mikeswals

The shape isnt very different from a Fender Jaguar. It didnt sell well because EBMM never advertised it. I had a 5SSS last year and it was a fabulous bass, the neck was great, and the tone very much like the Bongo was awesome. I need to find one again.

If you've spent a life time playing Musicmans, then strapping on a Wal is no different as far as weights goes. Except the shape of Wal models and their contours stick to your ribs. But as noted above, Paul's new models are lighter than the old ones. And you can get whatever neck shape you want.

[quote name='tredders' timestamp='1466429638' post='3075717'] His arsenal is currently a US Jazz & a Thunderbird (for Specials work), a jap Jazz (may be Mex, I can't remember) for blues gigs, a '73 Telecaster bass for the ska orchestra work, and the original '73 P bass used on the first album (which is bloody gorgeous and plays like a dream) for special occasions.[/quote] Did he get his original (1st album) P Bass back?? in the 90's his interview stated it was stolen, which the Tele Bass was bought as the replacement.

I dig shedua, especially with fairly heavy ribboning: And if you like pink, then can't see why you wouldn't like violet either! [IMG]http://i48.photobucket.com/albums/f224/Negative7bass/Mobile%20Uploads/IMG_20160614_152528_zpsblqmbxce.jpg[/IMG]

I currently have 6 Wals, 3 of them old era, 3 new ones, and had several others pass thru also. The necks varied a lot in the old days: I've had 50's-like thick P Bass to thin J Bass and C shape. To me the facing contributes a very tiny bit, from the range it seems the period of when they got their timbre made more influence than anything else. My 90's bases all had a certain sound reguardless of bodystyle. And my new era ones have their certain sound that the others don't. That mahogany that Pete used at that time was very dense and very heavy and had the hardest attack. The Mahogany Paul uses (at least now) isn't as dense, and in turn all my new ones are lighter than their older version. I have two 4-string Mk2's that on paper should be identicle basses: shedua facings, ebony boards, same satin finish, same chrome hardware...built 19 years apart couldn't be more different sounding. Sure they have that similar Wal character, but one bass is a shimmery-spanking slap machine, the other is a warmer player. To me the fingerboard wood has more influence than facing wood. I've always preferred the ebony loaded necks to the rosewood ones, just more snap I can hear especially when slapping. If you do buy new, Paul can shape your neck however you prefer it. I know neck shapes can be deal or no deal for some players, but I can play any neck you put in my hands. I think they are all wonderful basses old or new, I've enjoyed every single one I've had. They do the job they're set out to do.

Only a little cheaper. If that violet bass had been paid for today I could have saved $800 dollars.

I almost forgot to post my new addition on here!

I grew up near the EBMM factory, they had to use guitarist models because for many years and years the EB guitars were not taking off. You would never see anyone playing one, I can't remember seeing anyone in California with a Silo. The EVH did little better, but ended after a short while, and again the guitars didnt take off until the Luke and then the JP came along. The bass models were a different story, an instant hit since the 70's and took no problem selling like hotcakes, they did not need any artist model to sell they were everywhere. When Flea saw Chad got his own drum model, Flea wanted the Ray renamed the Flea Bass...not a chance! He got madand left for good. Back in the 80's and 90's I loved the Chili Peppers, and sure he recorded early on with a Cutlass StingRay when the band were still pretty obscure. But by the time they were popular Flea was already known for not using StingRays in the studio on all their big albums: on Mothers Milk it was a Spector, on Blood Sugar it was mostly a Wal, then he moved on to recording with an Alembic. Love the guy, but why would an existing popular bass be renamed and given to him? And to bother doing it now is moot, he hasnt bothered using one in almost 20 years, and Kiedis is beyond his expiration date with lame lyrics and can't break his habit of using variations of the word 'California' over and over. Stick a fork in it, they're done!

Wow Mark, those look amazing!!!! Love the figuring on that Claro too.

Martin, the old Diesel 410, rated at 600watts and typically 8 ohm. It looks to have the speakers that Mesa called their Bassis-10 model, which were actually made by Eden. Although the upper left speaker looks like a modern powerhouse one.

That's awesome! Did he say what was wrong with the pickup?

I had read long ago that Macca showed interest in a 5 string Wal because he'd admired the one Trevor Horn played. So Linda had commissioned to have it built, it was a gift from her. In more recent years, a Wal enthusiast said he went to the Wal factory around that same time, to either order or pick up a bass and saw a few new completed 5 strings, all identicle for Macca. And yes, we can thank Costello for turning Paul back to the Hofner. I also can't help but think since Bruce Thomas played one toward the end with Costello, Elvis probably had a predetermined sour for anyone afterwards using such a fancy custom.

Superb Oliver!

[quote name='CamdenRob' timestamp='1452692213' post='2952461'] On another note, anyone see this on the Maruszczyk thread? Look familiar? Doesn't have the growl though... IMO. [/quote] Right! That bass is way too warm sounding to be anything similar out of those multi-coil pickups.

[quote name='spiritchaser' timestamp='1452690087' post='2952432'] BTW, I just spoke with Paul Herman to have my white 2010 Moby Dick MKII refinished in all black very soon - so the funky white will turn into a black rock machine w/ gold hardware - yeah!! [/quote] Wow, hate to see you do that to such a beautiful -and I mean really beautiful- white Wal. Why not just buy the all-black and gold Mk2 that's on talkbass?

APB! I need to find one of the loose Mk3 5 string necks. I know I saw the 5'ers with spare necks get sold separately....someone on here must know where at least one of those necks went.

[quote name='CamdenRob' timestamp='1447064121' post='2904442'] Chances of finding a used fretless sixer are non existant so I'm going to have to go new... [/quote] Rob, did you see the fretless sixer on Ebay???

Two years is a long time to wait to play a couple fretless songs. Used five stringers seem to pop up pretty regularly around here.

[quote name='Beedster' timestamp='1445681601' post='2893328'] My two, '83 and '86 [URL=http://s80.photobucket.com/user/Beedster/media/2015-10-24%2011.07.03_zpsbut5afap.jpg.html][IMG]http://i80.photobucket.com/albums/j199/Beedster/2015-10-24%2011.07.03_zpsbut5afap.jpg[/IMG][/URL] [/quote] Wow Beedster, already added a 2nd Wal to the mix! Is that the fretless 86 that was here in Seattle a month ago? And does that mean you fixed the frets on your wenge one?

[quote name='CamdenRob' timestamp='1442242710' post='2865429'] It's the Ziricote Wal... they sent someone round to review it a while ago and I got an email from Joel a couple of weeks back saying it would be in the next issue. I'd be interested to see what they make of it, filter preamps take a bit of getting used to and the reviewer only had an hour or so with it. [/quote] Congrats Rob! I sure hope the reviewer knew how to use the controls, it sure took me longer than an hour to get used to it.

Yup, everything in the Bass NW building has been cleared out as of yesterday. But Chad's new store The Bass Shop is ramping up at a good pace. Musicman factory however doesn't let anyone in for tours.

This seems like a mess of a money pit. So far you havent told us what the issue with the truss rod is. If the bass isnt original (from your pic I can see a body refinish, a new bridge and pickguard), and you are already wanting to buy new neck, pickups and electronics, I'm thinking "what for"? It will no longer be a 75 if everything bolted to the body is replaced. My advice is sell it off or part it out, and go buy a different Jazz Bass. If you want it as a vintage 75, then get a real luthier to fix the neck, and have the original pickups rewound if they're weak.

It looked to me that the headstock only looked th way because of the camera angle. No? In the straight shot of the whole bass the head looks normal.

Not exactly Japanese built. EBMM shipped the bulk parts to Japan for the distributor to assemble a bass model when need for their market...however I think the bodies were painted in Japan. I believe EBMM says they stopped the EX line around 2004?