samkeen

Bad luck with the tendon - is it a fairly easy mend? I think old Francis Rocco Prestia's a good example of holding down a great bassline without using his whole left hand (I think he only uses his first two fingers!), perhaps have a look at the way he plays. All the best and hope you're recovered soon! Sam

[quote name='Mykesbass' post='653225' date='Nov 12 2009, 11:47 PM']Doing this incredible stuff to me is like guitarists and shredding - there's always going to be someone to come along and do it faster with shredding, with bass, always someone to push the technique even further. In the end we'll always be going back to the James Jamersons, Bernard Edwards and Norman Watts Roys of this world.[/quote] I know it's been said on this thread before so I'm just reiterating, but it's important not to look at the technique but listen to what he achieves with it. Technique's the key to better self expression. If the technique's what's being expressed, i.e. "look at my flashy chops" then I completely agree with you - we'll always be drawn back to people with something to say rather than people who say nothing but say it really really fast! I don't think this is the case with Michael though, I think his techniques let him speak more fluently.

Thanks for your posts guys. In the end I've opted for the Thomastik Infeld Jazz Roundwounds, they're nickel plated and are also quite finely wound, so shouldn't do much damage but still sound and feel nice.

Hi guys, I'm about to take possession of a fretless bass with a Brazilian Rosewood fingerboard. I've been in touch with one of the previous owners, who told me that it's possible to use roundwounds (which I'd prefer) as long as they're not stainless steel. What materials do you recommend? Nickel's the obvious one, but would gold plated strings work too? I imagine the gold's fairly soft compared to stainless? What about coated strings? Thanks all! Sam

It all depends on how competent you are slapping without having to use open strings. If all you can do is slap in E minor then it's all just w*nkery as others have said. If you're able to develop the techniques so that you can play anywhere on the bass then it's just as good a tool for expression as any other. I love it

Some people are saying that they're in tune across the neck at the same point on the fret marker and Willis says he isn't - perhaps some luthiers are addressing the issue Willis came across and compensating the fret line position?

Thanks guys!

Matt Garrison and Hardien Feraud are using their thumbs to very good effect as well as multiple fingers. If you're using three fingers on the right make up lots of exercises using different numbers of notes in the left hand. A chromatic scale playing four notes per string will have you changing string on a different finger each time. You'll soon see what's most comfortable for you. Good luck!

[quote name='grumble' post='612037' date='Sep 29 2009, 02:51 PM']BassChat 'er, in plain English, a forum member Welcome Sam, you are just what I need, a teacher !! Shame I'm so far from Devon [/quote] Ah well! Feel free to ask me anything if you need advice, I might be able to help