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Posted (edited)

That very much depends on the mixer - some will let you do this, some won't. I've worked with both; it does add another layer of faffing before the gig (tho this can be reduced by saving scenes, etc), so it's all about On The Day.

 

Another example of this is stereo monitor feeds: my inear setup will do stereo, but I've yet to convince a BL to give me two channels and send them to a stereo out...

Edited by Muzz
Posted
9 minutes ago, Al Krow said:

 

Are you managing to put the reverb just through the IEM feeds and not FoH?

This is what i do for my IEM mix. We use one reverb for FOH, and a separate one for IEM mixes. I have a bit on the bass and a bit more on the vocals. 
While we can just have the reverb to FOH or IME, or both, i prefer to keep the two separate. I prefer a shorter reverb in the IEM mix. 

Posted
16 minutes ago, dave_bass5 said:

This is what i do for my IEM mix. We use one reverb for FOH, and a separate one for IEM mixes. I have a bit on the bass and a bit more on the vocals. 
While we can just have the reverb to FOH or IME, or both, i prefer to keep the two separate. I prefer a shorter reverb in the IEM mix. 

 

Interesting, as a lot of the received wisdom is not to have much, if any, reverb on bass for FoH? 

Posted
3 minutes ago, Al Krow said:

 

Interesting, as a lot of the received wisdom is not to have much, if any, reverb on bass for FoH? 

We dont ever put reverb on bass for FOH.

Posted
33 minutes ago, Al Krow said:

 

Thanks for clarifying that.

Yeah, it’s just for IEM, as i agree with you, it just add’s a bit of air to the sound, especially nice in stereo. 

  • Like 1
Posted (edited)
2 hours ago, dave_bass5 said:

Yeah, it’s just for IEM, as i agree with you, it just add’s a bit of air to the sound, especially nice in stereo. 

 

Thank God for digital desks eh?! i wouldn't have a hope of doing this with my old analogue desk!

 

Just as an aside:

This level of flexibility combined with the better pre-amps on our A&H CQ18T (vs my old Soundcraft MTK12) and the ability to give everyone a tailored feed that we're already benefitting from, seems to me to make a quality digital desk the single most important factor in getting a band to successfully adopt and accept IEMs in place of backline? With quality in ear headphones running in a very close second - one of our singers tried got a set of KZ ZARs from Ali Express for £30 recently. She's over the moon with how good they are!

Edited by Al Krow
  • Like 1
Posted

My old drummer was a real Luddite, and in a way still is, but the tribute band he is in have just invested in an XR18 and a few bits just for IEM/stage monitors. 
They always use a house PA but have struggled with monitors. It took me a while to explain what can be achieved these days, and they (he) built a small IEM rack, based on the XR18 and a couple of splitters. 

For less than £500 they will never really have to worry about monitors again. 
 

Even the drummer in my band, who admits he is a dinosaur and refuses anything to do with IEM, has just brought a P-16 for his floor monitor. 
The downside to this is he had it really loud at the last gig and i had no control over it. I’ve banned anyone else getting one.  We use 3 powered floor monitors and i shudder to think how loud they will be pushed. 

Posted (edited)

My last post just got me thinking. 

Does anyone know if i can add a fader in Mixing station to control the overall level of a monitor being controlled from a P-16, or better still, just mute it? 
 

i had to play music between sets at the last gig and on stage it was really loud, but out front hardly anything. He had left his monitor on and i just couldn’t tell if the FOH was even on. 

At the moment the music is streamed  from my laptop, which is also my sound source, so he has to have this in his monitor while we are playing. 
If it were a separate device then obviously he could have that always muted.

Edited by dave_bass5
Posted
24 minutes ago, TimR said:

I've scrolled quite a few pages. Is the Lekato wifi what a lot of people are using to power their IEMs?  

 

 

They seem to be a good budget choice. I have a set as a back up, and have used it a few times without issues.

  • Thanks 1
Posted
1 hour ago, TimR said:

I've scrolled quite a few pages. Is the Lekato wifi what a lot of people are using to power their IEMs?  

 

3 of us have been using Xvive U4s for a while, which seems to be a decent mid-price range. 

 

Drummer has recently got a Swiff WX520 from Ali Express (they're currently just under £75) which he's really liking.

  • Thanks 1
Posted
10 minutes ago, Al Krow said:

Drummer has recently got a Swiff WX520 from Ali Express (they're currently just under £75) which he's really liking.

 

Oh interesting - I have a U4, but I have been using the cheap £20 wireless because it is stereo and having got used to stereo it is hard to go back to mono. I hadn't seen those, I was trying to find something that was stereo that was somewhere between the £20 and £300 range!

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