Musicman20

Aye, the tweeter in the NY122 is meant to be a better offering than some of their other cabs. I've just checked the recent prices and I must say they are pretty fairly priced. I'm sure the Italian ones were a fair bit more.

Those noting how their basses still look new 10-30 years later, that is entirely possible with pretty decent care and a more modern poly paint. Traditional Fender nitro doesn't wear like that...at all. In fact, the new Johnny Marr Jaguar has the thinnest layer of nitro and it will wear quicker than you'd expect. It was spec'd like that by the artist. I have time for both 'styles'....mainly new and clean but the new/old well made Fenders are nice. It definitely feels different to play which I was NOT expecting.

[quote name='LukeFRC' timestamp='1487081135' post='3236834'] probably wondered more about the colour than the wear patterns? [/quote] Mixture of both....spent a good 5 mins holding it and turning it over looking at the way it had been aged.

[quote name='BigRedX' timestamp='1487073048' post='3236716'] But IIRC the "wear" pattern is exactly the same on all the Flea Jazz Basses which doesn't makes them unique at all ;-) [/quote] Oh that is true, but the colour/spec and wear is quite something to look at in the flesh, so to speak. Mr Dad isn't a musician and is used to seeing immaculate guitars/basses, and he was impressed with how they had made it look like a vintage Jazz.

Mine never had overhang....is it a redesign?

I wasn't that bothered either way until I bought the Flea Jazz Bass. Even my Dad, who doesn't play, thought it looked really unique.

[quote name='NancyJohnson' timestamp='1486986613' post='3235997'] It's clear you're a Bowie fan, but this thread isn't about what he achieved, dead or alive, or comparing him to Adele. In as much as saying Adele won't be making [i]off the wall experimental semi-jazz albums in her 60s[/i], I mean honestly, what sort of statement is this, it's nonsensical. Maybe she'll be going through a death-metal phase in 40 years. No. One. Knows. That said, if you do have a time machine and some insider knowledge, could you be so kind as to get me next Saturday's lottery numbers? [/quote] It doesn't really matter who does or doesn't know his albums. I was stating he deserved the awards. Yes, his death certainly meant people realised how much they liked him and his album sales increased. I surely didn't appreciate him quite as much as I do now. I just don't think Adele, or any modern artist, will ever have a long career experimenting with music. The music industry doesn't seem equipped for that, especially as most people require 18 people to write a song for them. It's just a statement. That is it. She is great singer, but that is all she does....and it's very tedious at best.

[quote name='yorks5stringer' timestamp='1486945686' post='3235834'] There could be quite a few returns, I sent back a GK combo which I noticed was sold as a B stock a week or so later. [/quote] At least they didn't do a GAK and sell it as new.... hahahah!

I sell on groups via Facebook, etc. I never use eBay to sell unless I absolutely have to, or to appeal to people who want to buy certain types of clothing or barely worn classic trainers, etc.

At least Bowie achieved 5. Adele will NEVER been on the level of Bowie, and that is probably just how the industry is now. She will not be making off the wall experimental semi-jazz albums in her 60s. I don't take notice of these awards, but I'm glad Bowie got the recognition he deserved. Hopefully people who listen to Adele might think 'that album of Bowie's seems popular, i'll try it'.

I don't know why but I want one! I doubt I'll ever get one though. I really don't like the GAK demos, but more so the guitar ones. Shedding hipsters.

I used to use the older Italian model...I think it was a 700W rated cab. Super light! Easy to move around. I'm not sure how the latest models compare.

I just don't know why Musicman don't utilise one of the most well known modern bass players! I mean, not only is he well known, his bass lines really do sit high in the mix.... I guess the Stingray doesn't need to have a signature artist version as it sells itself, but I do think he could come up with something very cool with them.

Thanks for all the responses. Finally have a brand new pedal with me now, and the old one is on it's way back. Yep, I was right, bits and pieces were missing from the box....this one is brand new. Makes me doubt I'd use them again, despite now having what I want...this could have been saved had they just sent a new one originally.

I have two 'higher end' MIM instruments. Baja Telecaster - USA pickups, 50's styling, massive fat neck....SUPERB. Build quality is amazing. Flea Road Worn Jazz Bass - USA pickups, unique colour, plays superb....build quality again is amazing. It plays better than my MIA Fender Jazz. I've played a few absolutely awful USA Fenders as well.... The MIM series, especially the higher end (I'm eyeing up a Jazzmaster at the mo) are very good.

[quote name='mcnach' timestamp='1486545874' post='3232574'] NO!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! I really hope not, because I'd just might end up buying one mesmerised by its colour [/quote] It would be awesome though! hahaha A purple metalflake Jazz bass, but with all the traditional Fender trimmings. MMMMM! Or just a nice green....like Sherwood Green!

I wouldn't personally go custom. I'd try to work out what you really want, then see what is available....didn't read the whole thread but I assume there is a ceiling on price? There is SO much to choose from now. If you wanted a high end 5 string Jazz, I'd personally opt for Sadowsky. Every time. If you want a Musicman type tone, just get a Musicman...don't bother with a custom. As your Yamaha is fairly modern looking, you might like the Bongo...they are completely crazy but play so well. The tone is so precise and 'quick'... Precision bass? Tough...actually nowadays I wouldn't say a Fender 5 string P...I don't like the new Professional Series specs and colours but that's me. Sandberg do a nice modern style take on a P and J. Roscoe might be your thing...plus they have some lovely new traditional looking gear coming out. If you like your Yamaha, perhaps just a high end Yamaha?

[quote name='Bassman Sam' timestamp='1486314425' post='3230816'] Where are you based? I might be able to give you a lift. [/quote] Hey - thanks Sam. I didn't see this the other day. My other half is using the car still but only until mid-afternoon and as she's away with work this week she's planned something in for us now as I wasn't expecting to make this. Sorry! Thanks anyway.

I used to use a fairly scooped sound with a Sansamp BDDI, but if I were to go back playing hardcore and punk, (I don't play the slower heavier stuff unless it's more like QOTSA dirty bluesy rock) I'd use a Sansamp BDDI (the latest one with mids helps!) or the VT Bass pedal...I really think Tech 21 nailed the tones of slightly slightly hairy notes all the way to much more grind. Personally, I think Darkglass need WAY more demo videos with bassists using Fender Ps, Js, Rics and Stingrays...you'd be surprised how many heavier bands just using a P bass and have some hair on the notes. The P bass just 'sits' in the lower mids properly to me. Using much more scooped tones from dual pickup active Dingwalls is pretty niche, despite the popularity of Dingwall in the heavy genre recently. I still think one of the best metal bass tones I've heard is Billy Gould's old aggressive tones....that is one of the best examples of a heavier overdriven bass that cuts through the recordings like a knife! Very punchy and tight. Funnily enough Billy now uses Darkglass! I'd like to hear his tone with it.

Good update anyway - GAK have arranged to have it picked up and are swapping it for a new one via the courier tomorrow. So, if it all works out, I'll be fairly happy with the product itself. I just think they need to beef up their customer service skils and perhaps improve their returns service/check products when returned from customers.

[quote name='yorks5stringer' timestamp='1486395354' post='3231397'] It's all a bit of a dual-edged sword. A bricks and mortar company gets it wrong, a buyer understandably then goes to Amazon to buy musical gear and eventually said bricks and mortar shop goes out of business. Local economy suffers, Amazon dodge their taxes in UK so UK economy suffers too and it becomes a viscous circle. [/quote] I would happily use brick and mortar stores more often if they just ramped up the customer service....honestly. I am not sure how the Amazon tax situation applies to products that are sold on behalf of a brick and mortar store but sent using Amazon's service....best of both worlds. The store actually give their stock to Amazon I believe? That is how it has worked with the last few pedals I've bought. It makes returns easier as I can just re-wrap and go online to get it sent back. It usually also means you get a brand new product so I barely ever send them back. I've tried to use HMV's actual stores to buy vinyl recently, and I still do, but they cannot compete with some of Amazon's aggressive pricing, such as 'pre-order this vinyl and you pay the lowest price it drops to, even if it then goes up'....I have Bowie vinyl on order that is seriously good value because of this. Hmmm!

[quote name='Daz39' timestamp='1486384605' post='3231250'] Ah - the rewarding sound of taking back control. Wait... [/quote] Hahahhahahaaahah

[quote name='blablas' timestamp='1482250740' post='3198886'] Glamor-shot of the full StingRay5 with the controls cavity cover. [/quote] Well that works stunningly well.

Nice Musicman collection Hiram! I need to do the same and label mine up. That Sledge is lovely. Which Starry Night bass did you go for? Looks like it's been a VERY popular finish package for EBMM. I almost bought another 6 string Musicman guitar but the prices have gone crazy now...the one I was offered was also a customer return....always makes me think twice and not bother.