police squad

I've done some surfing and can confirm, there should be made in the usa on the headstock, it can have a trussrod plug, some do, some don't. It looks very clean, almost too clean and the fingerboard looks very dark. It could have 74 pickups on a 76, so for me, a little inconclusive so far.

McMillan 12 step, interface, minitaur, PA. no presets, I use one sound live (think the intro to 'Don't stand so close' by The Police. I set it up every gig by looking at a photo I have on my phone. It sounds great

Their that is all!!

hopefully this video will load, of probably the best Rod I've ever seen/heard

Hi Pete, greetings here from St Margarets

yep, Simon back on drums and I saw jagged edge support Motorhead (a very long time ago)

not only are they really nice chaps but they were fantastic. Anyone else seen them?

[quote name='gadgie' timestamp='1437139506' post='2823949'] [color=#000000]All very exciting mate, I hope it’s as good as you hope/dream it will be. [/color] [color=#000000]Saying that I thought that a custom/bespoke builder would do what you want and not what he was jigs for. Am I missing something?[/color] [/quote] Primarily Bravewood make replicas of vintage Fender instruments, so i imagine that because Fender didn't offer a 33 inch scale, john doesn't either

[quote name='GuyR' timestamp='1437120261' post='2823680'] I ordered a stack-knob jazz in surf green, aged white guard ,matching headstock and one-piece maple neck. Very happy with the result. You won't regret ordering [/quote] yes pictures please, or it never happened (you know the rules)

eyparts in hong kong. I bought a fretless maple board neck from them. Dots are in the wrong place though (same as custom world guitars)

your bravewood will be lovely. John makes great instruments. As I've said before, I have a '57 'Sting' replica and my wife gigs a '63 in Daphne blue.

agreed, super P in white looks lovely. I had the RV 4 for a while. It was very good.

I have the new Steve Harris P bass in WHUFC colours. Fit and finish are first class and the neck is wonderful. I think the mex guitars/basses have improved massively over the years

if you change guitars enough, you should become quite slick. In my pub band where I play a telecaster and a Variax, I swap between them. It's done quickly and effortlessly. I use the variax purely for the acoustic sounds but because it's a variax I can use it as a backup to the telecaster. The modelled sounds are good enough to get through should I need too. It's also got normal pickups (it's a JTV-59) and they make a good noise too.

I saw a band recently, that had a sound engineer, with an iPad. wandering around the venue to get the sound right. It was dreadful. Muddy as hell. people don't know how to use a mixing desk. They boost everything when they should leave it flat and add a little treble for clarity (well that works for me and the bands I watch that have a good sound). Their sound was so bad that we moved on to another pub

[quote name='throwoff' timestamp='1433930101' post='2795101'] I find it really odd they would drop the old one and make the only instrument available the one with the West Ham badge, it is as if they have no idea how militant most English people are over football! [/quote] I think it's great that they have done it in WHUFC colours. It does make it more like SH's bass. Yes, unfortunately the slightly half witted football nutters may not like it but that's their problem

Man's strings on a man's neck. (the strings are too heavy for me lol. I'm going to put rounds on it 45-105)

As it says really. I had an old '62 P bass and I sold it to someone from Milton Keynes in 1992 I think. He travelled down with a friend. It had a terrible repro, rewound pickups and brass bridge saddles. It had been stripped and french polished (many years previously) I sold it for £550 I think, the question is, did I sell it you and what have you done with it. Cheers

The neck on the west ham bass is lovely. Closest I've played to my old 75. Big and chunky. The bass is lovely and I love the paint job and big logo. The blue basses do come up for sale so you could hang on for one

fretfx.com

Discreet, you are funny mate. Give em a good lashing, excellent. I sing and I practice. I sing along in the car and work out my phrasing but I can't be bothered to learn words, it's another stress that I just don't need. I have them printed out, very big and on the floor or against the monitor. Not every song, some I just remember and some I can't. Singing with good monitors really helps but it's learning to control your voice that is the key. My 8 years of singing Police songs has helped here. I try to balance it all. I try and sing well, know my limits and front the band (and play guitar or bass depending what I'm doing) and I've got a quality PA.

I've got La Bella 760s on my hofner violin bass. It just goes thud. Lovely. Some sort of picato flats on my epiphone jack Cassidy. It just goes thud. lovely. My Steve Harris 'West Ham' bass has steve harris signature flats on it. It doesn't go thud. It's almost alive with clank. I don't really understand. I've played rounds most of my life, usually Swing bass, but for a time, Elites and Rotosound 'Spacers'. I also don't really understand this tension thing that people go on about. Is there an enlightening thread I could read?