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So nice people are enjoying their Monzas, I had a funk /soul gig in a very large wine bar in Redhill a couple of weeks ago, full band , 3 piece brass section, all full on! Decided to use just one of mine rather than two because it wasn’t the easiest load in/out. Used with my puma 900 it absolutely ate it. It’s lovely when you have total confidence in your set up. .‘Appy days!! 😊

My Zoom V3 hasn't arrived yet (due tomorrow) but I thought I should spend some advance time trawling YouTube for reviews, demonstrations, and 'how to' videos. What an absolute hoot. For most of the gear I've bought in the last few years I've done the same, and I've become used to slick, informative videos prepared by professionals ... I simply wasn't ready for the torrent of amateurish dreck that was waiting for me. Ignoring the occasional video clearly created & narrated entirely by AI (very easy to spot still, though that will change), the dozen or so videos I've checked fall into three main camps: I can't sing and I have very little idea of what I'm doing but hey, listen to the funny noises it makes; I don't have any musical gear to use alongside it so my demos are all pointless but hey, listen to the funny noises it makes; I am running my "channel" on such a tight budget that I'm having to route a vocal effects processor through a bass amp (srsly - I'm not making this up) but hey, listen to the funny noises it makes. None of these presenters seem to have any live performance experience or knowledge of what use a live performer might have for this sort of pedal. One guy representing a big music store in NYC genuinely suggested that people should buy this pedal because "it's kinda fun to have around". Not so much an Influencer as a Flatulencer.

Regarding ticket prices in general , when I did go to gigs I always went for the most expensive ticket whenever I could . When I saw Rush at the London o2 clockwork angels tour , I had to let my friend get the tickets . I told him to buy the dearest ..but he purchased the slightly cheaper ones. This meant that although at ground level , we could only see half of the backing orchestra 🤦‍♂️Idiot ! My last time seeing Rush 😮‍💨🙂

Yes, me too, but Rush are one of the few I make an exception for. Plus, I made the effort to get early access reducing the damage slightly.

I have one fitted to my Streamer Stage 1. There is a spacer in between the rear of the headstock and the back plate of the lever mechanism. The spacer shifts the lever a few mm away from the headstock so it can be deployed without any interference from the neck or headstock. The tuners are fitted in the normal position for a Warwick bass.

Thanks for the replies. Am I right I thinking that the Akai doesn't have full sized keys? I'm guessing from the replies above that this isn't much of an issue though. I think I've got one of the Icon models on my Ebay watch list but wasn't sure what they were like so I might pull the trigger on that one. The Midiplus one sounds good too. Lots of options then - thank you once again.

😮‍💨 I’m so glad I’ve stopped going to big events like this . This would infuriate me if I was interested .

I'm booked to see the London Concert Orchestra soon and I'm buzzing! There will always be more local bands than orchestras - classical music takes a huge amount of coordination! Neoclassical artists like Ólafur Arnalds and Hania Rani are really popular with the young folk. A big part of the appeal is that you can really hear the hammers, felt and pedals in Ólafur's piano - a mix of really close mics and room mics to accentuate the fact that it's a real instrument being played in a real space.