Richard R

Sound for the monitors will be different to the FOH. In most cases the eq will be the same, as your monitor feeds will be Aux out post eq, but the engineer will have FOH as the priority, and so be eq-ing so that the instruments sit properly in that mix. Your monitor mix will have a subset of the instruments at different volumes, so will sound different. That will be true for wedges or iems coming from the desk. That said, if the band can't hear themselves, the performance suffers, and when I am FOH I find it is worth taking almost half the practice time to get the monitor mixes acceptable. If you're back at the same venue and approach the engineer along the lines of "Everyone liked the FOH mix last time, but we struggled a bit with foldback, can we spend some time on that this time?", you can build up a good relationship pretty fast. I've had the interesting experience of playing in the band for the last month, having been FOH for years. What was a real revelation is that a band really has no idea what is out front at all. I sort of knew that, but only appreciated it properly when I was playing.

This is an absolute pain. Almost every audio cable I have ever used or made up has the body of the 3.5mm connector just too large to fit into a phone/tablet with a case on. If I am running the PA then I often have to ask folks to take their device out of the case. At some point I need to butcher a pair of earbuds to make an adapter with a narrow body. But then I would worry the wires are too flimsy to withstand stage use.

I meant to post photos with a tape measure! Nag me if I haven't done it in the next couple of days.

https://www.soundonsound.com/techniques/inside-track-lil-nas-x-ft-billy-ray-cyrus-old-town-road A lot of work went into that track!

Far and away it was the best ending to "Moon River" we have ever done. Glad the bass survived though!

I had a play with the configurator, and you can make a pretty nice looking bass, as well as some wacky options. The headstock shape isn't a problem for me - there are worse and it's definitely distinctive and would stand out on stage. However the white/orange logo on the end really isn't my taste, I'd prefer something more something more subtle-- a black stencil on the bass below would be good. However - they key thing is what they play and sound like. If they play well and sound good then that's the main thing, and hopefully there is a decent target market for bands who want a great sounding bass that does the job they want and that they can customise to suit. Good luck to @BITE Guitars - I wish you every success. 👍

Right. I guess the approximate equivalent on a BG would be how far the body is carved to allow you to reach the upper notes. Though there is no equivalent of resting the thumb against the body as a datum position that I know of. Thanks for replying, I appreciate that. Not sure when the knowledge would ever be useful, but that's the difference between education and training. 🙂

The SE bash suggested including in the equipment listwhat strings are on each bass, since the strings make such a difference to the sound. That way if someone wants to hear what flats/tapeworms etc. sound like they know where to go.

Ever wandered into a conversation by accident and thought "what on earth are they on about?" Since I play one of those "short horizontal toys" as a colleague once described bass guitars, I am a bit bemused. Are you referring to the scale length of the neck, as I would say 34", 35" etc., or the lowest note on the thickest string, or the former, but with some standard using notes as reference? In my world I know how long the neck is, and tune the first string E, or D to suit the song if I need to. I thought double bass was similar tuning EADG, but it seems Eb was a standard length?? Google hasn't helped one jot, so can someone please take pity and explain?

If you are referring to the rather spiffing avatar that someone kindly sent as my secret santa, then I thought it was a giant bloomer.

WCPS? Water Closet Personalisation System? We Can't Play Schubert? Wet Clothes Prevent Syphilis?

Doveridge village hall,Sand Lane, Doveridge, DE6 5JQ Taken from the start of the 2019 Bass Bash thread. If the preschool group meets in the hall, that would explain the FB suggestion. Cross posted with "Lightning Thumbs" Teebs.

That would make it a gathering of the under 5's. Which excludes at least a couple of basses I want to have a go on!

Oooh - those are nice basses. Spent far too long on the FB page. Repeats: "Must learn to play the one I have, must learn to play the one I have, must learn.. "

Thanks Jamie - excellent venue and thanks for organising it. 100% want to come. 80% sure I can.

Likewise. Rock In Peace, Neil.

Review here:

Yep, I bought one in the January Sales. Review is here:

A review of the Armourdillo Bass Defender bag. Bought from Daswons in the January sale. My other gig bag (a cheap Ritter that came with my second-hand bass) has had to be repaired a couple of times in the past two years so I’ve been looking out for something to replace it. In particular I wanted something that would also protect my laptop and save me carrying a second bag for bits and pieces. The laptop’s worth four times what I paid for the bass, so having just a pocket on the outside of a thin gig bag isn’t ideal. First impressions: First impression – substantial, well padded, well made. Second impression – heavy! 3.1 kg on the luggage scales, the bass is 3.9. After using it for a couple of weeks carting about mainly by car, here is a more considered opinion, photographs at the end. The bag is definitely well made, and well designed, but it might not suit everyone. Guitar protection: My guitar is 35” scale and fits nicely as you can see in the photograph. A friend’s guitar with a more “Fender-esq” headstock was just too long. (I’ll measure the space when I can find the tape measure). The padding on the bottom end is nice and thick, as is the padding around the sides and the neck support. The lid on the guitar space is also well padded, so the instrument is well protected. Accessories space: The “accessories” space has three compartments, one for a laptop and two others, each zippered separately and with an outer zipped cover over all of them. The laptop space looks like it’s a standard component as it includes space for pens etc. My laptop is 13.5” and very thin, you might get a 14” laptop in, but definitely not a thick 15” machine. The extra padding isn’t massive, but it’s enough to protect a laptop against most bumps. A thin piece of ply would provide protection against more impacts, but as I largely drive to church and practice, I’m happy. The other two compartments are just single spaces with zippers. There’s enough space for bits and pieces (tuner, glasses case, leads). The depth is enough for a shallow stompbox (the photograph shows my home-made page turner), but the switches can be felt through the outer cover, so aren’t really protected against knocks. Construction; The construction is good. The outer fabric is thick, and I think it will wear well. The zippers are large and again seem like good quality, if you wanted to, then the loops on the zipppers are large enough to padlock closed. The straps for the side handles are rivetted and sewn, and loop round the whole case, which is good design. You can see this in the photographs. The shoulder straps are well attached at the top, again rivetted and sewn, but it’s not possible to see how far down they are attached. The shoulder straps don’t completely detach, but they unclip at the bottom and can be tucked into a back pocket. You can see how in the photograph. Whether this would be safe enough to allow the bag to as checked baggage on a flight I’m not sure of, but it’s definitely better than having the straps loose. Conclusion: Would I recommend this bag? Yes. It won’t suit everyone, and it’s probably overkill for what I need, but it does provide a lot of protection and space for accessories. I paid just under £79 in the January sale from Dawsons, their standard price is £119. https://www.dawsons.co.uk/armourdillo-defender-bass-guitar-gig-bag

"The Irish Washer woman", a 6/8 jig. Why? Because it's blooming fiddly* nothing like anything else I would ever play, and I've been listening to too much Dave Pegg and associated folk over the past couple of days. I blame a certain BC member - you know who you are! * no pun intended

According to the box set booklet it's a cribbage reference. I guess you could play cribbage between the sheets?

Thanks @Stub Mandrel for bringing Dave Pegg to my attention. I had a Waterstone's voucher for Christmas, and now yet another musician's biography on my shelves. It's three books down the list though, so will have to wait until I've read the others. Even more excitingly I found A Box of Pegg's in the music section of the Library of Birmingham 🙂. Impossible to buy, but £1.50 to borrow it for a fortnight. The box set booklet is extensive and a real education. Like most people I only know him from Tull and Fairport. Didn't know he was in The Exception or any of the other bands or collaborations. Thanks again!

That's a lovely looking bass!

p.s. make yourself a promise: don't by another bass until you can really play the one you have. 😉

Hello, welcome aboard! I only started less than two years ago, like you I got hooked on a borrowed bass 😀. Studybass.com was by far the best resource I found. By coincidence I'm just actually returning to the site to go back to some basics again for a refresher. Have fun!