M@23

Is it an Elrick? What’s the EQ all about? Fantastic looker, that.

The Markbass 102p is such a cool cab. It’s really punchy and full sounding for such a small cab.

My cedar one was the first 5 in the UK and is well under 7lbs! Amazing if they’ve somehow made them even lighter.

Gross. Sadowsky appears to have become such a confused brand. I know this gets mentioned every time the brand does now, but they’ve gone from a simple, easily identifiable product range, where there was guaranteed quality top to bottom to something where the bottom rung is/was a catalogue of errors and a top line that’s not even made by the master luthier whose name is on the headstock.

I used mine with a Tecamp Puma or Glock Blue Sky, so I was never going to get anything but ‘modern’, but it was a beast of a cab. Clean headroom for days.

My old Vanderkley 212 was great for slap, it’s probably what it did best actually.

That’s why I bought mine. It’s was the lightest 5 string jazz available. Didn’t really care about much else as I could no longer play 4 or 5 nights a week with a 10lb’er on my shoulder. Wasn’t really bothered about tone or anything else. I’d had a Sandberg before, so knew there was little to worry about. As it happens, it’s my favourite sounding jazz bass I’ve owned.

@Madein1962 very nice bass, case fits it like a glove. How’s the padding? Reckon it’d take a knock and keep your Jaydee in tact?

Yeah, I get ya. I’ve not scratched mine, but there are a few little imprints - can’t really call them dents as they’re not even noticeable unless under close inspection. I’ve not knocked it, so no idea how they appeared. But I’ve had it nearly 2 years, that first year saw about 70 gigs, and last year saw about 12 🤣 so it’s standing up no worse than any other bass. I should buy a hard case, but always get stuck with finding one that would offer more protection than damage with the potential of the smaller/lighter body rattling around inside. In fact, I was wondering about buying the aged hardware as I think this bass will age really well. I’m gassing for a HCA Sandberg too!

They’re Sandberg Stainless Steel, 40-128. 40, 60, 80, 100, 128. Also, TM5 SL, nice! I use a TT5 SL. Would love to try a TM SL.

I love what they’re about and Jack Conte is fun to watch. I like this one, Kenton Chen on vocals is incredible. Sean Hurley too!

I don’t think that’s the issue. It’s more where the string is one gauge over the nut, then tapers off. The string underneath the retainer may be too thin to properly ‘wedge’ itself under the retainer. the issue could be that the string retainer needs a thicker bit of string to properly apply that downforce. Or, it could be that the thinner bit of string isn’t making 100% contact with the underside of the retainer. If it’s not in there properly it could rattle and vibrate against the retainer a bit when you play the open A. If you’ve got a ‘normal’ string without that taper, I’d try that. Even an old string would do to test it.

Have you always used those tapered strings? It could be because that skinny bit of string isn’t allowing the retainer to put enough pressure on the A string.

There’s so much wrong with the title of the thread.

A £300 HB is never going to be worth much more than £300, even if you spend an extra £350 upgrading it. Which is fine and great if you get a bass you love for £650, not so great if you like to chop and change basses. I’d like a Sandberg VM5, I had a mk1, my only gripe was that it weighed about 11lbs, also I prefer a smaller body and the newer ones have well and truly put that to rest. I know if I got a VM5 again it’d work wonders for me out of the box, be sub 9lbs and come from a cool company. I’d really like a relic’d one as well... heavier relic the better; which will only add insult to injury for some.

Has anyone played a VM5 with Aguilar pickups and preamp? I was looking at VM5s and noticed a very nice shell pink and orange, soft aged, with Aguilar pickups. Apparently this is an option from 2020! I had no idea. But am very interested!

I had a Double 4 and really liked it, especially the size. But, hellll no at the price they are now! I think that’s about double what I paid. It sounded good, very clean, but not even loud enough for an acoustic gig where there’s any type of background noise. Honestly, there’s better options for half the price unless you need it to be the size of a shoebox.

I’ve never taken a spare amp, there’s always been a solution should the need arise. It’s a good idea if you’re playing weddings and use a vocal only PA. I’ve been lucky, never had an issue. Now, I go direct and without planning it so; I’ve got my Stomp, a DI box and a DI out on my wireless unit, or my monitor which could cover a small gig, so I’m pretty well covered!

That’s really, really nice @EBS_freak. Wasn’t sure it could get much better til you mentioned the sound to light LEDs.

Most of my gigs are functions, playing covers and I use a Jazz V. However, I did it for years with a 4 string P bass. It’s perfectly doable. I’d use the octave pedal for that effect though, not to try get lower notes as it’ll likely sound rubbish anyway on the lowest notes. You’re better off just increasing your repertoire and learning popular songs and playing them as best you can with what you have for now. When you get the gig you’re after, you might feel that you NEED a 5, especially if you’re doing lots of 80s stuff. Also, many guitarists are scared of playing in Eb, so you’ll likely do all the usual Eb tunes in E anyway! Edited to say just seen the OP’s last post, great, get stuck in! Have fun with those low notes! It does put you in a better position when a singer wants to drop the song a semi tone too, which for me is far more useful than the extra notes gained.

Valve ones can be flipped to standby, maybe?

I like it too! Also, marmite on toast is top notch. I’ve got an ‘83 Westone Rainbow 2 guitar that is incredible. I’ve had it 20 years and it’s seen off a 335 and 339. They made some really good stuff.