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chris_b

⭐Supporting Member⭐
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Everything posted by chris_b

  1. To my knowledge I have never played in a band with anyone holding far right, racist or homophobic views. Such views are abhorrent, but if they keep their opinions to themselves I don't see why I shouldn't be in a band with them. The situation would change, and I would be happy to have strong words, if they were openly expressing such nastiness.
  2. My take is that the smaller, lighter, modular option is always best. So 2 x BB3's would be my choice. On the loud gigs I use my older BB2 with a Super Midget. I can also use my SC with the SM and can use all of them individually, depending on the gig. IMO modular is the way to go.
  3. You've only had one bass for 2 weeks, so I'd say it's too soon to choose between them.
  4. @msb You have some very nice amps and cabs in the photo.
  5. That's a strange one Lozz. I've been using the same Whirlwind instrument cable since the late 80's and the sound has always been fine. Maybe something was wrong with the cable?
  6. I've played that bass. It helps that Ian has a phenomenal technique, but the tone is the best I've heard. I keep up with Overwater basses, I even went to an Overwater event they held in London a few years ago, but every bass I've played has been way too heavy for my back!
  7. That was a bass lesson in itself. No stretching to reach notes, a lot of hand movement, even notes, totally relaxed. Ian shows how it's done. Loved it.
  8. I had/have all those. . . . but just lifting 90lbs x 2 in and out of the car and on and off a stage was enough to cause me all my grief.
  9. I was so nervous I didn't eat for 2 days before my first gig. Anyway, have a great time.
  10. A blues band could be anything from JJ Cale to Muddy Waters, SRV to Keb Mo, Joe Louis Walker to Bonnie Raitt. Can't you expand your repertoire and tailor your set to the venue?
  11. Don't. Learn from the mistakes of others. . . .
  12. +1 I put flats on my PJ5 at about the same time. My first set since the 60's. I'm now also using TI flats and love the feel and sound.
  13. If you can manage the weight then they are great cabs. Mine weighed around 90lbs each and were brilliant until my back gave out. Putting them into a studio would be a great idea.
  14. . . . . or you could give it to me. I'm a lot younger than I look. . . . really!
  15. Wow, deja vu all over again. . . . I gigged a Mesa Boogie 400+ (then an Ampeg SVT 3 PRO) into a Road Ready 210EV and Road Ready 115EV for many years. What a great sound. Then my back gave out and I've been hurting ever since!! I have mixed feelings about that rig, but I miss that sound.
  16. I'd look in the Basschat classifieds for a good used Sadowsky, and other FSO's.
  17. What don't you like about your current bass? What's your budget? What amp are you using?
  18. DG uses Evidence in his studio as well. Have you had yours cryogenically frozen? That's supposed to be a noticeable improvement in sound as well.
  19. This. 22 years ago I bought a Wal 5 string mk 3 for peanuts, played it for a few years and sold it for a bigger pile of peanuts. I wish I'd kept it. It would have been worth dozens of bags of peanuts now!!
  20. I totally agree and that's my rule too. . . . with one exception!
  21. "Sorry guys, I've decided this is not for me. It's been nice playing with you but I'm leaving. Good luck with the band."
  22. My first proper bass, a Fender Precision which I bought new in 1969, is sitting in its case, where it's been since the mid 90's when I switched to 5's. I will probably never gig it again, but we toured, recorded and gigged together for 26 years and I'll never sell it. I certainly wouldn’t trade it!
  23. I'm surprised and disappointed that a musician should think that way. If people are using your music, even 50 years later, to sell their products then the music should also be earning for the creators. If a scientist discovers something and patents the idea he earns from that. Music is no different.
  24. It's not an integrity issue in 2025. It was a bunch of kids talking bollocks in the 1970's.
  25. Over the years I've tried out a few Fender 5's and thought the sound ranged from great to meh. On the other hand, I don't think I've heard a bad Fender 5 string in a band context. My #1 basses for the last 25 years have been US Lakland, Mike Lull and Sadowsky. I wouldn't rule out buying a Fender 5er if I found a good one. Fender's problem is that it's easier to find better 5 string basses from other manufacturers.
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