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Killerfridge

⭐Supporting Member⭐
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Everything posted by Killerfridge

  1. Technically it's a "competition" as you have to answer a question, and you can enter free by post; the classic get around for running "gambling that isn't gambling"
  2. Fair, I've probably read into the comments a bit much and hate is totally the wrong word; I think I'm conflating the dislike of EBMM charging £2k for a shortscale simple P bass (which I think is the correct opinion) with the dislike of Vulf as a band (also a reasonable opinion, just not one I hold). I think the "The result is jazz funk with a raised eyebrow played by music college kids." comment hit a nerve, despite the fact it is demonstrably true! I retract my statement, but leave the comment there for posterity; carry on!
  3. Spot on, that Tom Sawyer was flawless
  4. Disagree on point one, but I guess that's the joy of art Point 2: They're a concept band based in the 60's/70's, and I guess you either enjoy that or you really don't; I'm surprised at the amount of hate they seem to get on here though
  5. Oh yeah, it sold out within the hour. I understand collectors getting them, but I think anyone buying it to sound like JD should listen to Vulfmon's poem about tools and creativity:
  6. I saw Joe in Brixton last year as part of Theo Katzmans band; killer gig, best I've been to in forever. That MSG gig though, that's something else.
  7. I want to say that that's the point; he's got EBMM to build him (and supply him with) the three basses that he used and likes; a passive Stingray with only a volume knob (Carlos Robelli), a passive jazz (mexi j) and a short scale P with only a volume knob (Jacks precision bass jr). The fact they sell them too is just EBMM making money where they see a market. I think the video of them explaining the JDII and how much of a piss take it is I think sums it up. They're not the ones selling it, they're just happy to accept the business handout
  8. I'd argue these sound better than the Ampegs on which they are based; GLWTS
  9. Ooh, those are some tasty gospel chops, I know what I'm doing this week!
  10. All the usuals, throwing out some new loves over the last couple of years: Joe Dart Tony Levin Daric Bennet
  11. This hypothetical criminal seems very well planned in selling a fake bit of kit, especially when noone wants to reveal the serial numbers of their gear anyway, so "no sorry" is just as believable an answer...
  12. I've never understood people's hang ups around serial numbers, trying to obfuscate them like it will somehow provide access to their bank details
  13. These are already crazy underpriced when new, £88 is an absolute steal for what this is
  14. A mint one of these is about as rare as hens teeth! I love mine, huge vintage tone when you dial in the tubetone, and the semi parametric EQ gives you all the controls you need to dial in the sound you want. Glwts
  15. Craig Blundell?
  16. Same, my Japanese UV70 is a musical work of art and I would love more
  17. That's such a cool piece of bass art/history, GLWTS Out of curiosity, how did you come to own it?
  18. These Special Editions are gorgeous, congrats on picking one up!
  19. I didn't watch it, but I've worked with the Sugar Babes guitarist (Francois Fasano) and he is an absolute monster, and the rest of their band is equally talented
  20. Great units, the sounds you can get out of these are unrivalled
  21. I've heard that NAM can produce the most technically accurate models, even compared to Kemper and Neural DSP; it just suffers from the fact there is no dedicated hardware
  22. Cool, that's what I was hoping
  23. I have a vague recollection of this bass too, but I wonder if it was a Musicman? At least this is the one I was thinking of (and similarly difficult to Google) https://www.gear4music.com/Guitar-and-Bass/Music-Man-Reflex-Game-Changer-HH-Bass-Guitar-RN-Black/1AAS
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