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Bigwan

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Everything posted by Bigwan

  1. [quote name='Steve Browning' timestamp='1506000145' post='3375775'] What, the barman ex of Coronation Street? :-) [/quote] No, but he does actually play bass for said barman's real life "band"...
  2. [quote name='Wilco' timestamp='1505999591' post='3375765'] With your available budget, I'd be getting on to Maruszczyk to get your own spec built. [/quote] That may be where I'll end up as I like a lot of what Adrian is about. A lot of folks would say "it's not a Fender" but I really don't care what the headstock says, or if it doesn't use the same bridge or tuners. If it feels like a 60's P and sounds like a 60's P, it's perfect for me! And I could get it in the colour I want... I'd also considered AV Basses, but that's right at the top of my budget range. Drawn to them as Keith Duffy is a fan of them, and there's a man who knows a good bass...
  3. [quote name='bumnote' timestamp='1505997878' post='3375746'] I agree with Steve. I have a 62 re issue which I imported from Japan a few years ago, fitted it with a lollar pick up and its really nice. Has the wide 44mm neck and plays well. I have an L series precision bought in the 60s, [not all original unfortunately] and I can tell them apart but theres not much in it. I also like the necks on the classic 50s mex reissue. [/quote] I also like the necks on the classic 50s Mexican P. Played a new one last year and was very, very impressed with it. Having owned a Roadworn Jazz I can only imagine how nice the 50s Roadworn P is (never had hands on one)... Problem is I'm much more a rosewood fan than maple.
  4. [quote name='Steve Browning' timestamp='1505993621' post='3375708'] [url="http://www.ishibashi.co.jp/u_box/e/select.php?cd=08-325079704"]http://www.ishibashi...cd=08-325079704[/url] That's £395. About £500 imported I would think. [/quote] That's REALLY nice!
  5. [quote name='Steve Browning' timestamp='1505991319' post='3375675'] D'oh. Forgot the other obvious. With your budget you could get a very nice JV Squier. Again, I have had one of those and they are similarly excellent. Not sure I'd put it above the Japanese Fender 62 (there will be those who disagree vehemently - probably people selling them) but well within your budget and is likely to appreciate. [/quote] I did have an excellent SQ Squier from a similar era and it was outstanding when compared to my US P bass. A JV is a possibility.
  6. [quote name='chris_b' timestamp='1505990587' post='3375665'] Get a good used Fender American Standard Precision that feels right and plays well, then if you need to upgrade the sound you can just drop in any number of great sounding pickups. [/quote] I already have a USA P Bass. It doesn't feel ANYTHING like a 60's P bass unfortunately. Sounds good, just like a P bass, but again not in the same league as a good 60's P. [quote name='Steve Browning' timestamp='1505990743' post='3375666'] If you don't want sunburst then you could also contact Mark at Limelight (google classic and cool guitars) who puts together excellent basses at a very reasonable price. [/quote] Limelight were my first thought actually but Mark uses off the shelf necks (well fettled obviously!) of the same dimensions as current production Fender basses. Not the same beast at all.
  7. Budget-wise under £2k. Obviously the further under that the better! The Japan reissue sounds VERY interesting...
  8. [quote name='Dad3353' timestamp='1505986933' post='3375623'] Offers and trade propositions posted in 'For Sale' ads are systematically deleted. They are to be made by Private Message (PM...) only. Thanks in advance for your understanding and cooperation. [/quote] Damn Dad, what did I miss?!
  9. Just wondering what folks would suggest as a good reproduction of a 60's p bass? Really looking for a 60's version of the Fender Roadworn 50's P bass. Doesn't necessarily need to be reliced, but would like something with rolled fingerboard edges, etc so it FEELS like it's been played since the 60's. The 3 that come to my mind are Bravewood, Moollon (maybe) and Maruszczyk. Just wondering what everyone else would suggest?
  10. [quote name='EBS_freak' timestamp='1505922428' post='3375267'] So what's that plan now? Use them for gigging? [/quote] My original intention was to put together a silent band rehearsal setup for home, based around an X18, an electronic drum kit, a few PODs (or the like - iPad running Bias FX in my case I would think) and a decent set of in-ears. Still working on the drum kit element of it (converting an acoustic kit with mesh heads and DIY triggers) but I have almost everything else - need mics of course! The last thing a (currently) non-singing bass player would think of... I'm without a band at the minute but hoping this'll be the spark I need/have been lacking of late! Kind of "if you build it, they will come" sort of thing...
  11. Let's get things moving before the weekend shall we? 10% off everything help?
  12. Selling my recently acquired copy of Komplete 10 in the classifieds if anyone is interested. Garageband is definitely more my level!
  13. ###### Price now £180 or trade for WHY###### Next up in the great clear-out of 2017 is Native Instruments Komplete 10. Only bought this recently but it has only highlighted 2 things to me - 1. I have very little patience. And b. I haven't enough free time at the minute. Massive software package. Loads of great sounds available. But Garageband/EZ Drummer/EZ Keys are much more my level. This is download only, no physical product would change hands. You need a native instruments account (which is free!) to complete license transfer and loads of hard drive space available. And I do mean loads. Here's some info from NI: 39 products in total Over 12,000 sounds Ready for any DAW including Pro Tools, Logic, Cubase and Live. MAC Requirements: OS X 10.8 or 10.9 (latest update), Intel Core 2 Duo, 4 GB RAM (6 GB recommended for large KONTAKT Instruments). Windows Requirements: Windows 7 or 8 (latest service pack, 32/64-bit), Intel Core 2 Duo or AMD Athlon 64 X2, 4 GB RAM (6 GB recommended for large KONTAKT Instruments). Native Instruments Komplete 10 Native Instruments Komplete 10 Software Suite is an all-in-one software bundle which includes the best of Native Instruments' full line of samplers, soft synths, and digital effects. It includes 39 instruments and effects, with everything from vintage synth simulators and cutting-edge software synthesizers to mastering processors - and 12,000 samples, from concert grand pianos to African drum kits. If you're in the market for software instruments, effects, and samples, you might as well make the most of it with the Komplete 10 software bundle. With 130 GB of sounds and instruments, it truly is a Komplete solution. The industry-standard bundle Wide range of Komplete instruments Outstanding collection of Komplete effects Completely re-envisioned acoustic piano suite Optimized for the Komplete Kontrol S-Series Seamless integration with Maschine NATIVE INSTRUMENTS KOMPLETE 10 ADDITIONAL OVERVIEW: LIMITLESS POSSIBILITIES - KOMPLETE 10 is the quintessential collection for production, performance, and sound design. With 39 world-class instruments and effects spanning all genres and production tasks, this is limitless sonic inspiration. OUTSTANDING SOUND, OUTSTANDING VALUE - KOMPLETE 10 includes the latest innovations like ROUNDS and POLYPLEX, and new sampled instruments like THE DEFINITIVE PIANO COLLECTION. Plus established heavyweights like MASSIVE and classic platforms REAKTOR and KONTAKT. At a price almost 90% less than what you'd pay for these products separately, KOMPLETE 10 is a must-have for any modern studio. SYNTHESIZED AND ELECTRONIC - KOMPLETE continues to define the cutting edge of instrument design, synthesis and DSP technology. Explore the endless potential of ROUNDS, MASSIVE, MONARK, and more. SAMPLED AND ACOUSTIC - Advanced sampled instruments open a world of sound in immaculate detail. Witness the unmatched realism of SESSION HORNS, THE DEFINITIVE PIANO COLLECTION, SESSION STRINGS, and more. SOUND DESIGN AND MIXING - Twist and warp your sound, and add studio-grade effects for professional mixes. Make your music shine with DRIVER, SUPERCHARGER, the SOLID MIX SERIES, and more. BROWSE AND FIND - INSTANT INSPIRATION - Dig deep into thousands of sounds with ease, thanks to the unified workflow of the KOMPLETE Instrument browser. Search across all KOMPLETE Instruments using musical tags and keywords - limitless inspiration in a single plug-in. BUILT FOR KOMPLETE KONTROL - KOMPLETE KONTROL opens up the full potential of KOMPLETE 10. Feel these advanced software instruments come to life under your fingertips - more intuitive, expressive, and inspirational than ever before. Turn KOMPLETE 10 into a single, unified instrument and Take Kontrol. NOW ALSO IN KOMPLETE 10: SESSION HORNS is the sound of a tight, four-piece horn section sampled in pristine quality. Perfect for funk, pop, reggae, indie and neo-soul productions. DRUMLAB is the first-of-its-kind sonic laboratory, combining pristine acoustic samples with a punchy electronic edge - all in one intuitive interface. SUPERCHARGER is dripping with the high-octane attitude of a one-of-a-kind tube compressor - with an intelligent interface designed for supreme ease of use. DRIVER is a thick, deep distortion filter. Distortion and filter resonance levels deliver anything from subtle movement to total sonic destruction. AM modulation adds even more possibilities. NATIVE INSTRUMENTS KOMPLETE 10 INSTRUMENTS: REAKTOR 5 is a fully modular synthesis studio that opens a universe of sound with limitless programming options. Includes preset ensembles for instant inspiration. ROUNDS is a synth that combines digital and analog engines with complex, sequenced sound shifting capabilities. A near-limitless array of new sound. KONTOUR is a phase modulation synth with nuanced, expressive performance and a powerful new motion engine that brings each note to life. POLYPLEX is an eight-part drum sampler with extraordinary randomizing capabilities, creative layering, and near-infinite tweakability. A new approach to drum design. MONARK is an uncompromising software version of the holy grail of analog monosynths. Every nuance has been meticulously studied to bring the spirit of this legend to REAKTOR in definitive detail. MASSIVE is the heavyweight synthesizer built on an analog concept - perfect for heavy basses and piercing leads. FM8 features crystalline, razor sharp sounds, embodying the bright, lively sound of FM synthesis. Unsurpassed depth, brilliance, and dynamism. REAKTOR SPARK is a truly dynamic synth developed by Native Instruments' founder Stephan Schmitt. REAKTOR PRISM is a unique and responsive polyphonic modal synthesizer with fascinating sound shaping capabilities. ABSYNTH 5 is a modern legend - a semi-modular synthesizer for pads, grooves, and abstract soundscapes. Take your tracks out of the ordinary. RETRO MACHINES MK2 gives you over 20 legendary vintage instruments from the 70s and 80s - lovingly sampled and refined for the world's leading sample platform, KONTAKT 5. KONTAKT 5 delivers unprecedented power, a vast instrument library, effects, an advanced sampling framework, and deep editing capabilities. Connect with the industry standard software sampler! THE GRANDEUR is the rich, hyper-detailed sound of one of the world's most treasured concert grand pianos. A dynamic, singing piano for everything from pop to classical. THE GENTLEMAN is a classic piano that delivers balanced tone, a wide dynamic range, and a beautiful, lush sound. Your new standard vintage upright. THE MAVERICK - an expressive vintage grand piano. Sampled in meticulous detail for authentic tone and distinctive character, and suited to pop, rock, urban, and jazz. SESSION HORNS is the sound of a tight, four-piece horn section sampled in pristine quality. Perfect for funk, pop, reggae, indie, and neo-soul productions. DRUMLAB is a first-of-its-kind sonic laboratory, combining pristine acoustic samples with a punchy electronic edge - all in one intuitive interface. SESSION STRINGS is the sound of high-quality string sections for modern productions. Its highly-intuitive interface delivers immediate, expressive results. BATTERY 4 is the 21st century drum sampler. The worldwide studio choice for creative beat production. STUDIO DRUMMER is the perfect realization of a drummer in software - three premium acoustic kits, a fully-featured mixer, and powerful effects. ABBEY ROAD I 60s DRUMMER is the pure sound of two famous 1960s drum kits, recorded with vintage equipment at Abbey Road. WEST AFRICA delivers vibrant percussion and enchanting melodic instruments, playable solo or as polyrhythmic ensembles, plus an intuitive pattern sequencer. SCARBEE MM-BASS puts the creamy bass sound of 70s disco and funk at your fingertips - recorded dry for maximum flexibility. THE GIANT captures the sound of the world's biggest upright piano for an intense, dynamic playing experience with a sound that's nothing short of inspiring. VINTAGE ORGANS gives you access to the sounds of the golden age. Based on high-quality recordings of classic organs, VINTAGE ORGANS is full of charm and character. SCARBEE A-200 is a classic and versatile electric piano, sampled to perfection with all its characteristic dynamic range intact. SCARBEE CLAVINET/PIANET provides the sounds of two legendary keyboards, expertly sampled and brimming with unique character. SCARBEE MARK I is the sound of an iconic electric piano, beautifully sampled and perfectly preserved in all its brilliance. GUITAR RIG 5 PRO is a studio full of amps, cabinets, mics, and creative tools - GUITAR RIG gives you the power to shape your tone to perfection. SUPERCHARGER is dripping with the high-octane attitude of a one-of-a-kind tube compressor - with an intelligent interface designed for supreme ease of use. DRIVER is a thick, deep distortion filter. Distortion and filter resonance levels deliver anything from subtle movement to total sonic destruction. So yeah... Lots!
  14. Good choice on the Hartke Attack by the way. I had mine up for sale briefly and pulled it after playing it again. Greatly underrated preamp...
  15. Had my 5 string Sire tuned drop A when I had it. Worked grand so can't see any reason the 4 wouldn't handle it, other than needing thicker strings to keep the tuning taught. I ordered a D'addario of the heaviest gauge I could get for my lowest string. The nut will need attention and the bass set up appropriately. If you can match the tension on the neck (with a higher gauge of string tuned low) everything else is really unimportant. Only issue I would guess is the bridge being able to handle the thicker gauge strings... I couldn't handle a 120 gauge B string though... far too floppy for me!
  16. Thinking about spending money I don't have! Colour isn't quite right (looking more of a Sherwood Green) but the rest is pretty close to how I'm thinking... [attachment=254012:Jake C.png]
  17. Received a set of used UE900s the other day from another forum user. These things are a revelation! Haven't tried playing bass through them yet, but listening to music I'm familiar with (I thought!) I'm hearing detail I've never heard before. Most impressive...
  18. [color=#282828][font=helvetica, arial, sans-serif]Next up in the great clear-out of 2017 is this Tascam MP-BT1 MP3 bass trainer. I honestly had forgotten buying this. I believe it arrived during the madness surrounding the birth of our 2nd child and as such lay in its unopened packaging until such times as my "room of requirement" offered it up recently! I haven't used it other than to charge it, turn it on and confirm operation with bass and headphones, but it is detected by my work laptop so transferring MP3s to it should be a drag and drop affair. Comes boxed with USB lead which charges it from standard USB phone charger (but doesn't let you use the unit for its intended purpose at the same time strangely). There is a 5v adapter port if you need to power it for use, but adapter not included (units were sold without these - another strange choice by Tascam there!).[/font][/color] [attachment=254010:tascam 1.jpg] [attachment=254011:tascam 2.jpg] [s]£50 excl. postage [b]ON HOLD PENDING THE USUAL[/b][/s][b] SOLD[/b]
  19. Next up in the great clear-out of 2017 is this rather lovely Pumpernickel compressor. Ovnilab rated this "a bit better than the immediate competition (Keeley Bassist, Maxon CP9Pro+, MXR M87)". Read more about it here: [url="http://www.ovnilab.com/reviews/pumper.shtml"]http://www.ovnilab.c...ws/pumper.shtml[/url] Not available other than as a kit so, being the tinkerer I am, I thought I'd give it a whirl. Unfortunately no matter how hard I try I just can't like compression. Great looking pedal, top/North mounted jacks (as it should be!). [attachment=254008:pumpernickel 1.jpg] [attachment=254009:pumpernickel 2.jpg] £55 excl postage
  20. Bought a pedal from Jack a little while ago. Great transaction from start to finish. Wouldn't hesitate to deal with him again!
  21. To quote a manager I work with "you keep bringing me problems, bring me solutions!"
  22. Read some of his other sales. They can make a body from solid rosewood... Wonder what CITES would make of that!
  23. Certainly buy used. Your money goes MUCH further, and you stir the GAS around the community... I would add that although they're not my cup of tea, the now discontinued USA Musicman SUB 5 is also an excellent option (not talking about a Sterling SUB or SUB RAY5, 35 or whatever confusing article they produce nowadays). Having owned a Musicman 5 as one of my first "big money" 5 strings, I'd say the USA SUB 5 I played a while back was every bit as good as the full fat version and, features-wise, closer to a 5 string version of a true Musicman than the actual Musicman 5 string is!
  24. Not much to add that hasn't been mentioned already really. I've owned a lot of 5 strings over the years. I'd say 50/50 based on your budget (as in half above, half below). Lakland were always a firm favourite of mine. Owned 2 of their 5 strings. The 5501 I had was superb and was well under your budget. Compared favourably with every other 5 string I've ever played, regardless of budget. I also had a Sire 5 which was also very good. A tie with the Lakland in a lot of areas, but it's flaw for me was that the fretboard radius meant the B and G strings (when set up correctly) were louder than the rest as they were MUCH closer to their respective pickup poles, especially the B. If that were easily corrected it would be a stonkingly good bass for the money. Recently had a Yamaha 425x and again, excellent. Ergonomically it wasn't perfect for me as the string spacing at the nut was tighter than I like, but might suit you perfectly. A left field choice if you can find one, is a used ACG Graft 5. I owned one briefly (the briefly bit was intentional - wanted to check out Alan's work before committing to a custom build!) and Alan's work is exceptional. When they appear they are typically within your budget. Happy hunting!
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