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molan

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Everything posted by molan

  1. I love this colour. If only my cruddy technique would allow me to play Stingrays a bit more fluently!
  2. The clearout of basses I really like but don't play enough continues. Unfortunately I have about 10 different Fender J's (plus some active J's from other builders) so I'm trying to cut back on them a little. This is a particularly nice USA Jazz bass in one of my favourite colour combinations - a creamy Olympic White with a funky tort guard. It's unlike me to buy a modern 'regular' Fender but I just liked this one so much I had to have it! I've found it quite hard to capture the colour of it under LED spots. I'd say the main body colour is a little bit creamier than it looks here whilst the tort guard is more red/orange (bit like an older 60's colour). It's been played, but not very much, and is in fabulous condition apart from a small scuff and a little pin-prick type ding in the lower bout. No idea how that ding got there but it's not very noticeable unless you're specifically looking for it. See pic for an idea of the size. I can't see any other marks anywhere but there may be some if it's held up to a harsh light. It plays really nicely with a fairly warm punchy tone. Certainly not as bright as some modern J's I've played. Neck is a classic J shape, rounded and smooth. I'd say it's more of a 60's profile than a super-slinky 70's type. Overall it just does what it should, easy to play, decent tonal variation and all the usual modern USA Fender trimmings - good quality tuners, solid bridge with through-body string option, warm pickups, smooth operating pots etc. Comes with a hard case & UK shipping included in the price. Can ship internationally at cost. Not looking for any trades on this one.
  3. Digital bathroom scales say this weighs around 3.9Kg / 8.6lbs. Allowing for a little variance I'd say somewhere between 8.6 & 8.9lbs.
  4. Bought as a backup a few years ago and totally forgotten about! Serial number indicates that it's from 2004 or 2005 and made during the Crafted in Japan era (headstock says Made in Japan so could be a transitionary period). Personally I'm a huge fan of the MIJ/CIJ series instruments. I've never played a bad one and would trust quality of one of these over a USA Standard from the same build period. There's nothing particularly special about them - they are just classic Fender Jazz basses built to a high standard that simply 'work' just how a Jazz bass should. Overall in very good condition playing condition apart from a ding under the lower horn (transit damage when shipped to me), some general signs of wear on the rear lower and upper bouts, a small mark around the lower neck pocket & a small ding near the strap button. There's some swirly marks on the guard but you can only see this if light is reflected off it. The main body front, pickups, fretboard, neck headstock etc are all great. The neck & board in particular look as if they've had very light playing wear. I can't be sure exactly which model this is but it has fairly narrow frets (all excellent) which would indicate some kind of 60's reissue. It doesn't have the metal grounding strip of a '62 or '64 model so it was probably a more generic 60's version. All controls operate smoothly and without any crackling to the pots. Action is set quite low & I've put some new D-Addario strings on it. People often upgrade the pickups and pots on these but I'd be quite happy to play and gig it just as it is!
  5. Pierre is an old friend. I’ve bought and sold stuff with him many times. Absolutely trustworthy for international shipping. He doesn’t have a ‘shop’ per se. More of a private showroom where he lives.
  6. Oh no, what awful news. He regularly made me smile and was, as many have said, "one of the good guys"! I will miss spotting his MB1 signature popping up all over the place. MB1
  7. As far as I know we were the only Demeter dealer in Europe. James D is a lovely guy and really knows his stuff. I think I could still get stock from him but it would only ever be on a special custom order basis which would mean no returns available. Probably not worth the risk unless anyone was 100% sure they really wanted something.
  8. Easy to identify which one of us it was by our hair 😂 Phil didn’t much at all Vic had a giant mane (usually under a beenie) Barrie was the ‘silver Fox’ 🙈
  9. Also the opposite can be true I’ve seen a few people here saying they weren’t impressed with a Sadowsky but if there’s one bass that I’ve consistently found to ‘come alive’ at a gig, then it’s one of these. May not always sound great to some people just playing at home or in a store but they seem to sit in a band mix so well.
  10. I’ve never liked Wals. Had a few in the shop over the years and I could never understand what the all the fuss was about. Uncomfortable to play, neck like a baseball bat and all middy nasal tones unless you fiddled with the controls for ages 🤦‍♂️
  11. I hang on to my Streamline as a possible ‘backup’ bass but, 9 times out of 10, I forget to take it with me to gigs 🤦‍♂️
  12. molan

    A pair of Sei

    I remember that one suddenly appearing in the shop one day from the next owner. He was a pro gigging player and this was his main instrument.
  13. molan

    A pair of Sei

    It is indeed! Well, the slatwalls are in my study anyway It was all part of a plan to run the business from the study (it’s a soundproofed, brick built, building with dedicated power supply, heating, 500mbps internet etc). Vic was going to run it as a demo unit 3-4 days a week or by appointment and I’d manage the web site and finances. Unfortunately the loss of our Victor in the run-up to establishing it really knocked me back and I’ve not had the enthusiasm to reboot it. Was about to get going last autumn but got offered a freelance consultancy project on a 12 month contract just 10 days after ‘restoration’ stuff started. The consulting gig pays about the same in a week as I could earn from Bassgear in a month - in fact, it’s actually more like more in 2 days vs what little we used to take out of the business. About 6 of the basses are BG owned plus a small selection of, never used, MarkBass amps, some ATS and a few boxes of strings 🤦‍♂️ Maybe I’ll start by selling some ex-BG stuff before the private ones. Will see how much time I have spare. Just in the process of putting a 2nd band together so that’ll get ‘in the way’ a bit 😂
  14. molan

    A pair of Sei

    Thanks, Nick I’m good. planning on slimming the accumulation of basses down so I just have a few I actually play! There’s currently 36 of the buggers kicking around so quite a few need to go 🙈
  15. I’ve been lusting after this burgundy mist Sei from the first time I saw it about 3 years ago. Finally got round to purchasing it and couldn’t be happier. Almost perfect spec for me 33.5” scale, a P that sounds great solo’d or mixed with the bridge humbucker (which can also be really snarly solo’d), sounds just fine in passive mode, super slim striped maple neck, lovely fingerboard, very low action, through neck with beautifully carved neck to body alignment, bound body, back-angled headstock and even has nice subtle white LEDs on the top of the neck. Sits beautifully on the wall next to my other Sei too 😉
  16. I did have all the bills of sale buried away but was locked out of my backup drives by a large global ransomeware attack a couple of weeks ago. waiting to see if anyone will find a hack to get past it.
  17. Contemplates selling vintage Fenders to fund Fodera purchase. . . 🤦‍♂️
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