jrixn1

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I'll offer two options: 1. Boss LS-2 which allows you to match levels between two (or three) basses. 2. A passive AB switch (e.g. this one) into a Zoom MS-60B which digitally stores multiple presets for levels, eq, or any other effects. To switch basses, you'd stomp once on each pedal.

How about what bluesgrass players call the "G run"? It (or slight variations thereof) fits everywhere. Examples: https://www.youtube.com/watch?v=nDxhugRKZ8g at 1:43 https://www.youtube.com/watch?v=6sIjSNTS7Fs at 1:10 https://www.youtube.com/watch?v=bKxodgpyGec at 2:56

I don't think it has to be everyone or no one. Perhaps you can go in-ears and he can get a floor monitor. I had this setup last week.

Another thing to consider not mentioned so far is 2eq vs 3eq.

I suppose it depends on the type of gig. In my experience, I would say it's expected for functions, jazz/pick-up gigs, or shows.

Ibanez ATK?

Another vote for Beyerdynamic DT770 Pro. I have them at work (office job) and they sound good and are comfy. Slightly over your budget at £99.

So "sounds good to me and I'm happy" was what I thought back in February - but now having done some more gigs, I think "does the job [adequately]" is what I feel. They are ok. I don't have the budget for hundreds of pounds but I'll think I'll try the KZ ZS10 at £33. (Btw sorry for all the "@mentions"... I didn't know how to delete them from the quote)

The 5-string bass directly before the 735A was an Ibanez ATK805 which I liked but spent most of the time trying to make it sound like a passive P bass! After owning the 735A for a bit, I then saw a 434 at a good price, and strung it with La Bella 0760M (the "Jamerson" set). Really enjoying this combination since I do play a lot of Motown. I'm a very average player! But I always turn up on time and help to set up the PA 😁