Jump to content
Why become a member? ×

Quatschmacher

⭐Supporting Member⭐
 View Profile  See their activity

  • Posts

    5,531

  • Joined

  • Last visited

  • Days Won

    1

 Content Type 

Everything posted by Quatschmacher

  1. Quatschmacher
    Could someone who has the pedal please answer this? How does the portamento behave when you leave gaps between consecutive notes? Is the portamento gated? i.e. does the pitch transition pause when you leave a space in between the notes and pick up again as soon as you play another note, or does the pitch transition continue in the background. You can test by doing the following: Set portamento to maximum. Play 20th fret on G (Eb) then (taking care to mute the other strings) play the open E. Note how long the transition takes. Now, play the high Eb again and stop. Leave a pause equal to or longer than the time the pitch transition took last time. Now, play the low E. Is there still portamento happening or does the note play cleanly without pitch transition?
  2. Quatschmacher
    Just testing a nice little update today…
  3. Quatschmacher
    Sold elsewhere.
  4. Quatschmacher
    Isn’t the Two Notes Revolt Bass based on a Marshall?
  5. Quatschmacher
    .
  6. Quatschmacher
    Fair enough. Would love to give one of these another try but no more pedals for me until I shift some stuff.
  7. Quatschmacher
    Are there any trades you’re interested in?
  8. Quatschmacher
    Possible trade with a Moogerfooger phaser.
  9. Quatschmacher
    Anyone had their mitts on one of these?
  10. Quatschmacher
    Well, what do you know, he removed my comment linking to the free patches that I’ve shared within the community via the Panda official cloud site. I wonder why…🤔 He also removed my comment thanking him for showcasing the pedal and linking to the Facebook group I set up.🤷🏻
  11. Quatschmacher
    As said, it does nothing. It’s the control for the SGT voice so if the SGT side is off it has no effect.
  12. Quatschmacher
    .
  13. Quatschmacher
    Hmm, yes. I do take slight umbrage at the comment about his patches being “night and day” compared to the stock ones, but I’m not trying to make money off my patches, I’ve shared them for free so don’t have to try and persuade people to buy “better” stuff. In fact, I do wonder if a few might just be mine anyway or slightly tweaked versions.
  14. Quatschmacher
    Yes, from the keyboard.
  15. Quatschmacher
    I’ve posted some clips where I was using keys.
  16. Quatschmacher
    The B15/SVT only affects the Grit side. Part of the reason I ditched it is because of having to always hit no try footswitch we just to turn the B15 sound on. That and the stupidly high treble frequency (10kHz if I recall correctly).
  17. Quatschmacher
    Also, as mentioned, I’m in discussion with Andras about implementing a way to copy/move patches using only the pedal itself and that is looking like it’ll be doable. Furthermore, in v4 you have full 128-step resolution of the on-pedal parameter edits (unlike the coarse 10-step ones in v1-3).
  18. Quatschmacher
    That’s already the case to some degree: the latter patches are given over to delays, choruses and reverbs.
  19. Quatschmacher
    Well, there’s definitely bass stuff in the works…
  20. Quatschmacher
    So would I. In fact I’ve added a poll to the FI Facebook group to ask.
  21. Quatschmacher
    Polyphonic pitch detection is very difficult, requiring lots more resources than monophonic tracking. That’s not to say it couldn’t perhaps be done as one of the two currently-unused apps in the pedal. Polyphony/paraphony has already been under discussion (for MIDI-triggered uses). I’d like to push the idea of on-pedal patch management as that will benefit all users.
  22. Quatschmacher
    Tis indeed a great filter.
  23. Quatschmacher
    This is looking promising as we’ve had some further discussion about it…
  24. Quatschmacher
    I purposefully didn’t recommend the Aures2 as I personally found the sound quite disappointing. When I played it (on a GL-30 or GL-10 grand I believe) I could really hear a sort of locational “distance” to the sound: I could really hear that it was coming from the the transducers further back in the piano as opposed to the sound coming from right in front of you when playing acoustically. The other thing is that, as soon as the piano strings are even slightly off concert pitch, layering with the digital engine results in phasing and chorusing.
  25. Quatschmacher
    It’s inevitable to look for comparisons. Here’s the FI v3 doing a classic Greg Philingaines part and coping pretty well: https://drive.google.com/file/d/1dt5u-xJGXNTmXBKSkYH7fSTBPm5vTlgV/view?usp=drivesdk Here’s the isolated part: https://drive.google.com/file/d/1EBujKhsBj4awZp1YbbgglrSPeljJ_R2H/view?usp=drivesdk
×
×
  • Create New...