xgsjx

[quote name='davideleira' post='1164706' date='Mar 16 2011, 05:53 PM']210 maybe were good, but 410 + 210 ashdown will be perfect, I think.[/quote] 2 2x10s stacked vertically would have a better dispersion than the 2x10 & 4x10 (cover more of the audience better).

Does your drummer play along to you or do you tap tempo to the drummer?

If you like the sound you're getting from your 2x10 but need to be louder then I'd look for a 2nd 2x10.

Be prepared for at least 10 different answers per 4 members

Rather than type stuff up, [url="http://en.wikipedia.org/wiki/Digital_signal_processor"]here's a Wiki link.[/url] It'll explain it better than I could & I haven't read it yet (I'll probably update it in a few minutes after finding out it's full of nonsense ), but the conversion pic says a lot.

DSP = Digital Signal Processor A-D Converter = Analogue to Digital Converter

I've a nice flat for sale up here in Perth if you're interested? Bigger than most 3 bed houses too! Oop's sorry, wrong kind of flats. I have TI Jazz flats & they're what I was looking for (tho I haven't tried any other flats). It was a choice between them & the Labellas.

I'd go & browse the "Amps For Sale" section on here & then have a look at some of the similar posts that's been on here to see if there's things that will suit your needs. I'd choose 2 2x10s rather than a 2x10 & 1x15 (a 15 doesn't give you more depth). Have a look at the lightweight amps available from the likes of GenzBenz, MarkBass, TecAmp & such.

It does sound like there's a fault with them. Take them back to where you got them. If they're less than 6 months old, ask for either a replacement or refund. Over 6 months & they'll maybe try to repair them 1st. If out of warranty, you're still covered for 6 years under the sale of goods act against faulty parts.

does it go "Da Da Daaaa, Da Da Dadaa, Da Da Daaa DadiDa"?

Oh, back again? Long TIM no see!

I can just picture these being fitted. Slightly ill fitting screwdriver messes the screwhead up & then overtightens it, causing the surround to crack!

Ah, sounds a bit similar to what the murf does on animation mode.

What does the slicer do exactly? Is it kinda like a long delay?

I think as you already have the OC-2, the only other piece of kit that'll be beneficial to it is a LPF with a pedal (Tho if the M9 has one in it, then you're sorted).

[quote name='cheddatom' post='1157715' date='Mar 11 2011, 09:52 AM']I would suggest that you keep a computer for purely music purposes IE don't connect the f***er to the net, this way you don't risk viruses whether you're mac or PC.[/quote] Yup, I agree. Tho it's not so easy when the Mrs connects everything she can to the web [quote name='thisnameistaken' post='1161088' date='Mar 13 2011, 09:35 PM']I've had my Pro Tools setup installed on my MB Pro for all of 3 days, run it for maybe six hours so far, and it has crashed once. For reference, it has only ever crashed twice when running the same gear under Windoze - hundreds of hours. Of course this could just mean that my audio interface has better Win drivers than Mac drivers, rather than Pro Tools/Win being more stable, or Win itself being more stable, but it does at least make the point that simplistic "Mac is more reliable" arguments aren't really any use for evaluating anything.[/quote] I've never used Pro Tools before. It might well be better suited to Windows or it might have something that conflicts with something else that's on your MB. I hope you get it sorted out as it's handy to have 2 machines with the same software (for times when the Mrs is on the one you want to use).

How much are you looking to spend? MarkBass & Genz Benz amps can be had for @ £350 & would do you proud. Lightweight & loud. If you're looking for a 2x10 combo, Monkonthehill is (or maybe was) selling his Markbass 2x10 combo (same as mine) & they'll cope with anything you throw at it. I play rock, folk & bass heavy electro stuff & it sounds the nuts.

Sorry, that was just my dry humour. They should stick LEDs in them. Bling babes might then buy em!

Oooh, I like the wee yellow LED that's in them!

Good stuff. Jessie has a stonking voice too!

I'd take it apart & measure all the bits of chipboard, then go & buy some 1/2 decent plywood, burn all the chipboard & get a set of plans off Bill for a decent designed cab.

You could use the H&K to run one pair & the Ashdown to run the other pair.

[quote name='thinman' post='1159520' date='Mar 12 2011, 04:44 PM']I've never seen the point in having a big enough rig just to enter into a pi55ing contest with the guitarist - if they're that loud then they probably need to turn down. Also, think about the kick drum. In my experience they quickly get lost and the whole band sound starts to get out of balance. You're then into the territory of needing a PA that can take kick drum too.[/quote] Say's him with a bunch of BFM self builds that's probably able to shift enough air to move the guitarist & his rig off stage!

[quote name='pantherairsoft' post='1158921' date='Mar 12 2011, 07:01 AM']Or an MP-201... LFO heaven [/quote] Don't. I'll start looking & then want! There's a few things I'm wanting already & so far have saved up about £3.27 in coppers. I might settle for a 2nd exp pedal that I can use on the Murf.

The MF-105b has a LFO across the filters. I plan on making a pot with a jack on it so I can control it (basically a dial version of the exp pedal). In the video I've put in the "I want a new toy" thread, near the end I've plugged the EP-2 into the LFO amount to show what this does. I meant to take the TRS cable out from the env out on the 101 & into the LFO rate on the 105, it makes the LFO start fast & slow down as the note dies & can have some random effects, depending on what you're playing (that's an excuse to make another video ). Really, I should have just bought a Minimoog & put my bass thru that!