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EBS_freak

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Everything posted by EBS_freak

  1. EBS_freak
    I wouldn't necessarily ignore the Reidmar. Yes, it's not going to win any prizes for the nicest looking amp - but sonically it pretty much apes what the HD350 - without the weight.
  2. EBS_freak
    Kills you in the end doesn't it?
  3. EBS_freak
    I feel like reading this, I should make something to do this. I can't believe you haven't got a decent solution after all this time.
  4. EBS_freak
    DR = Dynamic Range (e.g. the ability to capture the shadows to the highlights. In difficult lighting conditions you'll compromise the shadows or the highlights (e.g crushed blacks or blown highlights). The higher the dynamic range, the better.
  5. EBS_freak
    2025 Im looking to get rid of more stuff!
  6. EBS_freak
    Additionally - Have a couple of overheads over the drums panned hard left and right and you'll hear how much it opens the room up.
  7. EBS_freak
    That they are - the Fischer was always too expensive to lead the IEM charge and Behringer took the oopportunity. Makes you wonder how cheap these things are to actually produce. I bet Fischer hadn't got the money behind them to risk it to get the price breaks.
  8. EBS_freak
    I concur.
  9. EBS_freak
    If you like playing with such things, also check out - * Live Professor - https://audiostrom.com/ * https://www.waves.com/mixers-racks/superrack-performer
  10. EBS_freak
    ...but the end of the tales may be equally as sticky.
  11. EBS_freak
    I know, right? If you want such financial domination and frustration, a mistress must be infinitely cheaper* *...so I'm told.
  12. EBS_freak
    I love rhetorical questions.
  13. EBS_freak
    Hi @MrPring - what is it you are actually asking?
  14. EBS_freak
    What is your setup - what have you got in terms of open mics in your existing setup? If you are purely silent stage it's all going to sound a bit dry. But if you are looking at putting some mics up to get the drum kit, it sounds like you've got analogue stuff on your stage...
  15. EBS_freak
    I'm not disputing that - I'm commenting on him being a builder that is showcasing his building skills by dropping the neck on the floor twice in quick succession and then thinking it's a good idea to post that on Youtube. Strange if you aren't interested in the guy you are lurking in this thread... but there you go!
  16. EBS_freak
    Standard practice in dropping instruments you are building? really?
  17. EBS_freak
    ...and why would you even post such a thing on youtube anyway...?
  18. EBS_freak
    Are these things actually any good? Do they play/sound better than they look (appreciating beauty is in the eye of the beholder). Just had a quick skim through his videos on youtube... I'd be well chuffed if my custom build was being dropped multiple times, getting dented along the way.
  19. EBS_freak
    Bump before xmas
  20. EBS_freak
    You wont hear enough of the band. You should assume you wont hear anything unless you have the other band members in your mix. Here's what I would do with your setup (whilst keeping costs down) Plug your vocal mic into channel 1 on your Behringer 1204 mixer. Use a balanced jack to XLR cable to connect the aux output from your 1204 to your FoH mixer. (Set aux send at unity on the channel aux send and master aux send). As far as FoH is concerned, just consider your mic as being directly connected as usual. Plug your bass DI into channel 2 on your Behringer 1204 mixer. Buy a pair of cheap condenser mics (e.g. something like a Behringer C2), plug them into channels 3 and 4 on your mixer - and put them on stands L and R of the stage so you can pick up whats going on on stage. I'm not sure whats happening lead singer wise, but you may need to experiment with mic placement to pick up everything as you need (maybe even having your mic pointing towards a wedge if they are monitoring that way). Make sure you turn on phantom power on you your desk so the condensers work. Ensure all aux sends are down on all channels apart from the vocal mic channel. Plug your Xvive U4 into the L out on the desk. (Being mono is fine as long as all channels are panned centrally or all to the L) In order to set your mix, just ride the faders (remembering the master output needs to be up also). Doing it this way gives you some control of your feeds by enabling you to add in some EQ (cut lows) to taste. Have fun! What desk are you using for FoH? Or is the Behringer the FoH? If it is the FoH, disregard the above...
  21. EBS_freak
    No.... it's a neck through. It's just the natural wood showing through
  22. EBS_freak
    Really love the Hawaiin print! I nearly did a bass like that - but red and white - based on some boxershorts I have!
  23. EBS_freak
    If any shop owners are reading this, I’ve got a powered Kemper rack and pedal up in the for sale section… it’s a steal too.
  24. EBS_freak
    Im glad it's working out! (also, hope you are over your injury).
  25. EBS_freak
    Hence the double comment.
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