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Sparky Mark

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Everything posted by Sparky Mark

  1. Sparky Mark
    No worries. You shouldn't need to go searching.
  2. Sparky Mark
    What year was it made please?
  3. Sparky Mark
    Don't get me started on my current bugbear of for sale adds without the obviously essential location info. Profile says Leicester.
  4. Sparky Mark
    I wonder how much power a good single 12" speaker can convert to audio output? The rest is dissipated as heat by the voice coil. Higher thermal power ratings possibly indicate that you can run them at their maximum volume for longer without overheating. It follows that the sensitivity and other parameters such as xmax are more important than thermal rating if you want loudness/headroom.
  5. Sparky Mark
    I was a Mark King fan back in the 80s and that great slap tone was all about smiley Trace Elliot EQ shapes with loads of power and cone area to compensate for the lack of mids. Slapping with mids flat sounds really hard and clanky, so for those that want to have slap sections you'll most likely want to kick in mid cut, volume boost and compression so as not to kill the front row of drinkers. It's still a wonderful thing when used correctly (sparingly) on those classic RATM, RHCP, Brit Funk, etc., etc., favourites.
  6. Sparky Mark
    I think I'm the one that's irked cuzzie! The small markbass cabs are quite popular due to all the above reasons, so waiting for one to appear might take a while. Better to add a wanted thread in the marketplace; you could get something sorted sooner.
  7. Sparky Mark
    We're heading off topic here, but good slap tone doesn't necessarily need a tweeter (think back to early Brothers Johnson, Level 42 etc.). Of course almost everything discussed on here is (hopefully) based on opinions that have been formed by personal experience. That is completely rational. I totally get that others have tried gear and not liked it. I never 'got' Markbass when I tried it in store but when I used a LM2 through a rubbish Laney 410 cab at an open mike night it was a real ear opener. Having been precisely where the OP is, my rational advice to someone who is happy with their combo but just wants the ability to go louder is to add another cab of the same type.
  8. Sparky Mark
    Resistance is futile.
  9. Sparky Mark
    I would ignore advice from anyone who admits to having quote "irrational hatred" of anything. Chances are that they've never done a proper A to B comparison of what they have against what you are thinking of. I can guarantee that if you are liking the CMD121P combo then the cheapest and best upgrade is either a NY121P (my choice having also owned two TRV121H cabs) or a TRV121H. You can pick either up secondhand on here for around £200 to £250. If you still need something different then you can shift that gear easily. Two twelve cabs can be fairly lightweight but they're not as flexible or convenient sizewise (is that a word?) as two single twelve cabs. I've no experience with BF cabs but as my Markbass cabs stand up really well against my Bergantinos I don't feel the urge.
  10. Sparky Mark
    I wouldn't get too hung up about what the specs say about weights. I have two NY121P cabs and they are not the same weight but that's fine as they are still a one hand lift each. I would try to find an older Italian made cab with a B&C driver in it.
  11. Sparky Mark
    Clever clogs!
  12. Sparky Mark
    Better still just add your location to your original post.
  13. Sparky Mark
    I thought so. I'm not going mad, just mad!
  14. Sparky Mark
    Cheers. Too far for me. Most time I tap there's still no location. This is a bit better.
  15. Sparky Mark
    I get so hacked off having to guess where in the world all the gear I want to buy is that I just can't be bothered to ask any more.
  16. Sparky Mark
    I used to have a CMD121P combo to which I added a NY121P cab. The increase in volume sounds more like four times and the fullness of sound is amazing. Do it now!!! As I already had a LM3 I sold the combo and bought another NY121P cab for my lightweight rig of LM3 plus two NY121P cabs.
  17. Sparky Mark
    I am no way as experienced as you (thousands of gigs; wow!) but I know that I want colour to come from my fingers/pick/strings/bass/pedals and amplifier. I want my cab to simply make it all audible and as loud as I want. As long as the rest of the chain is correct I've never had a problem with any cab ( other than some won't go loud enough) and Bergantino ceramics stand head and shoulders above all the others I have owned. Put sterile or harsh into them and guess what, that's what comes out loud and clear.
  18. Sparky Mark
    That's perfect, many thanks.
  19. Sparky Mark
    Alternatively a few decent photos will save a thousand words.
  20. Sparky Mark
    Thanks but how old is the amp please? The date of production is more useful than when it was purchased.
  21. Sparky Mark
    I just have a feeling that there isn't a sub £1000 amp out there that will match the DB751 sonically. Lighter yes, perhaps even more tonally flexible, but if it sounds the way you want then anything else could be a backward step. It's really easy to advise others to spend their hard earned trying our own personal favourite but the OP is already at the top end of what's out there. If weight only and not expense was the criteria the only amp I would suggest purely on other people's reports and reputation would be a Bergantino B|Amp with and programmed for matching Bergantino Reference series cabs of the OPs choice.
  22. Sparky Mark
    How old please? (The amp not you; I wouldn't be so intrusive 🙂)
  23. Sparky Mark
    Compared to an SVT (and most powerful tube heads) the DB751 is a relative lightweight at 42 lbs and still lighter than many 210/115/112 cabs that it is driving. Personally I think the extra 35 lbs load in/out is worth the effort given that you could be stood in front of it on a gig for 2 to 3 hours. If there's a medical reason for the downsizing then you maybe have no choice; otherwise stick with it as anything else could well be an expensive disappointment.
  24. Sparky Mark
    Totally agree that the frequencies affected are much tighter with the graphic and TE instructions are to adjust adjacent sliders as you describe. However on a gig the low end is the only area where I have no idea what's going to happen. Mid and top are set during rehearsal to suit my bass of choice then low end set dependent upon venue acoustics. All that said most gigs end up with nominally flat EQ settings.
  25. Sparky Mark
    If you know which frequencies you'd like those 3 or 4 EQ knobs to be centred at then just ignore the other graphic sliders. Whichever amp you use you should know which frequencies you like to cut or boost and the 12 band TE graphic will inform better than 3 or 4 bands of semi-parametric EQ IMHO.
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