thodrik

I'm pretty sure that the Mesa Powerhouse speakers are a 'special' Eminence design to their specs, based on the Deltalite II but not identical (but maybe almost identicial). Similar to how Trace Elliot use 'special' Celestion speakers. I may be entirely wrong but that is what I have been led to believe over the years. I can't say I've notice anything wrong whatsoever with the Mesa stock speakers have tried, apart from the price of the cabinets in general.

[media]http://www.youtube.com/watch?v=V2wlku4r1iA[/media] This is old but still funny, to me anyway.

There are some interesting bits to St Anger, but I can't take it as any kind of masterpiece for the following reasons. 1. The drums 2. Overly compressed and layered guitars which go against the ' raw' sound they tried to capture with the drums 3. Singing that is at times woefully out of key 'Ooooooohhhh what a good boy you are'. Well, 'its a raw production' you think, but then... 4. Multi-layered tracks of vocals, harmonising with out of tune singing! 5. Awful, cringe-inducing lyrics 'Frantic, tic tic, tic, tic, tic tock' 6. Tracks that are generally slabs of riff sections sandwiched together with no melodic development whatsoever. 7. The drums With all that said, it is probably the Metallica album I have listened to the most, just to see if I was missing something. After 9 years, I am quite convinced that it is still not very good. The first two minutes of Some Kind of Monster are great and that is about it.

Park by Marshall 25 (maybe 35 I can't remember) 1x something combo since I was 11.

[quote name='Cosmo Valdemar' timestamp='1344513265' post='1765665'] I liked Death Magnetic! I do have issues with the mix though - the bass is far too low and the whole thing is comically mastered. But we all know that already. I just picked up a recent EP of tracks that didn't make the album, apparently it's quite good. Only $2 too. Can you elaborate on why it's known as the Muff album? I have my theories... [/quote] I liked the songs on Death Magnetic as well. Just awful production work though. The constant snare clipping makes listening on headphones an almost impossible task.

If I was guessing I would say that it would been around the Loud, Reload era, when they generally got a bit more experimental and turned the bass up in the mix a bit.

I've had a Walkabout for about 4 years. No issues as of yet. I have never struggled for headroom running through the Scout 15 and I would guess it would be similar story if I was using the Barefaced Compact. One of the parts of the amp I like the most is that the 'all knobs set to 12 o'clock' delivers such a good tone that I generally don't use the EQ much. The only quirks/issues I can identify: The post everything DI and the way the DI level is altered by any changes in the master volume. It could probably do with a mute/standby switch No speakon outputs The fan is generally loud, but its not really a bedroom level amp anyway.

Nice finish.

[quote name='LukeFRC' timestamp='1343085435' post='1745188'] Thing is, maybe you could quote Bauhaus aesthetics (the designer part of me would ask which bit of bauhaus but never mind that ) but to me it looks like a curvy update of the steinberger, which is great- but hardly fashionable. The basslab stuff however does look good. two thoughts.... 1) they have a green furry trace at church which time to time I stick the warwick through. Now the warwick is wonderful but, esp with the active pickups, it is such an 80's sound. in my head not pretty damn great! 2) I saw this wee band once with a modulus, red hot chill something or the other. Fella from muse also been playing status apparently [/quote] When I saw the Chillis Flea was on his Jazz bass kick. I also know the Muse Status connection. Generally I was meaning the bands beyond the absolutely massive million selling acts. Once you are at the Muse/RHCP level any number of basses are used.

[quote name='Warwick_Official' timestamp='1343089383' post='1745213'] Our new website should be launched soon! We've been putting a lot of work into it, to make sure its done right. Thanks for your patience and support! Please let me know if I can assist in any way! [/quote] That is great news. I have found the current one frustrating to navigate. Thank you.

I would say that a Warwick being played through a 1990s furry-carpet Trace Elliot stack would be pretty damn unfashionable at the moment and sound pretty damn great. Also Warwick's website is the worst when it comes to trying to look at basses, so they are automatically uncool for me. On the Status points, I'm not sure if they are unfashionable but I have never seen a fully graphite-necked Status or Modulus bass at a gig, whether I was playing or watching. Which is strange as I have been to a lot of gigs. I can't bring myself to call them unfashionable though, as it would essentially result in me declaring myself as uncool on account of the strip of carbon that resides in my Vigier.

If in doubt, Precision. If needing 'flexibility', Jazz bass. Both basses work for pretty much any type of music.

I haven't tried the new ones, but the last two 'new' Rickenbackers I have tried were both fairly good. Still for the money they are charging you would expect them to play fairly well from the get go rather than being a classic Fender 'good bass hiding under a bad set up' job. In terms of shoddy QC (poor bookmatching of body pieces, bubbly chrome etc), I put it down to Rickenbacker having a slightly more 'agricultural' approach to finishing and quality control, compared to something like a Sandberg, Musicman, Sadowsky Metro etc. There is also the rumour/fact that the best Ricks generally never leave the USA. I'm not usually that fussing on purely cosmetic QC, so long as the bass sounds and plays good/great/fantastic, but if these Ricks were playing and sounding poor that is a bit worrying.

I think that the original Fafner has some 'suggested settings' on the EBS website. You can maybe try those since I'm guessing that Fafner II has a similar voicing but with a lot more options.

[quote name='Musicman20' timestamp='1341847424' post='1725034'] Mesa seem, IMO, a bit stubborn, but they can get away with it because they make amps with great tone. What the world needs is a slightly more powerful Walkabout, with the same pre, a similar power but higher (eg 500-600W), with speakons and a switchable pre/post EQ with a separate DI level. It'd be £1500+, but it would sell. [/quote][quote name='Musicman20' timestamp='1341847424' post='1725034'] Mesa seem, IMO, a bit stubborn, but they can get away with it because they make amps with great tone. What the world needs is a slightly more powerful Walkabout, with the same pre, a similar power but higher (eg 500-600W), with speakons and a switchable pre/post EQ with a separate DI level. It'd be £1500+, but it would sell. [/quote] My guess is that they don't make it out of fear that nobody would buy the 300 watt version. Also the Walkabout has more than enough volume for any gig I have done. The 1x15 combo is plenty enough to keep up with a half stack and can easily be heard above two full stacks if played through an 8x10. All in all, I'm not sure what practical benefits upgrading the power section will actually bring. But yes, a pre/post EQ switch, mute/standby, speakons would be handy. Mine already has a DI level, though knowing what the 'right' level is is usually down to guesswork.

I have the amp. The post EQ thing is a bit of an issue. You can get a really nice post-EQ DI sound for recording or gigging, it just takes a little bit of work with the soundperson in terms of getting the DI level setting at the right level. This can be problematic if your band's soundcheck has to be done in 3 minutes. The easiest solution is just buy a DI box if a pre-EQ DI is essential. I already owned a Sansamp so I never really considered the mod. Getting in touch with Mesa seems like the best option, since in the blurb it states that they would fax you the mod.

[quote name='1976fenderhead' timestamp='1341400300' post='1718259'] Got a reply apologising and explaining the mistake. They've put a disclaimer on the bottom of the 110 and 112 pages. Apparently the large Classic cabs say China correctly, they screwed up with copy pasting from the Neo cabs to the small ones. [/quote] An honest mistake then. No harm there really.

[quote name='lettsguitars' timestamp='1341344904' post='1717532'] Construction goodness, yes. But the b will definately get better with longer scale basses. [/quote] I won't dispute that. But just as every 34 inch scale or less bass won't necessarily have a 'bad' b string, not every 35 inch+ scale length basses will have a 'good' B string response. Construction, pickups and EQ can compensate for a shorter scale length, although the same construction, pickups and eq would perhaps lead to a better b string sound if that bass was designed as a 35 inch scale length instrument. Although that didn't stop me from buying my five string.

[quote name='Musicman20' timestamp='1341300977' post='1716451'] They shouldn't have written that on the cabs, I agree. [/quote] Could be a Swinglish mistranslation, or even just a plain old mistake on the back of the cab. The fact that EBS do the certificate of origin in the first place gives the impression that they don't want to mislead anybody as to what is done where.

[quote name='BigRedX' timestamp='1341319580' post='1716903'] IME good construction always trumps just adding another inch or two to the scale length. [/quote] My view as well. My fiver has a scale length of something like 33 2/3 inches. Very good low B response. Although I have liked the 35 inch scale basses I have tried (Overwater/Lakland etc).

I have small hands for my size. I started on a Precision bass and after that went through the grades on the double bass. I think that with practice and improved technique, small hands should rarely be any kind of issue as your fingers when trained can stretch quite a bit. I think some of the 'small hands' problems comes from people who try to play every interval with the index and third finger.

Lovely colour.

[quote name='1976fenderhead' timestamp='1341162303' post='1714538'] True, if you're happy paying twice as much, I sometimes am too but not at this moment Well the cabs are made in Sweden if it helps... [/quote] I'm pretty sure that the ClassicLine cabs are made in China as well. That doesn't make them any less good though.

Some basses come with instructions/allen keys etc, some do not. I'm guessing that Dingwall have a contact telephone number for sales/warranty etc.... [url="https://www.dingwallguitars.com/contact/"]https://www.dingwallguitars.com/contact/[/url] Found it in 30 seconds. You should be able to find out if they forgot to include something in your order. Good luck and enjoy your (probably awesome) bass.