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ezbass

⭐Supporting Member⭐
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Everything posted by ezbass

  1. Wild is the Wind - Bowie
  2. I think so, even though it's missing the preamp (easily sorted with some eq if you really want that full on zing).
  3. Sorry,
  4. There’s one for sale here, might be worth asking the seller.
  5. Fnarr, fnarr!
  6. It’s like it was meant to. Nice one.
  7. Had to do this with my most recent bass. A PITA, to be sure but, once done, shouldn’t need doing again.
  8. Quality work!
  9. Wings Of A Dove - Madness
  10. Plenty of skinny stringed players here, who have seen the light. Nice.
  11. Once more.
  12. Yes. I shielded my JMJ Mustang from the pickup rout, through to the control cavity (making sure it connects with the metal control plate) and it is noticeably quieter.
  13. Always use your own bass if possible. PITA? Oh yes, but it’s the best test. Yes, PJB stuff isn’t as cheap as some sadly. I’ve never seen anyone else using them live at gigs I’ve been to, although Pino (with PSP) and Kyle Eastwood are among their most prominent list of users.
  14. The problem isn’t always the speaker either, but the cabinet it’s house in. I know it’s not always practical, or even possible, but trying out combos beforehand, preferably side by side, is the best way forward. FWIW I use Phil Jones rigs for both EB and EUB, which feature multiple 5” speakers (as alluded to by @Beedster above) and, IMO, sound great.
  15. Make sure that that pacifier is returned to its owner beforehand, or you’ll be on the end of a baby’s hard stare.
  16. Puppet on a String - Sandie Shaw
  17. Hey Joe (90) - Hendrix
  18. It’s Chapati And I’ll Cry If I Want To - Dave Stewart and Barbara Gaskin
  19. Peter Gabriel’s So has 2 brilliant runs of 3. Red Rain - Sledgehammer -Don't Give Up and then In Your Eyes - Mercy Street - Big Time.
  20. Blowin’ Free - Wishbone Ash
  21. Always happy to contribute to this type of question. My list doesn’t really change that much to be fair: Pino (as always) Tony Levin (again, never leaves the list) Roscoe Beck (one of my biggest influences early on) Bobby Vega (possibly the funkiest man on the planet) Lee Sklar (absolute legend) Dee Murray (just so musical and hugely missed) Chuck Rainey (mainly for his work with Steely Dan, which leads on to…) Walter Becker (often overlooked for his bass work) Danny Thompson (DB tone monster)
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