Cat Burrito

I did a 110 mile round trip for years and it only stopped because the singer split. Distance is less of an issue if the group is right for you. Now I have less than a 3 mile round trip but I'm less busy. Happy with it though

[quote name='xgsjx' post='651691' date='Nov 11 2009, 03:20 PM']Best thing to do is start your own band.[/quote] I completely agree. I've auditioned for a couple of bands in the last 3 years and joined them both but the other groups I've done over the years have mainly been formed or co-founded by me. There's less mucking about and I get things my way. Also if someone isn't up for it (or if they are) I've always made a point of telling them promptly and politely. I don't think it's bass players as geoffbyrne would no doubt agree. I'd even add promoters, studios etc. It's human nature for some and yes, it can be a pain!

I was dragged to a Motley Crue gig but I can't think of any silver lining :snob: My wife enjoyed it at least

The seller must be kicking himself - good deal (for you!)

It's all subject to tastes & it depends what your band is like. I play with a quiet band who dabble in folk & bluegrass so a 100w combo is hardly being pushed. My drummer uses brushes a lot too. If I played in a hard rock band with a powerhouse drummer I'd probably push for more wattage. It also depends on your budget.

Does she realise she's raised the bar now? That'll go nicely with your wedding bass & your honeymoon bass!

I played last night supporting Wilko Johnson (with a very impressive Norman Watt-Roy on bass) and it was awesome fun. I liked the show we did and thought we did well.

[quote name='witterth' post='648447' date='Nov 7 2009, 11:53 PM']Unlined looks cooler, but I'd be sunk without the side dots.[/quote] Likewise

I have my main rig of the 78 Bassman head that I run through an Ampeg SVT cab (both sourced through BC) then I have an Ampeg combo for the can't be arsed to cart it around performances and a cheapy practice amp for acoustic jams as well.

Hopefully the SD pup will sort it. I've had Basswood bodies and they have given me no issues. A good set up whilst fitting the pickup will hopefully give it some life

Wow! If I put all my musical purchases together I am sure it would make me feel guilty. Some nice gear in there

Sting is making some brave choices in knitwear!

Don't be shy posting pics! In terms of thumb rests, try [url="http://www.classicguitarboxes.com/thumb_rests.php"]http://www.classicguitarboxes.com/thumb_rests.php[/url] The ashtray covers are easy enough. If you aren't happy drilling into your bass, get it done professionally.

A few moments for you to marvel at; We played The Maltings in Farnham back one winter in the 90s. On the bill was a band called Avalanche that were getting really hyped. The promoter kept saying "The Avalanche boys will be here any minute". We spent several hours in the warm waiting for them and finally we were told "The Avalanche boys are here!" where on a bunch of guys walked in brushing snow off themselves! Priceless! I played the Hope & Anchor in Islington back in my punk days and we put on our usual energetic set. The audience was little more than a bunch of tourists who appeared vaguely disinterested. We threw ourselves about and gave it all the attitude. Afterwards we went off to the backstage area which was a side room. We were freshening up when this german guy kicked the door open and shouted with quite some enthusiam "Farkin' hell! Punk rock! You guys are really punk!" We all just fell about laughing. Bless him. In my early 20s we landed a gig in Lincoln and unwisely started drinking Special Brew from 7am. We all loaded into or transit and drove from Bath. The drinking didn't stop (our guitarist had a legendary pee at a roundabout that lasted several minutes!). By the time we got to LIncoln we were all pretty drunk, except the roadie / van driver. The people who were going on stage were wrecked. We went onstage at 9pm. I was propped against the fire exit as I couldn't stand. I remember the lead guitarist walking around the stage on his hands and knees hitting the floor (he had dropped a plectrum!). The whole show was a shambles. We played to a very nervous looking audience and eventually exited via the fire exit and went downstairs. The promoter came running down stairs demanding we get back up there as "they loved us". We weren't convinced but went back up and played what I can only imagine was the world's worst encore. The audience continued to look awkward but we exited and again the promoter came running down to tell us how much these people loved us. This time we told him that we really weren't convinced and said so. We were told it was like "watching The Who and the Sex Pistols all rolled into one". We went back upstairs and pushed our merchandise - we never sold more before or since! We weren't the new messiah, we were very naughty boys!

Very cool, thanks for sharing

Tinman - Just so as we are clear, I was the Huggy Bear character who (accidentally) gave Mrs. Tinman the word on the street re this thread. :blush: Like I can talk with my mass of kit! Sorry

I bought a MIM Jazz in the early 90s which had different string volumes. I even had a letter published in a guitar mag. It put me off Mexican Fenders for the best part of 15yrs. I always favoured the MIJ stuff. However around 2004/5 I discovered the posher MIMs like the Classic Series and have done a complete U turn. These are seriously wonderful basses. In fact I've since played MIM standards and a well set up good one is a great bass. I think the snobbery of old is long gone. I was just unlucky first time around. The P Bass Special isn't something I have personal experience with but I do know that it is in the same league as the Classic series so I'd wager you'd be getting a quality instrument for your cash. The MIM Deluxe stuff I have tried has been bang on the money

Cool, I'd love to try one

[quote name='bigjohn' post='644303' date='Nov 3 2009, 12:28 PM']I've always used copper shielding tape / foil. It does quieten things down a little.[/quote] I did my 80s P-bass with this. One issue can be rust. The bridge of my P-bass was so rusty underneath that it wouldn't conduct properly. A good clean up all around and it made a difference. It's worth remembering (for anyone new to basses) that you get a certain amount of hum with Fender style basses anyway. My P-bass is now fine. I think the rust came from my old punk days when I used to rest my hand on the bridge. Those were some sweaty gigs and that must of been years of heavy gigging and old bad habits

Looks good and welcome to the darkside!