Sparky Mark

As a fan of Trace Elliot GP12 amplifiers (Series 6 and SMX in particular) I was very interested to try the Ashdown Bass Graphic EQ/DI as it's variable pre-shape control and EQ points are practically identical. Having bought one on here and had an initial try out I'm really pleased. This unit is a TE Series 6 GP12 preamp and the variable pre shape gives my GK MB110 combo (set nominally flat) the classic TE sound. The magic in this unit is the pre shape and how you can vary the amount it affects your signal (the original TE pre shapes were either fully on or off). This unit isn't just a bass graphic EQ pedal, it's a fully featured preamp with the classic TE sound (and pedigree). The only minor negatives for me are the VU meter, which does look nice but isn't really necessary, and the graphic section adding a bit of hiss to the signal. I haven't tried it at volume yet but I can see myself using only the pre shape control to give my Markbass rig some lovely TE flavour.

I've just bought an Ashdown EQ pedal from Chris who replied promptly to all comms, shipped in double quick time and packed it brilliantly for the journey. Thanks for such a smooth transaction Chris.

The CT versions are finished to a higher standard and use better quality components than the Ignition Series. They also have the laminate nut, zero fret and the gap underneath the fretboard which allows the traditional Hofner strap to be used. The CT does cost roughly twice the amount of an Ignition for these differences however.

All true other than the Ignition versions don't have the centre block like the Contemporary range. The Ignition has a small brace underneath the bridge saddle, the rest of the body cavity is open. This makes the Ignition on a par weightwise with the German versions.

Removed pickguard, fitted genuine Hofner teacup knobs and truss rod covers and blacked the pickup surround screws with a Sharpie. I sold the 62 on here a few months back.

You've done a similar amount of research as I did before I bought 61 and 62 Ignition versions to decide which pickup positions I preferred. I chose Ignition over Contemporary because I wanted the hollow body so to be closer to the German versions. I preferred the 61 and will at some point get a German example. You appear to have a connection with Warwickshire so get down to BD to try Mark's stock; that's the only way to know what's best for you.

I'll be there wearing my BC polo shirt as ID.

Brilliant amp, but I just find the polished stainless front panel impossible to read.

I'm hoping that Ashdown will bring production back to the UK for both environmental and ethical reasons.

This has been the HI eq on many Marbass heads for 15+ years. I find it perfectly usable, but rarely do.

I justify my "collection" (to myself) as before too much longer it will be used to part fund my retirement.

Thanks, I'd missed the earlier reference. Membership pending.

How do we track "HW" down?

It looks great! I want one...

Isn't that the one at Andy Baxter's for nearly £10k?

752

I didn't know either! Had to write them down; 25 basses with one more on order, 1 six string classical, 1 six string acoustic. As this seems a bit excessive I'm definitely considering shifting one of the 6 strings.

And I've just received some Hercules wall hangers from Dan, superbly packed in excellent condition at a great price with fast delivery. Another thank you Dan.