tayste_2000

Well after a quick easy sale before I get the tone knob fixed and actually bond with it

1 knob (what could be easier) GE based dirty boost. More information here: https://www.wrenandcuff.com/products/phat-phuk-b I use this to get a more Motown esq sound, but as I'm so Bass - Di these days it just sits in a box with all the other toys, though I did use it to great effect on a full session just driving a Tube DI (Also for sale) a bit harder. Depending on what you do with the trim pot it can get quite gritty but nothing past light overdrive, it's a great always on pedal which is good because the true bypass has quite a pop on this one (or I'm very used to buffered switches now). Has a chip on the bottom right, comes with box. Price includes shipping.

Great condition and includes the original box (only covered in tape), still has the battery door and a 9v adaptor. Bought because of the following https://www.premierguitar.com/artists/bass-pedal-wars DOD FX10 Bi-FET Preamp Hischke: I’m going with the DOD FX10 Bi-FET Preamp. I think it was made in the late ’80s or early ’90s. I don’t know its secret, but psychologically speaking, it does the thing that a lot of guitar players get out of a Klon preamp pedal. It’s a subtle boost with a tone knob. You can turn the tone down for a really deep but focused and dense tone. It cuts through, but under the mix. How would you describe it, Juan? Alderete: It was designed for acoustic guitars. It has such clarity, but it also has that sweet spot for the sound of fingers hitting the strings like on an acoustic guitar. That pick was very strategic. Hischke: I also like it because it’s simple. It’s one of those pedals that you don’t have to think about. I have it on every board now in case I need it for a boost, or a lead where you put the treble up for more presence. Alderete: And thank you for just driving the price up! [Laughs.] Hischke: I know, I know. Maybe someone will make a clone. They’re really cheap now, so we better get on it. When is this going online? [Laughs.] Basically, other than being a great crystal clear boost and line driver, if you roll the tone off it is a HUGE bass boost, like huge subby vibrate the room bass boost. Tamer and more usable I've found than things like the Meatbox and far more natural and organic sounding than anything like that or an octaver. Price includes shipping.

Bought one day on a whim, looks cool af. Since noticed some issues with it, firstly the tone knob doesn't seem to do anything. Secondly there are a few dings here and there but oddly there is like a strip of finish missing, I've tried to show it on the 4th picture but it's hard to photograph. When I collected the bass it seemed like some residue from something and the guy said it would rub off. I've since discovered it's actually the top of the lacquer thats been pulled off by something. It's very hard to see when hung on a wall or being played but it is there. These issues are reflected in the price. Currently strung with D'Addario Chromes and sounds incredible, fitted with Schaller strap locks (which can be removed if you're prefer). I still have the scratch plate and that can be reattached or just put in the case for you. Shipping not included. Includes the hardcase, again also has some dings and scrapes.

I've now upgraded to the bigger way more expensive Fishman Platinum Pro. Great on electric bass and double bass, nice hpf to remove any pesky rumbles, sweepable mids. Just one of the most musical eq's I'ver ever used. (Hence the upgrade). No box, price includes shipping.

Was after one of these for years, ever since I heard Leland Sklar used one on most of his sessions. Ultimately now I've used it twice in 2 years (for studio sessions, thanks covid) and with my countryman (and many many other DI's) I just can't warrant keeping it around. Quite large but still WAYYYYY smaller than a Reddi, sound incredible. Just a solid recording device. Bit more info for those not familiar: https://sonicstate.com/articles/article.cfm?id=64 Would be open to a trade for an Acme Motown DI, Neve Di or Khan DI (maybe) Countryman shown for reference.

Like new, with box. Just don't use it, buy and sell one of these at least once a year. 😂 Price includes shipping.

Bought this used from bass direct a few years ago. I primarily use in ears so have barely used this and it seemed nice at the time as I also play double bass (occasionally). Sound is great, can keep up in a low volume band situation or on stage as a small monitor, else works as a fantastic practice amp. Great set of features, read more here: https://pjbworld.com/cms/index.php/product_bg-100/ Very light and easy to carry, just don't use it that much and ever changing times and all. Open to offers and can ship anywhere in the UK

PM’d

Price drop to £1200 because I want something different these day.

128 settings you can store

Yeah it does

Very much a worked last time I used it (until it didn't) This was core to my iOS rig until an iOS (I want to say 13 caused it to no longer work). Basically Apple updated their audio drivers for iOS and Line 6 just went meh, overnight stopping my rig working. Please understand you are buying an unsupported piece of equipment that if you plug it into an old ipad air or mini (2/3/4) etc running iOS 12 you'll have no problems getting it to work. I know plenty of people running older devices for the purpose of connecting to a mixer or specific device. You too can be one of these people. Come with the lightning cable, no box, or instructions. Price includes shipping but no returns, it is what it is and it might be useful to someone but for me it's a paperweight.

Cost me £37 something from amazon yesterday, opened long enough to put it next to the bass and realise I'd bought medium scale not long scale. Gauge 45, 65, 80, 100 Save some money from my stupidity, I believe these work well on string through body mustangs and other shortscale basses.

SOLD

SOLD

Originally introduced in 1993, the SansAmp PSA-1 rackmount, and later PSA-1.1, quickly became studio staples. The SansAmp PSA has been used on thousands of major releases, worldwide tours and film soundtracks for multiple applications and instruments –including guitar, bass, horns, vocals, and drums. With 2019 marking our 30th Anniversary, we thought it was time to change things up a bit and streamline its architecture into a compact, easily portable pedal. The SansAmp PSA 2.0 offers the same 100% analog circuitry for punchy, responsive, organic sounds that bring out the best in any instrument. Only the programming and memory sections are digital. It also offers the same operational simplicity, essential functionality and dizzying versatility. In the studio, you can record direct, enhance existing tracks in mixdowns, as well as add interesting touches to any instrument. Live, the SansAmp PSA 2.0 can be used as a pre-amp direct into a power amp with guitar or bass speaker cabinets, as a “monster direct box” to a P.A. system (or both simultaneously), and as an outboard processor. Additionally, the PSA 2.0 features a Performance Mode, which turns it into a 3-channel stompbox. With 128 memory locations, storing and recalling programs is simple. You don’t need any special training or a degree in physics to operate your unit. The rotation of each control increases and decreases in a smooth, gradual, linear fashion, so when you turn a knob, you hear the difference immediately –in real time. You just set your tones and push the Save button. There is no lag time, or “cutting out” when you switch between programs. And being all-analog, there is zero latency. The SansAmp PSA 2.0 provides the flexibility to find almost any conceivable personality within the vintage and modern guitar and bass amplifier sound spectrums, as well as an assortment of revered stompboxes. It is designed to give you inspiration to be your most creative self. Great condition, full working order with tin, power supply, sticker and manual.