Musicman20

[quote name='winterfire666' timestamp='1375881502' post='2166846'] im quite enjoying this thread, i tried a puma 900 a while ago and was impressed and would like to try more out. but i have to say i couldnt disagree with the above coment more. i have tried many markbass heads and cabs and cannot get a tone im happy with at all and more importantly none of the markbass rigs ever sounded like my bass. i have recorded my basses using many methods and markbass stuff colours it more than most amps i have ever tried. i do think the coloration is quite nice when played alone and can see why it appeals to certain kinds of players, but it aint for me. so each to their own i suppose:^) (iv been wanting to say that for ages) back to tecamp, i would love to see a uk distributor, especially one with a NW outlet. [/quote] The Markbass heads, especially the F1/F500 and LM2/3 are notoriously 'flat' compared to most amplifiers for bass. There is barely any colour; something that took me some getting used to. The cabs however, are different. They all have their own voicings. Most the Markbass cabs have a more pronounced midrange to cut through, (although not all of them). They sound very 'punchy'. A Markbass amp through something like a Bergantino (again, they have their own flavours, but more 'your bass' orientated) is a great sound, and its pretty much your bass. It's night and day when you compare to something like a highly voiced GK or Ampeg amp.

There is barely any difference with the tube in this amp. It is a tiny tube that is soldered to the board. Hardly worth putting it in the circuit. I'd stick with the LM2/3.... If you want a tubier sounding small amp, the Mesa Walkabout, Genz Streamliner or the Markbass TTE500 would be worth checking out.

These sounds amazing. Totally off topic...sorry. Get some pics of the basses up!

Literally can't believe it exists. I'm dying to see if and play it!!!! It's that weird.

Is my technique awful or does that session guys wrist look very 'off angle'?

Thanks. I'd love that gold 5er! How much are they normally? Any comments on how good they are yet?

[quote name='BigRedX' timestamp='1375692578' post='2164224'] I should point out that the bass in question in the OP is on special offer at roughly 1/3 it's original list price, so it's hardly surprising (to me) that it doesn't come with a case. Besides both the appropriate gig bag and flight case options are listed with item codes on the product page for the bass. [/quote] I love those Star basses...where are the deals? Cheers

Those demo's don't even show the B properly...

[quote name='yorks5stringer' timestamp='1375635249' post='2163705'] Could well be minimal packaging due to their Green Policy, they are the greenest manufacturer out there I believe... [/quote] I call it tight....I also dislike high end maunfacturers giving you a cheap gig bag with a £3000 bass. Ridiculous.

One of the tube experts on Talkbass has mentioned an issue with plate voltage and keeping to the original design. It'll be well over £1000 over here...may as well get an Orange.

http://www.guitarguitar.co.uk/bass_guitars_detail.asp?stock=13013013224032 ???

I bet the amp is insanely expensive.

Don't care about who you've played for. It's not interesting to me and doesn't make me respect you. Just keep that to yourself. It's only an instrument.

To me, the P is pretty much a P...no matter what. Cheap, expensive, boutique, churned out factory versions, they all sound pretty similar. Aesthestics, weight and necks can differ. A Fender P5 would be my choice. No need for anything else unless you want fancy options.

I can sense a sales pitch a miles off. Sorry.

[quote name='Dingus' timestamp='1375372206' post='2160479'] Let's face it , anybody can call themselves a professional when it comes to guitar setups , because there is no professional body or authority to regulate such claims . The reality is that many of them are bloody useless . As for the EBMM truss rod wheel , I really don't see what advantage it offers over a conventional truss rod that adjusts with an allen key . With a conventional truss rod you need an allen key to adjust it , whereas with an EBMM you can use anything that fits in the holes on the wheel ... like an allen key , for instance ! The problem with the truss rods in all EBMM basses I have ever adjusted is that the truss rod has to be[u][i] very[/i][/u] tight in order to straighten the neck . Not good in the long - term . [/quote] Agreed with the 'pro' bit above. Re: the wheel, I personally just love how easy it is. I usually just use a very strong allen key or even a screwdriver....I've only had to do it twice and it worked a charm.

[quote name='stingrayPete1977' timestamp='1375353091' post='2160094'] This is why I skip the words pro set up in any for sale adverts! Long live the musicman wheel of fortune adjuster [/quote] +1

I like P's but they are so simplistic that I don't see the need to spend over something like £1200 on one. I've even heard cheap £100 copies sound virtually the same and feel pretty good to play as well.

Oh this isn't good

Great news! I have yet to buy from them but I will be using them soon.

This doesn't apply to our specialists, such as Bass Gear/Bass Direct, as they know their equipment etc. But, one thing that REALLY winds me up is the whole 'laid back semi-amateur musician' image that even some high end guitar/drum/bass shops demonstrate. It's one thing being in a band, thinking you are going to make it, its another working at a music store, being arrogant and NOT knowing your product, (which happens too often for my liking). The whole laid back/scruffy in your jeans and band tshirt does not wash me with; I'm expected to be on my game, 100% professional, and exceptionally well mannered at work. If I go into a shop, I expect the staff to do the same.

[quote name='chris_b' timestamp='1375182897' post='2157652'] Modern Fenders are being produced in such large numbers they will never be an appreciating asset. If you want to get the best out of your outlay, get a good instrument and play it for the next 30 years. [/quote] Probably very wise!!

I think the new Vintage re-issues really look great, and have a good set of features, but I wasn't impressed when I saw one close up...(the Jazz with the MHS).

I've played a fair few modern ish Fender's and a few older ones. I've also played some from the late 90s/early 2000s. The worst Fender I ever played (and owned very briefly) was a 2000 - ish Natural American Jazz. Absolutely awful bass. Thin tone, poor fretwork, poor finish, and just plain uncomfortable. I own the two (IMO) of the best Fender's I've personally played. I sold or sent back the rest, or just didn't bother even buying them. One is an American Standard Jazz and one is an American Standard Precision. Both are from 2009-, although are not the latest versions with custom shop pickups. Both are lightweight, VERY well made, beautifully finished, and have perfect tone. They cost less than the current higher prices, (one by a considerable margin of £350 and I bought it new!). If you want an investment, you might be waiting a while, but the prices are creeping up so you might get it to hold its value. If you want the great modern refinements, including the superb and superior bridge, get a modern Fender, (2008 onwards). I don't have a lot of interest in vintage basses. Maybe this will change later down the line.

I have a feeling the MiBass hasn't been a massive hit. I've no idea why they stripped down for version 2.0.