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neilp

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Everything posted by neilp

  1. The only thing I would say, and I hope this doesn't sound condescending, is that the fastest way to progress with ensemble playing is to never lose sight of the fact that it's music and needs expression. Always try to play with expression. Imagine all the audience can hear is you, even when you're sightreading and struggling!
  2. Well done Steve! Are you still playing with the ensemble? That will improve your playing - particularly intonation - faster than anything else, and as you've found out it's great fun... Keep us posted, this is great
  3. I thought it was just me with The Flame Still Burns - a band I was in many years ago used to cover it! Don't Give Up kills me every time. Kate Bush's vocal is just sublime Can't Stay Away from You, Gloria Estefan. Don't laugh.... Will You, Hazel O'Connor Johnny Cash's cover of Hurt and many many more
  4. Ok, that's not a show I know, but I'll ask around, see if I can get a steer. The notation is certainly not helpful!
  5. It ought to be possible to find out what the composer intended, if it's a published show someone has played it before. What's the show?
  6. Ravel was a law unto himself when it came to harmonics! I'm rehearsing "La Valse" at the moment. I still think some context would help - evena composer might give a clue?
  7. The convention - as much as there is one with notation for harmonics! - would normally be that the normally shaped note indicates the finger position to find the harmonic and the diamond-shaped note indicates the pitch. I'm not sure how that would work in this case though! What show is it? Context might help to work it out...
  8. Didn't mean to offend anyone! If anything I would think more of someone who wanted to tune the band as a whole, and I'm not suggesting we should do without tuners. I just think maybe we all rely on them too much. Even the very best orchestras often tune up between movements. Regarding the perfect pitch thing, I can transpose in my head, but It takes a LOT of concentration!
  9. Do you not tune to the other musicians in your band then? As a matter of fact I do have perfect pitch, but I still always check tuning with guitar, keyboard etc. If you can't get the rest of your band to shut up and tune up, not much of a band IMHO
  10. We could have a joint thread about the Beatles and McCartney's bass playing.... Not really a fan of Neil Young, but his moments really are special, to be fair
  11. Thanks for that! Been firmly telling myself it doesn't matter, and failing. If this is modern bass amplification though, I'm a fan! The 112 is smaller and lighter than my Laney 60W practice amp, and it sounds OSSUM. Loud enough for a pub gig by itself, and the 115 is another 200W and just gives punch, clarity and headroom to burn! Fab!
  12. [attachment=214221:IMG_20160308_225456.jpg]Here you go. Dull to look at, but even just the 112 sounds great, and when you add the 115.... Please don't listen to the guff about "heft" and "umph"!
  13. Had a hankering for a GK rig for a while, and this pair seemed like a good start! Arrived today so I haven't even opened the box yet... Sadly this means the Dynacord has to go
  14. Kudos to Mr Murray, that song is one of my favourite basslines in all rock music - along with The Lemon Song. Very clever playing. I've never managed to persuade a band to work it up, but I'd love to!
  15. Am I allowed two "Ones"? The SB1000 and the Wal will never leave. I have the Cort as a backup fretless, and I'm developing a foolish hankering for a Tbird... No, doesn't make sense to me either!
  16. I'm in Crawley. Happy to help with electrics or setup work. Basic setup work on double basses too
  17. McCartney isn't one of my heroes. Why would anyone get so defensive of him though? He doesn't care what I think, why would you? Think what you like, it made me chuckle. Oh, and my music career is just fine thanks
  18. Maybe they paid him to stop
  19. neilp

    Boss Me 50 B

    I've got an ME20B and it's fine now I've learnt how to use it. The factory presets were rubbish, but they've all gone now and I've programmed what I need. I don't use huge amounts of effects, and never use OD or fuzz so it suits me fine. It did take a while to work it out though!
  20. You can PM me with what you're struggling with, I'll help if I can
  21. Fair point! I'm in Crawley, so a bit far away!
  22. Don't really care how they get known, at least they're being heard
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