[quote name='Kev' timestamp='1506686482' post='3380416']
Judging by the reaction by some in this thread, you would think Darkglass was a subsidiary of Barefaced...
In current market, I don't believe any Darkglass product is 'overpriced' and comments about how much it cost to develop are just daft, simple truth we have NO idea.
The head is a brilliant price for what it is and has remained remarkably stable considering Brexit and the GBP situation, something had to give eventually and their way of dealing with it is to release a cheaper version, which is fair enough. Again, cab prices are in line with other 'boutique' builders and until stats are released and they are heard, how can anyone judge whether they are worth Berg prices or not?
We do love to hate on success, don't we?
[/quote]
I don't hate success at all, but I hate indefensible, emperor's new clothes marketing BS, which really is what the big hoopla release party at Chicago Music Exchange was. IMHO. The cabs had already been seen at NAMM ffs. The only new product was the amp, and nobody seems to be talking much about it at least not to the same extent as the cabs...
Amp-wise (looking at Thomann as a quick example) Ampeg, EBS, Markbass, Ashdown, Hartke, GK, Tech 21, Fender, TC and Warwick can all do a 500w bass head in the £500 region, some [u][i][b]significantly[/b][/i][/u] below. What makes the M500 so special that I should buy it at a premium? While I liked the M900 I had quite a lot (and the Vintage Ultra I'e just sold), there's no doubt that in the value for money stakes Darkglass are in danger of disappearing up their own bottoms.