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EBS_freak

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Everything posted by EBS_freak

  1. EBS_freak
    I have seen this before, it's a rebadge of the MiPro 2.4 system and I have toyed with getting one. I have no experience of it.. but the Mipro 5.8 digital system gets some great reviews and if you scroll back you'll see how good that sounds. Now, I know that doesn't necessarily translate between models... but as I say, if Thomann did the 5.8 system, I'd buy one straight off to try. Maybe the 2.4 is worth a shot for you? You could always send it back if it didn't suit (although I appreciate thats a semi pita)
  2. EBS_freak
    Ah... yes. Decent wireless <> cheap.
  3. EBS_freak
    I do, however given your email exists on a certain list that I'm seeing, you're new round these parts, I'm a bit reluctant to take this forward...
  4. EBS_freak
    More gadgety stuff for consideration https://www.amazon.co.uk/Cubilux-Bidirectional-4-Channel-Headphones-Subwoofer-6-35mm/dp/B0B45MZG1J/?th=1
  5. EBS_freak
    .
  6. EBS_freak
    You've not done any sound limiter gigs, have you?
  7. EBS_freak
    You can get an ace setup for under a 100 quid.
  8. EBS_freak
    IEMs are great, if you get it right, you’ll never want to play without them. Just don’t throw money away. Have you read the IEM bible?
  9. EBS_freak
    The PSM200 is utter dog, especially for bass - due to its compander. It sucks out all the low end and makes the top end quite shrill. Don't base your move to IEMs on this unit!
  10. EBS_freak
    My go to are still A12ts. Still my fave model.
  11. EBS_freak
    My thoughts are in the opening posts.
  12. EBS_freak
    Good call - Paul will sort you out. UE6 would be my only exception for going lower than a quad.
  13. EBS_freak
    In short - more drivers = more headroom and more control (speakers don't have to work as hard to get to a comfortable operating volume). Think of a 1x10 speaker vs a 8x10 cab for. practice. Youll be thraping that 1x10 to keep up with a drum kit and it won't necessarily be sounding its best... but the 8x10 will be on tickover. Its not as easy as that though - the more drivers (especially of varying types) you put into an earpiece, the more difficult it is to get them to work cohesively, without phasing issues. The big advantage the larger brands have, is that they can order balanced armatures to their specific needs to manufacture a device that will fit precisely with their designs. Smaller operations just haven't got the budget available to do such things. The thing is, creating a decent sounding multidriver IEM is difficult and time consuming - and in reality, the R&D that you paying for. The cost of IEMs were historically high due to the very hands on process in creating them. Whilst this has been reduced due to 3d printing etc - it's now the investment in the manufacturing machines that require the money! Anyway, you are right, there is a certain element of diminishing returns... I think the sweet spot is a quad - T, M, B, B... but for sure, you'll pay more and get better performance... but the gains may not seem that great compared to the investment. And of course, each IEM has a different sound signature... so some people won't like the inherent sound signature of a set of IEMs, just like people prefer one bass cab over another. IEMs generally are not flat response - because historically flat response isn't what the human ear likes. With digital desks, this has become less of a crucial point... don't like certain bumps in the IEM signature? Simple, a digital desk with a EQ on the aux output can fix that... As for JH... well... JH have Jerry's knowhow - and he has arguably been the top tier designer of IEMs... and is still pushing the boundaries today.
  14. EBS_freak
    Have been doing a bit of snooping around. Seems quite a well thought out unit. And removing the screen is actually quite a smart move as that is the bit that is going to get broken at a gig when something falls on it. I would imagine there’s loads of folk who are used to carrying the toaster/rack plus pedalboard and analogue pedalboard rejoicing at this. Not sure what is happening in Kemper world though. They seem to have lost a bit of favour of late… but let’s see how things play out.
  15. EBS_freak
    I like it. Theyve needed something like this in their line up for some time!
  16. EBS_freak
    Man, I was asked to do a lock down collar of The Crunge. I didn't know the song (Im not really a LZ fan... but the timing on that, well, it took me a while to get my head around!) On first listen I was, yeah, ok... easy enough... then I tried playing along with it!
  17. EBS_freak
    You’re overloading the transmitter - lower the aux output.
  18. EBS_freak
    This kinda got me interested as a low cost option... (sounds good from the demo too)... but alas, frequencies not UK legal. Posting here just for interest really. (Yes, design cues lifted straight from Shure!)
  19. EBS_freak
    Must admit, slightly disappointed there isn't a review from you up there yet...
  20. EBS_freak
    Not if you remove the source pic. I'll remove from the quote anyway.
  21. EBS_freak
    You may want to remove your personal details.
  22. EBS_freak
    No you don't. Direct connect. Although I'd ditch the g4m unit and use a wired connection so you can hear just how much better a direct connection using a Behringer P2 is compared to those wireless units.
  23. EBS_freak
    Got to be a black plate!
  24. EBS_freak
    Didn't read that you could add another in before completing... so I'd like to offer up Rutger Gunnarsson and fave bass line of his, One Of Us.
  25. EBS_freak
    Thanks all. Much appreciated. Keep the recommendations coming
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