lowdown

Indeed...no more to be said on the matter.

Over the years I've played concert versions of WSS on Cruise ships and in Europe and yes, certainly a bit of a work out.!! This is an impressive performance of 'Symphonic Dances'. They certainly gave it a good go at nailing the Bernstein spirit and vibe !!

Leonard Bernstein was a musical genius. He was also a real task master, some of those rehearsal videos knocking around make for an interesting watch. For the Jazzers on here, Dave Grusin's stunning recording and arranging of West Side Story with a big band full of greats is something special. Michael Brecker playing a solo on a Dave Grusin arrangement of a Leonard Bernstein tune - It doesn't get any better than that.! Jonathan Butler knows what he is doing as well:

Is he named after the Australian Professional Wrestler, 'Buddy Murphy' ?

Of course, they are still fine *tuning* it all, but each update and addition to the library is making into something quite special.

It's equally impressive with the 3rd party adult Western voices, like from this company in the link below. Import the voice and then manipulate note/pitch, timing, tuning, words, phrasing, vibrato etc and make the performance yours. That is done inside Synthesizer V Pro (my original post). There are all manner of different vocal Modes and updates in the very near future. Eclipsed Sounds | SOLARIA

I don't think reading music and sight reading is a rare skill. Plenty of musicians around the world are very capable of understanding the dots. Although, from what I have read on Basschat over the years, it may well be rare for many Basschat members. And there is nothing wrong with that. They probably prefer the Tab route, or, just using their ears. Of course, on the other hand, there are plenty who read and use their ears to a high standard.

Yes, pretty amazing really. It looks like there will be plenty more male/female vocal styles and additional language updates to the existing library.

I think this is worth the $10 intro price and a very useful tool to have. 'Mod wheel-controlled rolls...' Roll Control VST / AU Plugin – grumpymonkeyplugins

Vocal Synthesizer 5 Good Lord..! Synthesizer V | Dreamtonics株式会社

I worked in Shelia's band(s) as a Bassist a fair bit in the 90's and early 2000's. No publishing company mugged anyone off. Eventually, they may well have passed like ships in the night as an act, but there were other reasons why the Three Degrees became One Degree cooler. Both the Two Degrees and The One Degree carried on performing all the hits in their separate endeavours without any problems from publishing companies.

Hopefully, they believe you....otherwise, I presume, it's off they go as well?

I've just watched your video, Greg. It's well presented and runs along at an easily, viewable tempo. There's plenty of good, understandable info for people starting off down the route of writing and reading notation. Good stuff. 👍

A great breakdown...And...well played and articulated. 👍

Absolutely... Writing down with pen and paper is of course, a great way of learning. It's how most of us started off years ago. But, printing off paper and scanning to upload does tend to put people off plus, there is more house cleaning to do with all that paper. Notation Apps, even the basic apps/SE editions allow you to keep things neat and tidy, plus clean storage with PDF files. You can travel around or, sit in your arm chair (or whatever) with your phone or iPad going over things. As said above, a notation app will also playback your ramblings which is great for ear training and the thing that puts most off, or confuses them - Understanding the written Rhythms better when you can hear them played back.... Another good freebie is Dorico SE. You get a bunch of free sounds as well. Dorico SE: Free Music Notation Software | Steinberg

Charts are okay at a Jam. It's usually the one way to keep a Guitarist quite.

If you are offered a Bass solo and are a Bassist that doesn't like taking solos, say so. You don't want to end up in the 'Worst Bass Solos' thread... 😁

Not much help, sorry, but.... Recently my wife had been looking at going down S22 route, because she had started getting more voiceover work and was also getting into Podcast stuff was various people. Add to that, she had an upturn in more remote, Woodwind (mainly Flute) sessions. Obviously there were now more varying recording scenarios starting to pop up for her. She wanted all bases covered without too much effort. She (we) couldn't really find anybody that uses/used the Townsend system on a regular (and varying situation) basis. It was just online reviews we were left with. In the end, after several recommendations for a decent all rounder mic for her situation(s), the NEUMAN TLM103 always came up on the list. I can't remember what she paid for it in the end, but I think it was about half the price of the Sphere 22. It's a mic she has now got used to and very much loves the sound and warmth of. I suppose the question is: do you really need all those extra options in your usual routines? Or, is it just an expensive overkill? In the end, my wife didn't think the extra cost was really beneficial for her daily use. It's always difficult in these situations, trying to justify spending a large amount on something you might not get all the benefits from, or indeed, do you really need all the extra Mic option usage available?

EDIT: Sorry, I forgot the really important bit. The above is a freebie..! It should work really well with the free, Spitfire Audio, 'Foghorn'...

An excellent Xylophone from 'Muze'. It's just over 7.5 GB. It's a goody, but it only runs on the full version of Kontakt and only available for fourteen days (and counting). Xylophone by Muze - Audio Plugin Deals

I'm not sure he was an 'unknown', I thought he was quite highly regarded out on the West Coast? Certainly his long time gig with Ben Harper's band, then onto 'Innocent Criminals', along with his associated sessions were well documented. The big man was a real cool player with a great groove. I remember when he passed away last year, it was quite sad really. Juan Nelson, Ben Harper and the Innocent Criminals Bassist, Dead at 62 (spin.com) Here is something from his more melodic side of his soloing. He starts off with some scat vocals.

Actually, twenty minutes. It seems old age is catching up on me...

It's alright...I clocked your mistake.

I started on Bass Guitar in the late 60's when I was twelve. At sixteen, my parents got me a Double Bass and hooked me up with a Bass tutor - A chap called Joe Mudele. He was quite a well known Jazz player at the time, he also played in a few TV Orchestras and on regular studio sessions. He was a pretty serious musician, so I took onboard his advice when he convinced me to take up Piano. Leaning theory and the sight reading side of things from Piano lessons set me up for touring and theatre work on Bass and a career as a musician. Joe encouraged me to learn the show tunes (standards) on the Piano which was a great help with my ear training. So yeah, leaning Piano really helped me as a Bassist in a few different ways.

You ain't seen nothing yet...wait to he starts playing the Spitfire Labs 'Foghorn' with his feet.