Bilbo

Plug plug pluggidy plug....

Did a gig with John Etheridge last night. Not come down yet.

Let it go. He may have just added parts and kept some of yours or even tweaked then using the IT. I have heard recordings several times that I have done that I can't remember doing or sound different to what I remember. It's no biggie really.

[quote name='leschirons' timestamp='1371156310' post='2110736'] Not quite sure which of these two sentences I find more condescending. The one about the "very inexperienced listener" or the one that sounds like a question to a bunch of 4 year olds [/quote] Badly worded post done in a hurry. . Sorry to offend.

[quote name='xilddx' timestamp='1371153970' post='2110692'] It looks like a JayDee. [/quote] Of course it but it sounds like Jaco. I have nevrr been convinced that certain brands of basses have a distinctive sound and, for me, this adds to the argument that, whatever instruments we play, we sound like us!

This video of Frank Gambale with Jaco has a long stretch at the start where FG is playing with and bass player and drummer. It would be a very inexperienced listener who did not recognise Jaco in a second but what is interesting is the bass he is playing is not his. Can you guess what make of bass it is? [url="http://www.youtube.com/watch?v=U_BZERP4x0s"]http://www.youtube.com/watch?v=U_BZERP4x0s[/url]

The Alex and The Fludyers are both owned by the same bloke who is underwriting our Jazz project.

That just came out I suspect I am going to live to regret it!

Look through Major Minor's basscamp pinned at the top of the Theory section. It is all in there.

Advantages: see above Disadvantages: You will burn in hell for eternity. What? \©/

My partner in time, drummer Russ Morgan, and I have just recorded an interview about our JazzEast at The Fludyers project and there is a 16 minute interview on Felixstowe tv (you can access it on youtube, just post 'Jazz East at The Fludyers' in the search box).

I revisited my early effort and, with a bit of tweaking, found some merit in it in that it has the tension that I was trying to create. Added to the fact that I can't see how I can get anything else ready in time, I will post this and be damned. Just don't listen to it in the dark (mmwaaaarhahaha.... ). [url="https://soundcloud.com/robert-palmer-1/the-mountain-and-the-moon"]https://soundcloud.c...in-and-the-moon[/url] Re: flaws - the levels aren't high enough and there is a ghost in there near the end that got in when I was adding the wind effect - I couldn't be bothered to re-do

[quote name='skej21' timestamp='1371055792' post='2109263'] Moon dance [/quote] I thought he said Jazz?

All The Things You Are Have You Met Miss Jones

Yeah - you don't get to choose either/or

There are more scales than pentatonics and, yes, arpeggios are something different.

Playing scales and arpeggios is the best way of internalising the sounds of the notes, chords, their relationships, of learning the neck, of developing consistent attack, phrasing etc etc. There are other ways but scale use allows you to be systematic about it.

The first 13 minutes may be a tough listen for some folk but then it gets much prettier. I loved this era of DiMeola (I saw this band at the Hammersmith Odeon - with the future Mrs. Baggins) [url="http://www.youtube.com/watch?v=6SHVmjFDkx0"]http://www.youtube.com/watch?v=6SHVmjFDkx0[/url]

I told you... I refused

Billy Sheehan [url="http://www.youtube.com/watch?v=aslM8-7JaPA"]http://www.youtube.com/watch?v=aslM8-7JaPA[/url]

Alphonso Johnson - with Flora Purim [url="http://www.youtube.com/watch?v=4tUTsZ78xIw"]http://www.youtube.com/watch?v=4tUTsZ78xIw[/url] and again with Phil Collins [url="http://www.youtube.com/watch?v=_Y03a9aYFNU"]http://www.youtube.com/watch?v=_Y03a9aYFNU[/url]

Stanley Clarke - Silly Putty [url="http://www.youtube.com/watch?v=LXsZVs1EEfw"]http://www.youtube.com/watch?v=LXsZVs1EEfw[/url] And, of course, the master.... [url="http://www.youtube.com/watch?v=JnpyCEUESEw"]http://www.youtube.com/watch?v=JnpyCEUESEw[/url]

Jack Bruce - 'Sweet Poison' off Cozy Powell's 'Over The Top' LP. (Spotify - no link on Youtube) Chris Squire - On The Silent Wings Of Freedom [url="http://www.youtube.com/watch?v=dp9aHtN4K74"]http://www.youtube.com/watch?v=dp9aHtN4K74[/url] John Giblin - A Longer April [url="http://www.youtube.com/watch?v=QH4tEAvzJdU"]http://www.youtube.com/watch?v=QH4tEAvzJdU[/url]

[quote name='skankdelvar' timestamp='1370973229' post='2108168'] Oh my! Do you still have any photos from that shoot? I'd pay - ooh - at least £20 just to [i]see[/i] them, not even to keep or anything. Prize in the next BC tombola? [/quote] Have it for free, mate (I am far left - age 17/18)

I know what you mean, Skank, but, even in the early days, I was always about the music and I have always found that a good audience reaction has not worked for me if I think the music is pants. I also enjoy a gig where the music is great even if the audience is ambivalent. I remember at age 17 or 18 having an argument with the guitar player in NWOBHM band No Quarter about 'being taken seriously' as a musician. It was around a photo shoot where the photographer wanted us to wave our 'heavy metal fists' at the camera - I remember thinking we looked like a bunch of prats. I remember never wanting to buy 'pointy' basses that looked the part because I didn't think they were serious instruments etc. I just think I was always attracted to the art of it even before I knew what the broadest sense of the art of it actually meant. I have never 'posed' on stage and have never really had the impulse to 'entertain'. Now I am a published author/biographer, I have no interest in how many copies are sold, only that the book is making a contribution to the recorded history of the music. Not sure what all of this says about me but there you are. I would that I am not hostile to those who do want to entertain, to get the audience dancing etc and, if it happens, I get a buzz same as everyone else. My only issue is with the assumption that this is what all of us want from playing. It isn't. If I was offered a regular gig where the music was horrible but the audiences were potentially big, I would turn it down (I have turned down two tribute bands recently - Motown and Nat King Cole).