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Rick's Fine '52

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Everything posted by Rick's Fine '52

  1. Lots of wrongness there, anyway, didn't the mexico plant start in 1993?
  2. 70's basses (And guitars of course), are rising in value simply because the 50's and 60's ones are doing the same, but at a sharper rate. There will always be a market for vintage instruments, and people will fall into their budget bracket. When 60's basses were more affordable, nobody really wanted the 70's basses, because the difference 15 years ago between a 66J and a 72J , was probably around 20%, so people paid more for a better playing bass that was lighter, more desirable, and would also be an investment on return (Certainly not losing). The difference now between a 66 and a 72 Jazz, could be as much as 70%, so it pushes even the 60's CBS stuff out of the reach of some, who still want a 'vintage' Fender, so they resort to early 70's basses. The pattern has been the same for a long while now, although pre-CBS original finish gear has certainly taken off over the past decade. Many people who always wanted a vintage Fender when younger, find themselves with maybe more disposable income as they are older, maybe kids left home etc, and are now in the market, this is certainly something I've seen. And of course, desirable basses are less than half the price of their 6 string equivalents! The market over the past 10 years continues to show great returns on purchase prices back in 2008, with many of the more desirable models from the late 50's and early 60's more than doubling in that time, some prices have trebled on certain examples I've seen. The answer is always to buy something that is a good player, and sounds as you want it to, after that, the most original you can afford, and finally, if you cant decide between 2 or 3, pick the one that would be the best investment. I haven't seen any 'vintage' instruments not increase in value, and some significantly. If you aren't interested in investment at all, then I'd recommend a pre-CBS refin, with otherwise original parts. It will give you the vibe you may be looking for, for less than half the cost. It wont give you the satisfaction or pleasure an original one has, every time you open the case, but its horses for courses. CITIES is also pushing up prices for rosewood board models, as they become more complicated to send internationally (Its actually not really that bad, you just need the paperwork which can be obtained for around £70), and therefore desirable ones already on these shores become more in demand. By the way, the one referred to in the opening thread, is a particularly rare custom colour, one of the rarest in fact, add to the fact it has a matching headstock, and its incredible condition, makes for a very rare piece indeed. With the rarest items, there is often no yard stick, or recent sale prices to gauge by, so any seller will naturally start high. I think its quite a high price, especially for what is technically a CBS bass (Albeit with some pre-CBS features), but if you're a Geddy Lee, or someone with some dough, and you want one of the rarest custom colour basses, you won't wait for another, because it probably wont ever turn up. One things for sure in vintage world (Not just guitars, any collectable), if you want something, don't hesitate, because the rare ones don't normally hang around. If you have around £1500 to spend, which I'm guessing from some of the remarks, I'd go for a first 6 months, 1982 American Vintage P or J (V00*** serial), or a first series export 1982 JV (Large Fender, small Squier decal (JV00***). Those basses are fantastic to play, sound very vintage, will hold their money, have the rarity factor, and are 36 years old themselves now,so tick lots of boxes,a nd you'll certainly get change too! Good luck with the hunt and trying different things out, that's the best bit!
  3. JPJ played a slab board 3-knob ‘61, same year and spec as the one Jaco modded. JPJ still has it, it rattles too, needs setting up!
  4. This is a Project Tribute bass build that I've been working on for a while now. As with most of my builds, I tend to go over the top when it comes to parts and attention to detail, which normally results in not getting the money back, as will be the case here too I suspect. Nonetheless, this has been most enjoyable, and probably my best so far. Here's the details. The body is a Clive Brown 2-tone body from 2000, nitro. The burst shading is spot on, as you'd expect from Clive, some I've seen, even Fender Custom Shop Master Built, have the black too thin, and narrow, which is just lazy, especially considering what they charge! It wasn't relic'd when I acquired it, but I've since carried out the ageing myself, to match my own original '54. No extra holes or routes etc (Pic shown without the guard) Beautifully and in my opinion sympathetically aged, and checked. You don’t get this level of ageing at Fender, even Master Built Custom Shop models! The body has been routed at the rear to receive the period correct larger ferrules (Slightly misaligned as most were of this era), not even used on Fender's own reissues, and the small ones bug me on these models. Handmade single screw maple tug bar, exact dimensions of the originals, painted black and aged. Two saddle vintage bridge White single ply guard Aged chrome covers to bridge and pickup The pickup is a Seymour Duncan vintage antiquity, hand signed The neck is an Allparts lic. by Fender maple neck, with the correct squared heel, not curved like many. Correct truss rod adjustment at the heel. Amber nitro tinted, aged, and relic'd Tuners are amazing vintage reverse tuners by Gotoh. These are the Res-o-lite versions, which look correct, but super light, and these are aged versions, very high spec. Correct era decal applied on top of the finish CTS pots Weight (covers on), is exactly 8lb’s Looks great, and plays fab, nice low action No expense has been spared on this project, as you can see, and it shows. Its probably my best piece so far, its pictured in one of the attached photo's, with an original '53 gigbag, this is just for show, and not included!. Not to be compared with Limelights, and it's priced accordingly, or even Fender Custom Shop in my opinion, and I've had a few of their finest. Their necks and general vibe are far from ‘Vintage’. Certainly heaps better than a Nash! Priced far less than Bravewoods, which are excellent guitars. Best non-original bass for the dough by far. Price is what everything has cost me. PM if you need any additional pics etc Any inspection and test drive welcome, I'm in Northampton. I have a tweed hard case I could put it in. Pictures of the case are further down this post, in the comments. Cheers.
  5. I never understood why they made these with white guards when they were a clear ‘57 reissue. All the other JV models of this initial few months were extremely period accurate, and this was certainly an odd omission.
  6. Nice, this model is still the missing link in my JV Squier Series trio. GLWTS
  7. Great value rig for someone, really clean too, if I had the space i’d love that, bet it sounds fab!
  8. Earliest consistent use of the cushion I've seen is '74.
  9. Bank Holiday bump, for a scarce custom colour with matching headstock.
  10. Lovely, if only it was fretted rosewood, i’d Snap your hand off! GLWTS
  11. Where are you? (Can’t see it, if not on a PC!)
  12. I'm not even doing shipping within the UK at the moment Gillento, apologies.
  13. Cant change the main price Reduced to £35, posted. This is a pair of matching Roqsolid padded covers for a Fender piggyback amp. These came with a 1964 Bassman that I recently purchased, but have no use for these. I think they will fit any piggyback amps from the whole 60's decade, they fit my black and blonde versions. I think Tremolux is the same, and others too. Strong black canvas style, with padded linings, they also have the Velcro flaps for the carrying handles, and Fender woven badges. Usual Roqsolid quality. Size of the head and cab they came with; Head: 560 x 240 x 210 (W x D x H) Cab: 815 x 290 x 510 (W x D x H) They are flat packed, and ready to post if necessary, or collection from Northampton welcome. I imagine postage will be about £6, but will charge at cost. FREE POSTAGE (Amp they came with is pictured for reference)
  14. So, here is a Mexican Fender Jazz, I'm not sure of the model, or year, probably not important. I bought this a couple of years ago to relic, as I always wanted a '64 Burgundy Mist Jazz with matching headstock, but Guy seems to have the only one, so this was the next best thing. Edit: Since listing, I have been advised this is a Factory Special Run (FSR), very few in the UK, 60's Classic Series reissue, Limited Edition (Oh, and apparently listed too cheaply!), this range spurned the Roadworn series that came after, apparently. I didn't like others that I'd seen, like Limelight, because the burgundy mist colour was completely wrong. Its stock, except for the addition of some Seymour Duncan (So i was told) pickups (Unsure of the model, so attached a pic), replaced before my ownership, and a mint green guard. There is also the original white guard, so you can take your pick, its pictured with the mint green. Virtually unmarked, previous owner tried to remove the Mexican decal from the back of the headstock, leaving a small mark, didn't bother me, and the lamination is lifting slightly on the front of headstock, as is often seen, see pics, again, not an issue for me. These are getting hard to find now, it took me a long while. No case, so initially cash on collection only, if it doesn't shift then I may consider putting in a non-Fender tweed case and shipping, but not for the next few weeks, sorry about that, but don't have the time. Fender Jazz Amber aged neck (See pic of tuner removed), with slab rosewood board Metallic Burgundy Mist custom colour with matching headstock Threaded saddles Reverse, vintage tuners Mint green guard Seymour Duncan pickups Not sure what else to say, pics below Reason for selling: Too many basses, and another Project build on the go, and something has to give. Collection from Northampton, so pretty accessible to many places. Thanks
  15. That Tele Bass is just lovely, was looking for one of those just last month. Very nice.
  16. Depends what it is? Brass strap buttons? Just replace like for like with new versions, and leave the originals in the case, then give the new owner the choice if you decide to sell. Shouldn't affect the value if the holes aren't altered. Even on a vintage Fender, which I'm assuming this isn't, if a part is no longer functional, then you need to replace it. If your concerned about original appearances, try and be as sympathetic as possible with the replacement bits. Simple as that.
  17. Ha, maybe not! I didn't mention the price. We may all have our opinion on that. Prices listed, and actual sale prices can sometimes vary a bit (Not hugely though on rare items in my experience). If they want £17k for a '57 though, then £23k for this is probably proportionately right. Its all relative isn't it. These are rare things, and seldom turn up, especially in the UK. Another dealer in London has a '55 Precision for over £16k, so again, its relatively comparable. In my experience, they (All of them) list with high prices, which, if you have interest in something this scarce, will prompt contact from you, and start dialogue. If I wanted a '52 Precision, and somebody listed one at £50k, it wouldn't put me off making contact, and starting a discussion, despite me having no intention of paying £50k. You might see one '51-'53 Blackguard Precision available every couple of years on these shores, so its normal to list high on such things, as there isn't a regular stream of comparable recent sales to gauge market value. It's probably on consignment anyway, and the owner may have an expectation of what he wants, add 20% to that and it bumps up their retail listing. Having said that, I don't think the price is a million miles away as a package (From a London shop), although I'd want to see the bridge area of the body with that cover off! This particular seller is known for high price listings though.
  18. Its a nice one, I've seen many better, although I imagine the reason the bridge cover is on the wrong way is because its been like that a while, and the fading to the body shows through, and it looks terrible corrected. Seen a few like that, and they look awful. The rare thing with this one is the case though. Uber rare.
  19. Fab bass in the OP, I have a near mint '53, it looks like its never been played, the neck is brand new. Investment wise, you can't go wrong, the best examples of the rarest things will always appreciate. And you get the pleasure of owning and playing it in the meantime. Here's mine;
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