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xilddx

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Everything posted by xilddx

  1. [quote name='The Bass Doc' post='625875' date='Oct 14 2009, 12:01 PM']Hi Graeme, I've just checked the picture again and yes it's me. I've just come out of hospital after an operation for prostrate cancer and I'm feeling not too bad - hope to gig on Saturday but may have to play sitting down. Howard.[/quote] Hope you get well soon Doctor.
  2. Sort of a bump, You bought this from me not Sibob, it is gorgeous, I built it Good luck Alex.
  3. [quote name='bassaussie' post='626076' date='Oct 14 2009, 03:07 PM']I don't know if this info will help, but I'll add it anyway. The Bantam line was introduced in Australia around 1984 or so. Thing is, I can remember a guy buying a regular one (single neck) either in 1984 or 85, and I can still remember the price, which was AU $800. Reason I remember the price is that I was absolutely mesmerised by the original Steinberger bass around that time, and that was selling for $2400 in Australia. When the Bantam came along, and also the Riverhead version, they were both priced around the same area, $800 or so (the Riverhead was a bit more expensive, say $900) and I was stunned that they could give the same features for 1/3 of the price (I didn't know a lot about basses back then!! ) . I can also remember the price for a Hondo Alien, another attempt at a headless design, and that was around $450. So, I checked on the Reserve Bank of Australia website, and for 1984/5, the Aussie dollar to GBP fluctated between 70p down to 50p. Which gives a range for the bass of £400-£550. This is probably not a bad guestimate for the UK value, as UK would've reflected similar import duties and taxes as the Aussie price. Since Bassassin's RRP from the US indicates that the double neck was around 50% more, that would suggest a price range of around £600-£800. Now, how any of that will impact the current value, I don't know (and to be quite honest, I don't really think it has any bearing at all), but I think it might help in guessing what the original value might've been. I've seen a few of the single neck basses sell in the US over the last few years, and they don't come along all that often. Thing is, even though they're rare and people are always interested in them, they don't command huge "vintage value" prices. Here's a few from Talkbass, they were easy enough to find by doing a search. [url="http://www.talkbass.com/forum/showthread.php?t=549491&highlight=bantam"]http://www.talkbass.com/forum/showthread.p...ighlight=bantam[/url] [url="http://www.talkbass.com/forum/showthread.php?t=348656&highlight=bantam"]http://www.talkbass.com/forum/showthread.p...ighlight=bantam[/url] An actual double neck. Started at $1250, down to $1000. [url="http://www.talkbass.com/forum/showthread.php?t=290444&highlight=bantam"]http://www.talkbass.com/forum/showthread.p...ighlight=bantam[/url] I hope this helps. If this post in any way contravenes forum rules, I'kk happily remove it.[/quote] That is fantastically helpful, mate! I think if I were to start the bidding () on this I'd kick off at about £300 as a fair offer.
  4. [quote name='Bassassin' post='626043' date='Oct 14 2009, 02:31 PM']I thought I'd already posted these but clearly I was hallucinating again: [url="http://www.matsumoku.org/models/washburn/catalogs/bantam.html"]Washburn Bantam dealer slick[/url] No double-neck but hardware & spec will be identical. [url="http://www.matsumoku.org/models/washburn/catalogs/84_pl/84_pl_pg3_web.jpg.html"]US 1984 price list, including double neck[/url] This might clarify the 1984 rrp controversy if anyone knows the exchange rate from 25 years ago, can guess the Ripoff Britain markup, and thinks a new price from a quarter of a century ago has any bearing whatsoever on current secondhand value. Personally I think there's every likelihood that if Washburn's UK importer had sold 6 of these at a £1100 rrp, there's a very strong possibility that they'd have ordered in a few more. Jon.[/quote] Great info, and excellent points, thanks Jon.
  5. So what do you want for it then? Stop playing games and give it a value you think is fair. There are two of these on here for sale and as far as I can see there has been little interest in either, probably because the owners are vastly overvaluing them bacause of rarity. TBH, you haven't really given much information out and most of my questions to you went unanswered. Are you expecting the people on BassChat to do all this for you? Be a gentlemen and chuck a number on the table.
  6. [quote name='4000' post='625722' date='Oct 14 2009, 08:45 AM']I remember playing one of these doublenecks when they came out. It was pretty good, and I nearly bought it. It wasn't anything like £1000 though, I think it was about £500 or thereabouts....[/quote] That sort of tallies with what I have heard too.
  7. [quote name='Spoombung' post='625125' date='Oct 13 2009, 03:51 PM']Fab instrument. Should sell, I reckon.[/quote] It will only sell if there's a price. I think this would have turned into one of those famous vitriolic BassChat bidding debates, but there's obviously not enough of a market for what is a very niche instrument. I reckon the offer I made was a good one, but I am not going to say what it was
  8. [quote name='bilbo230763' post='625044' date='Oct 13 2009, 02:43 PM']Custom jobs of the bespoke variety (My Wal Custon was, ironically, 'off the peg' and bought mail order . I just don't get all the fussing abut with ths wood vs. that.... Guitarist Eric Johnson is renowned for being able to tell what type of battery is in his pedals. Can anyone really tell what type of wood a bass is made if? Or what the nut is made of? Or whether there is a zero fret? Or if its a through neck or bolt on? They all just sound like basses to me.[/quote] I know people who can't tell the difference between lamb and pork, nowt to be proud of though is it?
  9. [quote name='alanbass1' post='624904' date='Oct 13 2009, 12:58 PM']Looks good according to provide.net, who have the best dating material for vintage guitars: [url="http://www.pinrepair.com/vgi/fendinfo/djbass.jpg"]http://www.pinrepair.com/vgi/fendinfo/djbass.jpg[/url][/quote] Cool! Thanks!
  10. [quote name='OldGit' post='624931' date='Oct 13 2009, 01:21 PM']Ah... Some of the rest rang a bell .. Still it's good to have stuff all in one mag.[/quote] Quite.
  11. You'll be fine, but play [b]through [/b]mistakes, don't stop and go back to the beginning, you completely lose context. Playing the songs with the band over and over is the best way to get them down, keep at it.
  12. [quote name='wateroftyne' post='387414' date='Jan 21 2009, 01:41 PM']Well, I'm looking forward to it, so that's one copy sold! If you want to raise your eyebrows at a book with minority appeal, may I suggest this? [/quote] That is far from a minority interest book, dude. I know we eat sh*t in this country and know bugger all about food, but there are many gardners out there who grow tomatoes and are looking for real flavour, rather than that watery tasteless rubbish they call Money Maker, which so many people seem to grow. SunGold and Marmande are two of my favourites. Sorry to go so off topic, Let's get back to discussing interesting turnip years. Skank, you totally cracked me up there
  13. [quote name='alexclaber' post='624840' date='Oct 13 2009, 11:49 AM']Yes, Nick was very keen to publish the news item but since then calls/emails have elicited zero response. I'm hoping that it's just due to a lack of time... I'm a fan of shoot-outs too, especially if they're conducted appropriately. Alex[/quote] BTW, I remarked to a couple of people at the Bash how splendid your tight grille cloth looks
  14. [quote name='OldGit' post='624460' date='Oct 12 2009, 09:51 PM']Picked up a Bass Player Magazine guide to tech and stuff from my local newsagent. Review of effects, valve amps, a reprint of how a valve amp works, and a mass string test divide into types (Steel, Nickle, coated) with a tone guide, brief comment for each, street price (US that is) and a "feel" indication too. I found it really useful as there are so many types and prices .. Of course what I really want is a guide to strings that feel, sound and last like Elixirs but cost a third of the price ....[/quote] It's an interesting issue, but that string guide is over three years old and has been published before.
  15. [quote name='alexclaber' post='624830' date='Oct 13 2009, 11:36 AM']Does anyone think it's worth having my Barefaced cabs reviewed by BGM? I've contacted them a few times of late but they appear to be ignoring me... Alex[/quote] Of course it's worth it. Not sure if they are ignoring you completely givcen you had a news item in there a couple of months ago, but I'd like to see a review. I would actually like to see some shoot-outs in there.
  16. Am I wrong here? Didn't Fender go to CBS in Jan '65? Shouldn't it be a spaghetti logo if it's a '62?
  17. [quote name='Clarky' post='624493' date='Oct 12 2009, 10:24 PM']Those are D'Addario Chromes - here's the link [url="http://www.stringsdirect.co.uk/strings/bass_guitar/d_addario/ecb_flatwound"]http://www.stringsdirect.co.uk/strings/bas...o/ecb_flatwound[/url] They comes in 4 and 5 sets and as singles. Not cheap but then they should last for years (and neither are TI's or Pyramid Golds cheap)![/quote] Seen the latest Bass Player mag? There is a massive string comparison test in it, very comprehensive, 24 brands. My DR Black Beauties certainly came out in the test pretty much as they are. The only thing missing in the test is longevity, but hey, that would be a really long term test!
  18. They also sound like they are lying bastards too, well, the bloke you spoke to does. They are now on my waterboading list.
  19. I'm talking about something similar to the opening part of this ..
  20. Thanks for everyone's help so far! Yep, ped's V-Bass was awesome, but, my POD X3 Live does many things the VB can't, I may be playing guitar and bass at the same time in a live situation (Steiny doubleneck hopefully), my X3 can handle that as separate tones. I may be thinking in terms of the wrong solution, I don't know. But I'd like to be able to do this without MIDI but make my bass sound like a bass synth with infinate sustain. However, is there something non-MIDI that will give me that ebow/sustainer effect? I want to be able to slide notes on the fretless with infinite sustain and apply filters, I suppose like a wah from hell. Sorry, I'm finding it hard to explain the sounds in my head, you're right
  21. [quote name='dangerboy' post='624033' date='Oct 12 2009, 02:57 PM']I'm not sure what you're after, but this might help. It will produce a synth version of whatever note you play for as long as you hold down the pedal. [url="http://guitargeek.com/gearview/55/"]http://guitargeek.com/gearview/55/[/url][/quote] Riiight!! This is something like what I'm after! I guess it's possibly the sustain that's the key for me. I wonder if you can just get a sustainer of some sort, I've got loads of distortions available to me already. Thanks DB!
  22. Is there a pedal that will do stuff like this? I suppose I am after keyboard type sounds, electro, dubstep, almost infinite sustain, envelope filters, stuff like that. My POD X3 can't do them but I can put the appropriate pedal in its effect loop. I don't want to get a bass synth, purely because of the cash involved. What's out there? Cheers.
  23. [quote name='Golchen' post='620725' date='Oct 8 2009, 04:34 PM']1) What kind of maintenance do you carry out on your instruments at home/gigs? [b]Don't gig. At home pretty much everything on instruments - setup, total dismantling, rewiring, fret-dress and also refretting, put lines on a fretless neck, stripping finishes etc.[/b] 2) What position is it easiest to have the instrument in for these actions? (vertical, horizontal, at an angle?) [b]I go for flat on a small table, on top of a thick blanket and with the headstock overhanging - or the trusty old Ironing board.[/b][/quote] I'm the same a Golchen. Plus I do resprays occasionally too. I have never found I need anything to help me support the guitar I'm working on. I really can't see the gap in the market. Sorry. What problem is it you have identified?
  24. [quote name='jakesbass' post='623939' date='Oct 12 2009, 01:29 PM']Hi Guys, I'm going to do a transcription of the last piece I played for you on Sat and post it here in a PDF. In the meantime I found this clip of Jimmy Johnson with Vinnie Collaiuta doing a TV showband in the 80's. It's guys having fun with playing a theme tune but adding some of their own spice. In exactly the terms I was discussing on Sat Jimmy keeps a monstrous groove going but every now and then pops in a jaw dropping fill. Check it out. [url="http://www.youtube.com/watch?v=MDG0GwDyyD8"]Mind blowing fills[/url] Enjoy Jake PS. stick with until at least show 4[/quote] I'll have to check the YT later. Looking forward to the transcription, and seeing if I can get to 139bpm Thanks Jake, that was such a superb tutorial, and you're a totally natural coach. Cheers!
  25. [quote name='Bottle' post='623839' date='Oct 12 2009, 11:06 AM']Howdy All Glad I made it! Long trip down from Cambridge, but well worth it. Got the pedals I've been after (Thanks Silddx!!) - used them yesterday morning in anger, and was seriously impressed with the Para Driver (sorted!) Also thanks to Alex and the rest of the guys for the demos and workshops, and to Nik + Hamster for the organisation of the event. Was impressed with the sound of my GK head into the Compact - had lots of comments about that. Anyway, looking forward to the next one (and maybe one in East Anglia for all those 'norf of da rivva') Chilled day out See you all soon, Ian[/quote] Hello mate, it was lovely to meet you, and so glad you're enjoying the pedals!
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