Quatschmacher
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Everything posted by Quatschmacher
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Monster bargain! -
Final price reduction to £179 posted. -
Final reduction to £435 posted via RM SD. -
Reduced to £185 posted via RM SD.
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@Duroc17 now’s your chance! -
Source Audio Aftershock - Bass distortion/fuzz/overdrive £90
Quatschmacher replied to mcnach's topic in Effects For Sale
Bargain. -
Thanks. I can’t really buy any more pedals until I’ve shifted some.
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I did my daily trawl of Richtone only to find it had already sold before I had chance to go and try it. It’s been on my list of stuff to try for a while.
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So that’s where it went!
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Thanks, I read that a while ago and it is still a bit ambiguously worded. The easiest way to check is this: when the Sweep knob is at minimum, is there still detectable LFO movement? -
Cheers for sharing that. I’ve shared it with the team.
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That’s some way off. I kid you not, it’s taken until now for them to say they should probably spend some money on marketing, seeing what it’s done for MXR. I’ve only been saying it for 6 years. Also, @LukeFRC, if you fancied sketching out a nice graphics idea sometime and putting it their way, they might well pay you to use it.
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By the way, if you contact Panda you can get a free window film for the display. The first units didn’t have one fitted.
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Is the sweep knob on these an LFO modulation depth control or a centre-frequency control?
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In fairness, most pedals would look crap/unreadable under strong enough direct lighting. Here’s my high-powered torch pointing at a few. One shown not shining directly. Not sure what I am missing here.
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I think that may be down to poor camera resolution in low artificial lighting; some of the other gear looks a bit washed out too (Mavis). That aside, what’s the issue exactly? The display is perfectly legible and you can see the foot switches to press them; what more do you need?
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Why? Are you looking for another excuse to not buy it?😂
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Occasionally Facebook throws me up some good stuff. New band discovery:
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Panda were scheduled to exhibit at Guitar Summit last week but had to cancel at the last minute due to two of the team being ill. Here’s one of the demos they’d prepared:
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No guesswork involved; fast mode simply spits out the previously-detected note until it fully reads the new one. It’s the same underlying detection routine in both modes though.
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Strings with a strong fundamental are preferable, so flats and broken-in strings. New roundwounds have a lot of high end which, depending on how you play, could cause strong overtones that might confuse the tracking. As for pickups, I use only P basses now, but have used it with PJ and JJ configurations. Neck pickups give better fundamental but bridge pickups seem good for ever so slightly faster note-on triggering. I used to play dual pickups and favour the neck for the fundamental but dial in a bit of the bridge to help the note-on triggering. Mostly using flatwounds.
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Yep, that suggestion was taken on board. Since parameters can’t be edited from the panel, I’ve also suggested creating some basic presets which use common combinations of waves which would be suited to get the maximum variation from the onboard parameters.
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Already done and working.
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It’s a really annoying Windows limitation - it only allows a single USB-MIDI device to be active at a time.
