bertbass

I'm sure that you've seem this, but just in case you haven't,

+1 to what he said.

Over 50 feet and you'll start to notice a loss of volume.

You think you've got problems, try being left handed.

2 EL84s would be about 14 watts or an AC15.

Ever thought of a thumb pick?

That would make a stack just over 6 ft with feet attached. Certainly be able to hear what you're playing with that.

One EL84 is 5 watts of sheer power and if I was to guess, I'd say a 4 ohm speaker.

That's my way of thinking. 4 cabs would make 2 ohms would it not.

Ah, the memories come flooding back. My first ever guitar, a white Vox stroller, plugged straight into my Dad's Truvox reel to reel. Sounded great at the time but then I didn't know any better.

Not long to wait now! It's just about ready to become black.

Why not burn them yourselves. Get printable CDs, http://www.amazon.co.uk/CD-R80-Inkjet-Printable-pieces-recordable/dp/B00AR0WOY8/ref=sr_1_4?ie=UTF8&qid=1365466888&sr=8-4&keywords=printable+cds and print them as well on a printer that prints CDs like an Epson photo R220. You might as well print out the back covers and inserts for the jewel cases, http://www.amazon.co.uk/100x-Jewel-Cases-Black-Tray/dp/B0011YDXPI/ref=sr_1_6?s=computers&ie=UTF8&qid=1365466968&sr=1-6&keywords=jewel+cases while you're at it. It's a lot cheaper so more profit for you.

I used to use the Samson system and it works just fine for bass. The only reason I changed to the Line 6 G30 was because or the radio spectrum sell off.

That's what you do. Nothing more to it.

Deep Purple and or The Who.

I do our posters in Indesign. Not cheap but does an excellent job. I then save them as PDFs and e-mail them to the gigs, if possible, this saves on ink, paper and postage and there's more chance of the venue displaying them. If I have to print them out, along with the gig guides, I do it on the printer that the band paid for using the ink / toner and paper that the band pays for. The band wants posters and gig guides, I don't mind designing them, as I know how, but I'll be buggered if I'm going to provide the paper, printer and ink as well.

I always need a spare just in case.

I thought that Matamp custom build whatever you want, in which case, they can build whatever you want, including a bass 200.

I've been a one bass man for years now. When you pick up THE bass you know it. If the Thunderbird is THE bass for you, then you instinctively know it so make the changes and make it truly yours.

The one I had was the same as in this video. http://www.nme.com/nme-video/youtube/id/aZx2a4_qUBE/search/ Brilliant bass to play. I wonder if the one you're after had similar pickups that have been changed.

You could try something like these. http://www.ebay.co.uk/itm/2-set-Guitar-Bass-Neck-Joint-System-INSERT-SCREW-i-/390343756347?pt=UK_Guitar_Accessories&hash=item5ae24d0a3b

Ah, The Avon EB0 bass copy and Vox Clubman basses, yes they were both crap but not as crap as the Egmond and Top Twenty basses I used to own in about 1967.

I bought back a Hoyer from Germany when I played there in 1979, P/Xed an EB3 for it. What a fabulous bass! Unfortunately, I had to P/x it against a Shergold twin neck. Wish I still had it. I'd of thought that 120 Euros or £102 was a real bargain.

Our drummer takes and uses a carpet at gigs. I always thought that it was to stop his drums from moving but now I'm not too sure. Perhaps he's making a statement.

Mighty Mite, very nice.