn't faultless - I guess no bass is - but it is extremely nice. But. I actually suspect I might have chosen the Squier Jag over the Fender Jag if they had been available when I was looking. For me the shape was one of the major aspects of it and went a long way towards persuading me to buy it over a USA Jazz, the main competition. At the time the active/passive and series/parallel business was also appealing - I play in covers bands so being able to change my tone seemed, in theory, to be a good idea. In practice I don't fiddle about with it much and sometimes I feel that there is perhaps just a little bit too much going on with the electrics. The simplicity of the Squier I now find quite appealing. Plus I don't think the on-board electrics on the Fender are of a particularly good quality - certainly the roll on/off controls are a bit hit or miss - and can't help feeling that they detract from what is otherwise a great bass. I suppose it depends upon whether you want to have that extra build quality and the ability to change the sound almost infinitely with all the bells and whistles - in which case go for the Fender. But be aware that some of your hard earned cash goes towards a not quite up to it (IMO) pre-amp and control system. Or, if you just want a Jag style bass that is perfectly good enough to gig with, I reckon the Squier would be just fine.

I think it entirely depends upon what you said about the case in the listing.

just about like this is most comfy for me [attachment=70983:MeSLHMF.jpg]

IN Westone Thunder 1A Westone Thunder Jet Epiphone T-Bird Pro Hohner B2A Fender Power Jazz Special OUT Peavey Milestone Frankenfender pj-bass (missing you already) Squier VMJ Fretless Westone Thunder Jet Epiphone T-Bird Pro So my books are balanced. Almost . Then of course there are the bits - nothing much out but IN Trace Elliot 1818 Trace Elliot AH250 Zoom B2.1u Most of my cables replaced, courtesy of OBBM I'm not even going to think about counting the different strings I've tried.

There was a Gibson SG amongst it wasn't there? Could have been worth the BIN on it''s own.

No, sorry Clarky. Not unless it was the cover. I bought a TE head from Shonks - Steve Shone - and was captivated by some of his tales - he's been a pro for 40 yrs and toured with some big names - Tina Turner, Kim Wilde... sure he won't mind me mentioning it.

I use a Hiscox for my Precision and Jaguar - snug fit at the bottom but never a problem. And have quite literally stood on it - as you know I am no lighweight. I got mine from String's Direct/Holiday Music on advice from Hiscox

I fitted some to a fretless Squier jazz I had for a while - long scale, standard guage. They feel 'odd' - a bit like someone had strung the bass with black worms. Sounded great though, really thuddy and woody, almost like a double bass.

[url="http://cgi.ebay.co.uk/Fender-Jaguar-Jazz-Bass-Mexican-neck-/270700316183?pt=UK_Musical_Instruments_Guitars_CV&hash=item3f06ff0617"]eBay link[/url] Seller says Fender Jaguar with Mexican Neck. I think he speak with forked tongue.

Mike got in touch with me after I broadcast a plea for a Trace Elliot 12 band footswitch - which he offered to me for a really fair price considering it is unlikely either of us will ever see another! It arrived packaged well enough to withstand a direct missile strike - even Royal Mail! - and was padded out using rocking horse sh!t and hen's teeth. As trouble-free and smooth a transaction as you could possibly wish for. It has been a pleasure doing business with you, sir - cheers!!