EBS_freak
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Everything posted by EBS_freak
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The links are all in the opening posts - but admittedly, this one was out of date. If you are handy with soldering, heres the cable you need - https://www.sommercable.com/en-gb/Instrument-Cable-TRICONE-SYMASYM-1-x-2-x-0-14-mm2-PVC-11.3-x-11.3-mm-black/301-1101#neonCfg=pulength::pu100 -
Bite block every time. Only folks that shouldn’t use a bite block are audiophiles who want to just sit still in a chair and get lost in the music or whatever they do.
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Maybe I'm a bit of a wrongun, but having ear impressions taken makes me go all gooey :P. Love it.
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Compression is very commonly misused on live mixes - and really can make stuff sound bad if you don't know what you are doing. The "wizard" settings, are usually just a starting point assuming you have correct gain staging and EQ. The vast majority of folk haven't got that latter point right... so the whole thing cascades into a mess. As they say, less is more.
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It needs to be run at 2 Ohms.
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I wouldn't necessarily ignore the Reidmar. Yes, it's not going to win any prizes for the nicest looking amp - but sonically it pretty much apes what the HD350 - without the weight.
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Kills you in the end doesn't it?
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I feel like reading this, I should make something to do this. I can't believe you haven't got a decent solution after all this time.
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Anyone shot a Gig with a DJI Osmo Pocket 3?
EBS_freak replied to dave_bass5's topic in Accessories and Misc
DR = Dynamic Range (e.g. the ability to capture the shadows to the highlights. In difficult lighting conditions you'll compromise the shadows or the highlights (e.g crushed blacks or blown highlights). The higher the dynamic range, the better. -
2025 Im looking to get rid of more stuff!
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Additionally - Have a couple of overheads over the drums panned hard left and right and you'll hear how much it opens the room up.
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That they are - the Fischer was always too expensive to lead the IEM charge and Behringer took the oopportunity. Makes you wonder how cheap these things are to actually produce. I bet Fischer hadn't got the money behind them to risk it to get the price breaks.
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I concur.
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If you like playing with such things, also check out - * Live Professor - https://audiostrom.com/ * https://www.waves.com/mixers-racks/superrack-performer
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...but the end of the tales may be equally as sticky.
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I know, right? If you want such financial domination and frustration, a mistress must be infinitely cheaper* *...so I'm told.
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I love rhetorical questions.
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Hi @MrPring - what is it you are actually asking?
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What is your setup - what have you got in terms of open mics in your existing setup? If you are purely silent stage it's all going to sound a bit dry. But if you are looking at putting some mics up to get the drum kit, it sounds like you've got analogue stuff on your stage...
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I'm not disputing that - I'm commenting on him being a builder that is showcasing his building skills by dropping the neck on the floor twice in quick succession and then thinking it's a good idea to post that on Youtube. Strange if you aren't interested in the guy you are lurking in this thread... but there you go!
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Standard practice in dropping instruments you are building? really?
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...and why would you even post such a thing on youtube anyway...?
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Are these things actually any good? Do they play/sound better than they look (appreciating beauty is in the eye of the beholder). Just had a quick skim through his videos on youtube... I'd be well chuffed if my custom build was being dropped multiple times, getting dented along the way.
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Bump before xmas
