Owen

Thanks. I am looking for active boxes. My 1982 B&W DM110i + Mission Cyrus 1 amp have been doing sterling service, but it is time for an upgrade.

Awkward!!!!

You are, of course, correct.

I would love a pair of ATCs. That is not going to happen. I am a tragic fantasist embarking on his very own vanity project. I am looking at a pair of Yamaha NS8 as my monitors. I have borrowed a pair and they are in situ. I am struggling to think of a reason not to go with them. I am running Sonor Works which can deal with the less than epic placement. Does the £500ish have anything else that I REALLY should be considering as well? I am not hugely into buying 2nd hand for speakers like this, unless someone I know and trust is cutting me an extraordinary deal on a pair of ATC SCM20A boxes. TIA

Sean Hurley. Sorry Sean.

I hate (operating) compressors. I bought a TC Spectracomp. I tried all the programmed settings I found one I liked. I never have to think about compressors now. When it comes to playing with fingers, the accepted way is to use two fingers. This is great. However, 1 finger was actually good enough for JJ and he seemed to get around just fine. I watched a vid of that guy who had a signature P bass who is a hotshot US session bod (sorry, I cannot remember his name) who was playing with one finger and it does give a subtly different timing/groove.

I am following this with interest.

I did a choir gig recently. Two keys players, one kit and me on bass. The conductor wanted the pianist to just play a rhythmic pattern above middle C. The kit/bass section were laying down a solid groove. She tried 3 times, but was still playing something an octave + below middle C to give her something to syncopate against. The conductor said 3 times "no, just the rhythmic thing". Eventually, I put my bass down, walked over and told her to play it again. I held her left hand and lifted it away from the keyboard and the magic happened. To make it EVEN sweeter, I have been waiting 42 years to do this with this specific player. Keyboard players are clueless. Ones who actually understand a band dynamic/make up are like gold dust.

There is no denying that they are spacehogs.

Thanks. I have reached the stage in life when I have realised it is better to actualy get the facts rather than guess. I now have the facts.

I am all for this inside info. But who are they?

My experience is not exhaustive. But I had an NS which was beautiful. But it sounded a bit fretless-y with original NS strings. I loaded it up with proper DB strings, raised the action and, voila, there was the DB-alike tone.