Musicman20

Well, as much as I dont mind a small upcharge to get a Classic (which is a fair bit more in most shops I think so it was a good deal I was offered) I don't feel in the position to upgrade to a higher model without a full test before I buy it. So, as much as its calmed down, im re-negotiating my options. EBMM did email me, but as yet, no outcome.

750!

[quote name='daz' timestamp='1318609781' post='1404374'] Sounds to me pretty obvious that the original order was lost, and this was a rush job botch and they hoped you would not notice. PS if you ever buy another one, why not get a trusted friend to buy it for you, and try and trick your bad luck gremlin that way ? [/quote] Haha, quite possibly! That is a good idea re: asking a trusted friend to test. The saga continues at the moment.

I've no idea if the 2x12 vs 1x12 (x2) concept applies to ALL types of manufacturer, but I have seen others discuss this, and they noted due to the overall larger single size box, the 2x12 feels slightly 'bigger' in terms of sound. I've no idea if this is true, to be honest. One thing to consider is that the 2x12 may be voiced differently anyway (on purpose) to give a different tone, because of the idea that its a mid-sized cabinet. Eg the Berg AE112 x 2 are suposedly more aggressive compared to the AE212 which is apparently smoother, and sounds a little 'larger' in the lows.

Flats and drop the treble...a lot. It definitely works. Or, use old nickels. The 2EQ inherently sounds warmer/bigger in the lows and low mids, and the 3 is still 'big', but has more definition and a modern tone. All in all, its a Ray. I like both, hence Im after a 2EQ now as well.

For me, i got a great deal on the 900 so went for that. REALLY good amp. I was tempted to sell as I needed something more 'flat', but, the amp is that good I had to keep it and just get another amp! Sounds crisp, warm, and punchy. LOTS of low end thud.

Thanks Roger, appreciated! Same goes for Roger, nice easy transaction.

Roger is a great and trustworthy guy! Fast communication, and even paid a little extra when the postage increased. We used parcel2go.com for a delivery from UK to Portugal. It took less than three days, very impressed, (although not cheap!). Would glady do business with Roger again. Cheers

If the HD112 is the same (almost) as the HT112ER (eg smooth, almost PA like flat quality tone with a massive amount of low of capability) then I'll be interested.

Probably for the best!

Yes, the 2x10 looks great! The DB212 is 70lbs and has casters, so another 10lbs without casters is probably a no-go for me. The 1x12 and 2x10 though....hmm!

[quote name='eude' timestamp='1318425147' post='1401971'] Have you seen this Gareth?... [url="http://basschat.co.uk/topic/157442-fs-mm-sterling-hh-dargie-delight-2/"]http://basschat.co.u...rgie-delight-2/[/url] Eude [/quote] Tis lovely! However one Sterling is enough for me (for now hahah!)

Nice! Great aesthetics. The 2x12 is one heavy can though! Quite a bit heavier than my DB212! I'd like a 1x12 or 2x10. Bass direct has the 1x12 at £550.

They have it in...a few I think. Natural / birdseye maple. Yum!

No yet, EBMM are aware and are investigating. Problem is, I can't fault it when they are right. I love their basses.

11 pages lol. Well, the conclusion may well be an upgrade to a Classic Ray.

I wouldn't do it, personally. But, I'm sure it can handle a fair whack.

I know a lot of bassists really dislike the Musicman Big Al, but I seriously LOVE the shape. The Bongo took time to grow on me, but the Big Al immediately screamed 'buy me' as soon as I saw it.

[quote name='danhkr' timestamp='1318343213' post='1400860'] So because they sound good and are aesthetically pleasing, that makes the build quality good? What odd logic. The AD200B is just a printed circuit board based amp, differing little inside from a mass-produced far-eastern made example yet it's astronomically priced at around £1400. At least something like the Marshall VBA 400 which is also PCB based, gives you twice the output, proper wired output valve bases away from the PCB and is around £200 less. I'd happily consider the view that if the tone is right, perhaps the above doesn't matter too much particularly if you look after your gear, but the price should reflect this and the volume of returns and faulty orange valve gear I've experienced in retail and in bands suggests otherwise. Sadly Orange are very expensive cheap amplifiers. [/quote] Virtually all modern all tube amps are PCB. I know purists prefer the 'real thing', but the tone difference is ...what...nothing? The Ampeg CL is horrendously expensive, and yet its built overseas, with the same technology as the AD200b. Difference is, the AD200b is noticably more 'distinct' in its drive, and certainly better for my tone goals. No offence to Marshall, but I wouldn't touch a Marshall for bass, ever. Don't really like Marshall guitar amps if im honest. Watts and volume are not a concern for me with a full tube amp...especially anything over 100W. Yes, Matamp can build great PTP high quality tube amps, but is the tone exactly what Im looking for? Not sure, but I'd only look at Orange and Matamp from now on. The Orange cabs are big heavy tone monsters. They are built like a tank, heavy, but excellent tone. Very well finished and constructed. The attention to detail is excellent. I bought my Orange gear 2 years or more ago before they became very popular again, and I didnt have to pay £1300-1400 for the amp. I would still think £1300 for the AD200b is reasonable, especially compared to the Ampeg CL. The customer service is another major point. Orange (particularly Neil) have an excellent reputation in this country.