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King Tut

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Everything posted by King Tut

  1. Re the neck pocket - It's a 70's Fender so it's not perfect. With the old neck it was sloppy. This neck seems to be slightly thicker - maybe more finish on it? Consequently the fit - while not perfect - is adequate. I can post pics if required. The action was a typo - here's what it is . . . E string 2.8 mm. G string 2.2 mm at the 20th fret (approx!) I've decided I'd accept £450 for this collected from Milton Keynes - any takers?
  2. Guys - note I've edited this - the body has a route beneath the scratchplate for 2 PP3's - so many bottles of wine - so few brain cells left!!
  3. Yeah - the 'offset' bit is in the wrong place - I think the guy who did it should have cut the decal in two. There's a nice little bit of flame going on up near the headstock - I love the neck and I'm tempted to get another body with normal routs to stick it on - but I've got too many Jazzes as it is! I think you might be right Silddx - I've seen similar necks with tuners going on here for near £200 - and I'd get a bit for the pups as well - lets see what happens! Would be a shame for this body to be wasted though cos she sounds good if you like the EMG thing!
  4. Action - E string 20th fret 2.3 mm G string 20th fret 2.8 mm (approx!) They're active EMG pickups wired to a passive volume and tone controls. She plays nice - if anyone's [b]seriously[/b] interested i could post some sound clips - but I'm a busy bloke so don't ask for them unless you really want them!!
  5. You all know what these do! This one is sound but has seen a bit of action. It's an early one, consequently the strap button on the top horn has been moved to below the horn (since the pics were taken) to balance it better. Also the two switches have been replaced with similar (but not original) items. Now £140 collected.
  6. There's only room in a man's life for so many Jazz basses - and I have a few. Consequently, I'd like to move this one on. The body of this bass was bought as part of a complete Jazz bass, that I believe dates from [b]197[/b]4, judging from the logo, screw holes, neck stamp etc. Unfortunately it had been well buggered about - badly defretted and routed for EMG soapbars. I've used the neck for a more traditional project and put the rest together with a neck I bought on here - so here's the deal . . . [b]1974 body[/b] - refinished in [b]Nitro[/b] white - routed for EMG's - battery compartment routed beneath the scratchplate - big enough for 2 PP3's - it's wired 18 volts. There are a couple of dinks in the paint - but nothing major. [b]Allpart[/b]s (Licensed by Fender) block and bound neck with [b]Rosewood fretboard. [/b] [b]EMG soapbars[/b] - [b]DC[/b] in the neck position, [b]TW[/b] in the bridge position with a push pull volume control for coil tap. [b]Gotoh 201[/b] bridge. The machine heads came with the neck - branded 'Fender' but not sure of their origin - look the part and work fine. The bass is resonant with no obvious dead spots - the bathroom scales show it as around 8 lb - but obviously that's not going to be dreadfully accurate. So on to the pics: As for a price - I've a fair idea what I could get for the bits if I were to split it, but it would obviously be easier for me to sell it as a whole - so so I'm looking for £450 collected from Milton Keynes including a hard case. Would possibly be interested in a trade but would prefer a straight sale. I would prefer this bass was collected - being a 'put together' bass I'd sooner a buyer try it and be sure they're happy with it before it's sold. I could post it but this would be dependant on being able to resource a bass sized box. I could also meet a potential buyer at London Midland stations between Euston and Birmingham. Let me know what you reckon guys!
  7. Best bet would probably be to buy a whole new 70's style bridge from Bass Parts Resource and pull out the bits you need!
  8. Bought a Trace AH200 from Stevie. Amp was in excellent condition - better than described - and was posted - well packed as soon as the cheque cleared. A nice touch - he threw in some nice old Trace catalogues and a mains lead. Kept me well informed throughout - nice one dude!!
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  10. I've got a micro cube and it's fine to practice with. Obviously not earth shattering but great fun - can do batteries as well for the odd busk/quiet session.
  11. Try some flats. Search on here for some info on different makes.
  12. [quote name='Moos3h' post='662402' date='Nov 23 2009, 09:35 AM']Hi Col, This is really interesting stuff, I might have to come to one of your gigs to have a listen! Do you gig around Herts at all? Cheers, James[/quote] Nothing coming up James but plenty in Bucks - my gig list on my website is down at the moment but if you want me to send you a list, pm me. Regards Col
  13. [quote name='alexclaber' post='662387' date='Nov 23 2009, 09:11 AM']Is the Nemesis 15" as loud as the 4x10"? I'll be really surprised if it is! Alex[/quote] . . . . ermm maybe I should've been a little more explicit. I wouldn't know how to measure each cabs loudness - but - I play in rock bands usually using a Trace AH 250. Seldom turn up more than 3 with either cab. I'm having loads of trouble dialling in a beefy sound with the 4x10, but the 1x15 does it for me every time - is it louder? - not too sure - gonna continue to work with the 4x10 though. Just to mention - the 4x10 is the 'RS' version where the 1x15 is the older version.# Col
  14. Have you thought about one of the Nemesis 1 x 15? I've got the 1 x 15 and the 4 x 10 and I reckon the 15 trumps the 4x10 hands down! Very manageable also.
  15. I regularly use a Behringer feedback killer in line with our two monitors - and we hardly ever have feedback problems. I also use a graphic inline - I play piped music through it and try to eq out anything that sonds unnatural, and routinely cut the top and bottom couple of bands.
  16. Don't wanna state the obvious - but you've noticed it doesn't come with a body?!
  17. Looks very similar to my 77. I'll see if I have some pics!
  18. I'm glad someones posted this. Andy Viccars (well respected local luthier and bass player) always reckons you should roll the volume on the pickup back a bit to find it's sweet spot. I usually have mine full on but do roll it back occasionally for quieter passages - but I'm interested - DOES volume level affect the tone?
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  20. Or try a tiny dab of loctite on the saddle screw threads.
  21. I'll have it please mate - I'll PM you about the details. Cheers Col
  22. I seem to remember reading that Sting's was Alder. Mine is ash - I love it and have no problem with the stinglay - but why make it of a different wood from the original - although I gotta say I lurve ash basses!
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