Lord Sausage

With regard to the Jamerson vs Kaye thing, surely you can tell just by the playing that it's him and not her. All the bullshit is unnecessary!

Now this ain't Funk but it's certainly groove. A big filthy blues rock groove. With one of the filthiest slide gtr noises ever. Gotta love the filth! http://youtu.be/72rWAe0pUdQ

My favourite part of this thread is how someone called Evil Undead is playing The Monkees. love the juxtaposition

not again!

Is there already a drum chat? I'm sure i've visited it whilst looking for drummers in the past?.....obviously i don't mean travelling back in time like Bill and Ted!

[quote name='grahamd' timestamp='1347701869' post='1804108'] Schfifty five brilliant! We milked that one for years at work.. How about [media]http://www.youtube.com/watch?v=vZDjWLwqAPY&sns=em[/media] [/quote] i love that guy. First saw him in Dark Place, then he was class in first series of The Mighty Boosh. Can never remember his name tho

Now i imagine a lot of you will have probably heard this as it's pretty old and i've known about it for time. I heard it again the other day and apart from being funny and ridiculous and lo-fi it''s pretty good and its essentially just one note on the bass. http://youtu.be/-XccUMOQ978 This is pretty good too, but it's poor quality! http://youtu.be/z3U28UJ-7tc

sometimes glam i.e jeans, sparkly shirt sometimes smooth i.e jeans, shirt, ridiculously quality suit jacket, trilby or pork pie hat sometimes 70'sripped jeans, shirt/rock t-shirt, 70's purpley red leather jacket, pork pie hat

Started off with a Encore P bass copy, hated it. Got a Jackson then a Yamaha. When i got to college the college bass was a Fender 73 p Bass. It had been treated like sh*t and despite it having flats and being to heavy for my taste, i loved it. Saying that though, i've never owned one but have a 68 reissue jazz.

It will probably be passed off with the punk bullshit of hey its punk.

[quote name='BigRedX' timestamp='1347445694' post='1800806'] IME experience there are two types of session. One where the music has all been worked out and what is required are musicians to come in and play what they are told. For this you need to be able to read, be versatile in terms of styles and techniques and get on and do as you are told as quickly as possible. The other type is where the song exists as little more than lyrics and vocal melody and maybe some chords. The musicians will be expected to add some creative input to flesh out the song into a finished arrangement. Normally they are booked primarily for their playing style. Reading doesn't matter since there won't be anything more than a basic chord chart to read (and that will have probably changed massively by the time the final version has been recorded). The person organising the session will have a good idea of the playing styles required and will book the musicians accordingly. In this instance creativity is what is required. [/quote] there is also both at the same time

What i find quite interesting is how a top session player can't read music. Not that there is a problem with that, it's just you can encounter quite a lot of snobbery from session players who read towards those who can't. I've seen it on here, people going on about how in the 'real world' of gigs you need to read, no tab etc, i've witnessed it whilst on gigs towards those who can't....quite sad. So it's good to now some of the very best don't/can't.

[quote name='ezbass' timestamp='1347098614' post='1796893'] It'd be interesting to see how many non muso types could name songs with a bass feature in it. Hat certainly, maybe Alright Now, My Generation and Level42 song of your choosing, but outside of those the bass is probably not noticed, I'd love to be really wrong about that and not giving Joe and Joanne Public enough credit. [/quote] Another one bites the dust, Under pressure, summer nights, blues brothers tune (whatever its called), there's gotta be loads more

no way,to my eternal shame i never noticed the opening melody to The Rite of Spring. I love Stravinsky, particularly The Rite, I was even part of a shortened prog rock version that we did a college.

Has anyone listened to Zooma? there is some killer bass playing, sounds and tunes on that album!

[quote name='silddx' timestamp='1346610072' post='1791191'] Mate we are the same on here! We'll watch an Asian transvestite, the wrong drummer, Neil Peart f***ing up an intro, but will we head over to the BC Recording section and listen to BCers' bands? [/quote] Ha ha. So true, I think that should end the thread really!

The reason is...................slags! I used to run pubs, karaoke attracts groups of young easy woman. Where they go, men go

How come there is no love for Mr. Gone. I know it's not epic but there are a couple of good numbers on it. River People and Punk JAzz ( i especially like where it turns into like a 70's detective show tune then to kinda sludge) to name two.

[quote name='spongebob' timestamp='1346059585' post='1784514'] I've always thought as the Foo's as a band which you quite like.....I just never really get excited about what they do. Some great - amazing - tracks, obviously a good solid live act, but for me they've always just lacked that special something. Maybe it's just me! [/quote] Yeah, apart from the one or two killer tracks on each album the rest kinda sounds the same.

It looks like he could do with a few lessons. if he keeps practising he might be get to be quite good. Also he needs to buy a better bass so that he doesn't keep need to tuning it whilst playing!

seems a bargain. i was just browsing not looking to buy anything, but i am tempted.

Just seen this on Thomann. [url="http://www.thomann.de/gb/hartke_215b_xl.htm"]http://www.thomann.de/gb/hartke_215b_xl.htm[/url] Don't get it. Why so cheap? Are they shocking? Are 2x15 not good? Is this a can of worms? Why are we here?

Most singers don't sing well!

da boom da da oomm, da da imma! (jonathan davies, korn)