Dad3353

If you stand at the back in the shadows, the lighting rig isn't, either..?

Ha..! For the first few years of Kiemsa, I, as the father of Our Eldest, their 1st Guitar, provided the PA, and drove everyone to gigs and back in our Renault Espace, pulling a hired trailer for the gear. I did their sound from the desk until the Drummer (studying to become a Sound Engineer...) relinquished the drums to take over the desk, and I continued doing the lights. A new, better, drummer was brought in. We toured France for quite some time; as the gigs got better, the PA became a venue one. Soooooo... Yes, it can and does happen that there's a willing dad to do the heavy lifting.

For more decades than I wish to relate, I've always been the one to own, outright, the PA, lights, van etc for the bands I've been a member of. Any band mates (and others, if they're trustworthy...) can use any of the stuff if they want, if I/we are not using it. I charge nothing to anyone for any of this (it's all been paid for long ago...), and am beholden to no-one, and am free to do as I think fit. All my own drums, naturally, but I've also a wide selection of basses and bass amps, guitars and guitar amps (some of which are currently out on long-term loan to friends...). I've never been rich (obviously...) and have worked (in modest jobs that I liked...) to feed the family and acquire the gear I wanted. I don't feel that there have been any sacrifices, and I've never been betrayed in my open trust in others (except that one time when Laurent returned my bass drum having cut a 'port' of sorts in the resonant head; I was not pleased...). Karma..? I'll see about that later, when I'm old. Life can be so simple when one avoids complicating it (or maybe I've just always been lucky...).

Aye, thems was the daze ...

If I was doing the FOH, that's how I would resolve a 'dynamics' issue...

That particular song could be bumped up a tone, or tone and a half, without becoming too 'squeaky', to get the intro into range, I would think..? No..?

Maybe a little difficult to 'sell', but would singing coaching from an experienced vocal tutor be an option..? Most vocal 'loudness' issues can be addressed with breath control etc, whatever the vocal range. Just an idea... As a pedal option, how about a compressor, set to reduce the more powerful upper register, allowing the PA to bring up the quieter lower range..?

... or put a drop of clear nail varnish over the screw head to stop it from turning..?

Mmm... Tea...

Do you mean 'how to cook cheap cuts of beef'..?

Cheap and lightweight... PVC Tubing Backdrop Stands... Put the uprights at the wall end, so that the bar is flush to the wall, not 30cm forward. Incorporate telescopic tubing, if that's useful. Easy and light to pack up, and cheap to make. Hope this helps.

Recognise the key and tempo being played, and get stuck in. What could possibly go wrong..? Timid, me..? Nah...

Offenbach's 'Galop Infernal' from his operetta 'Orphée aux Enfer' (most often used for the French 'Can-can' dance...). Not heard a great deal else from him that I like either, but that's the utter pits, for me.

Whatever's on the headstock.

Here is my contribution to the July 2023 Basschat Composition Challenge, illustrated with a picture chosen by AndyTravis. A stroke of luck, a lucky strike... One-take guitar track using my newly-acquired s/h Blackstar ID:Core 10 again. Guitar is my trusty black sparkle Xavière again, too. Bass is my Hofner Verithin into my Sonuus MIDI converter, to drive a simple bass Vst (4Front Bass Module...). Drums..? Played 'live' with my Millenium 850 MIDI e-drums into Superior Drummer 3. A fair bit of MIDI editing to tidy it all up, then the usual Cockos EQ and NY Bus compression (and some light Fx for the drums...). Thanks for listening, if you already have; if you're about to, enjoy.

Mmm ... Tea..!

Quite certainly overkill for pub gigs; there are very few equipped in such a way, I'd say. Concert halls, theatre stages and festivals, certainly, but not much elsewhere.

Amps will have a sticker or plate on the back, somewhere, indicating the power draw from the venue. It's not the same as the rated 'watts' of the amp. No calculation required; simply add up all the wattage from all those stickers and plates. Tell the venue what that wattage is. Dividing by 220 will give the amperage needed; should be below 10A, ideally.

You'll have to list all of your backline amps, and what LED projectors you have, to get a reasonable answer. Best guess from me would be 'less than 10kW', if you're not using valve amps and only LED PARs. The venue want to know if their power sockets and fuse boxes can support your equipment safely. In days of yore, with Genie tower lighting rigs and multi-head guitar and bass stacks, special power outlets were required. If you're below 10kW you should be OK using domestic power outlets. Hope this helps. Disclaimer : subject to completion, correction and/or contradiction from others.

Free, but for the Hornet, it means inscribing, then installing yet another Downloader programme, which sends the download to the wrong place (as usual...). No big deal, but with so many otfits doing the same stuff, it becomes tiresome for a 'one-off'. Melda don't do this, it's a straightforward download, once inscribed (I already am, soooooo...). Just sayin'. Hmm... Melda seem to have joined the club, too, with an Installer. A bit fiddly, but I got it to work, after a fashion. Very clunky, though.

No need for any artifices here; I'm just glad to still be breathing and able to play. S'not true of every day, though.

Bass directly into Tascam US-4x4HR interface, s'all, with Reaper as DAW. Simple, me..? Yup.

I've heard much, much worse at concerts and festivals over the decades. Nothing to criticise, just keep going in that vein and enjoy producing your stuff. I give it Five.

I can't remember if he was the Cornish smuggler in Blyton's 'The Famous Five on Holiday', or one of Ratty's friends in 'The Wind in the Willows'.